微胶囊化颜料粒子表面形貌的模式识别及量化表征

材料粒子的微胶囊化可提高材料的某些耐性［'j．群青颜料色泽鲜艳，但不耐酸，对群g粒子进行微胶囊化可改善其耐酸性．但由于相应粒子表面形貌不同，难以辩别与描述．本方使民计算机图像处理［'屿模式识别技术［'j，并用表面分形维数量化表征粒子的表面形貌［'j．1实验部分以群青粒子为芯材、以Na。SIO。与NH。CI水解产物硅胶为膜材，进行粒子的微胶囊化．将改变乳化剂浓度、搅拌速率两系列微胶囊化样品及原样采用JFY－ABI型测色计进行耐酸性色差（凸E）测试．粒子的表面形貌在X－650型扫描电子显微镜（配图像分析仪）下，经过数S化…     

电泳显示微胶囊的制备和性能

以有机颜料联苯胺黄为显色粒子, 四氯乙烯和甲苯混合溶液为分散介质, 油溶性蓝N为吸光染料, 用超分散剂CH-2C分散颜料粒子, 脲醛树脂为壁材, 通过一步原位聚合法制备了电泳显示微胶囊. 通过显微镜检查微胶囊的表面形貌及粒径, 并对微胶囊内颜料粒子的电场响应特性和显示性能进行考察. 结果表明, 所得微胶囊表面光滑, 囊壁透明, 囊内颜料粒子对电场变化能够快速可逆地响应, 并具有双稳显示特性.     

纳米金掺杂中空微胶囊的制备与表征

将表面含有双键的二氧化硅微粒分散在纳米金和聚乙烯吡咯烷酮溶液中.在此溶液中以聚乙烯吡咯烷酮为模板聚合物进行丙烯酸的模板聚合,得到二氧化硅为核、聚丙烯酸/聚乙烯吡咯烷酮/纳米金为壳层的核壳结构微粒.用氢氟酸将二氧化硅微粒去除后,得到了纳米金粒子掺杂的微胶囊.分别用扫描电子显微镜和激光共聚焦显微镜表征了微胶囊在干态和湿态下的形貌.通过电子衍射和透射电子显微镜确证了纳米金粒子在微囊壁上的存在和分布.     

相变调温微胶囊的制备

采用原位聚合法用三聚氰胺-甲醛树脂包覆正十八烷,制备出相变微胶囊．利用扫描电镜和差示扫描量热仪对微胶囊试样的表面形貌和热物理性能进行了研究．实验结果表明：制备的相变微胶囊表面光滑,平均粒径2．84μm,平均壁厚0．41μm．     

微胶囊电泳显示技术

微胶囊电泳显示是一种可逆、双稳态、柔性的电子纸显示技术。本文描述了微胶囊电泳显示技术的“单粒子”和“双粒子”两种基本显示原理,并分别针对其制备技术中的电泳颗粒的表面处理、显示液的配制以及微胶囊化三个关键步骤作了详细的介绍。还介绍了微胶囊电泳显示技术的研究现状和发展趋势。     

用高分子保护的纳米MgO的合成

本文利用高分子表面保护的化学沉淀方法成功地制备了粒径分布均匀的类球型纳米MgO。并对所制得的纳米粒子采用红外光谱（IR）、透射电镜（TEM）、差热及热重分析（TG－DTA）和X射线衍射（XRD）等现代分析测试手段进行了表面形貌、结构、晶形和组成等的表征。结果表明利用高分子的表面保护作用能够控制纳米微粒的形状和大小;由于聚乙烯醇分子中多羟基与金属离子间强的相互作用,因此获得的纳米微粒径更小,分散性更好。     

叶酸对磁性Fe_3O_4纳米粒子的表面修饰

以FeCl3·6H2O作为单一铁源,1,6-己二胺作为胺化试剂,利用无模板的溶剂热方法制备了胺基功能化的磁性Fe3O4纳米粒子,并利用其键合叶酸分子,制备出表面修饰了叶酸的磁性Fe3O4复合纳米粒子。利用傅里叶变换红外光谱仪、X-射线衍射仪、透射电镜、差热-热重分析仪和振动样品磁强计对所得纳米粒子的形貌、粒径、化学组成和磁性能进行了表征。结果表明,叶酸分子通过化学键牢固键合在磁性纳米Fe3O4粒子表面,叶酸修饰的复合纳米粒子仍然具有良好的磁性能。     

金纳米粒子在平整硅基表面上的组装

采用水相硅烷化方法,将３－氨基丙基－三甲氧基硅烷（ＡＰＳ）组装在湿化学法处理的单晶硅表面上。接触角、原子力显微镜（ＡＦＭ）、Ｘ射线光电子能谱（ＸＰＳ）表征结果显示得到了平整均匀的具有氨基表面的自组装膜。ＳＥＭ观察表明,１６ｎｍ的金纳米粒子可以在上述氨基表面上形成均匀的亚单层排布,得到了具有Ａｕ纳米粒子／ＡＰＳ／Ｓｉ形成的纳米复合结构,进一步的处理可以使金纳米粒子在表面上的排列由随机趋于有序化。     

球型Pt微粒电极的构建及其对甲醇电氧化的研究

以镍铬合金为基体,在其表面电化学沉积制备了Pt微粒电极,用扫描电子显微镜（SEM）对电极的表面形貌进行了表征,电化学方法考察了电极的电化学性能和甲醇在该电极上的电催化行为．结果表明镍铬合金表面沉积的球型Pt微粒电极对甲醇的电氧化具有良好的催化活性,相同实验条件下,该电极的催化活性比纯Pt电极高30倍．该电极对甲醇的电氧化显示出较高的催化性能．     

Pickering乳滴模板法制备超粒子结构有机/无机杂化微球

Pickering乳滴模板法制备有机/无机杂化的核壳微球越来越引起人们的关注,主要因为该方法制备出的微球具有以无机粒子为壳层的超粒子结构(supracolloidal structure),能够赋予微球独特的功能.胶体粒子在乳滴表面自组装形成有序的球面胶体壳,得到稳定Pickering乳液,固定乳滴表面的胶体粒子来制备核壳结构的微球或者以胶体粒子为壳层的微胶囊(colloidosome).本文综述了我们课题组以Pickering乳滴模板法制备超粒子结构有机/无机杂化微胶囊包括实心微球方面的工作.我们选择具有不同性能、种类的胶体粒子以及具有不同性质和功能的核材料,采用Pickering乳滴模板法,对吸附在乳滴表面的胶体粒子用不同的固定方法制备具有不同结构和性能的微球和微胶囊,利用基于多重Pickering乳液的聚合技术制备双纳米复合的超粒子结构多核聚合物微球.     

Raman spectroscopic study of a post-medieval wall painting in need of conservation

Raman spectroscopic studies of four specimens from an important angel wall painting in need of conservation work in a medieval church have provided some information about the pigments and pigment compositions which will influence possible future preservation and restoration strategies. Excitation of the Raman spectra at 1,064 nm in macroscopic mode and at 785 nm in microscopic mode revealed that the white pigment on the angel's wings was a mixture of barytes with calcite and lead white in minor composition. Although the specimens provided were not directly associated with coloured regions of the painting, yellow and blue microcrystals were found and they were identified as chrome yellow and lazurite, respectively. Red and brown particles were identified as cinnabar/vermilion and haematite. Several green particles were also found but could not be identified. The green and blue crystals could be related to neighbouring coloured regions of the artwork and the yellow colour could be identified as a background to the angel figure. Particles of carbon were found to be dispersed throughout the specimens and can be ascribed to soot from candles, heating stoves or oil lamps providing lighting in the church. No evidence for biological deterioration was found from the spectra. The unusual pigment palette is strongly suggestive of a later date of painting than was originally believed but there is a possibility that an earlier rendition exists underneath. Following a review of the spectroscopic data, a more extensive sampling protocol is recommended, from which some stratigraphic evidence could identify the underlying plaster and possible artwork.     

Raman fibre optic approach to artwork dating

Raman micro-probe spectroscopy has been applied to the analysis of a non catalogued hand-crafted wallpaper during its restoration process. The analysis has been totally non-destructive without the necessity of taking any sample. The artwork showed a great chromatic palette having been detected the presence of calcium carbonate, Prussian blue, ultramarine blue, gypsum (CaSO4.2H2O), minium (Pb3O4), vermilion (HgS), chrome orange (CaCO3), chrome yellow (PbCrO4), barium sulphate and carbon black (C). From the spectroscopic analysis the date of its manufacturing has been set between 1828 and 1830, introduction of chrome yellow and orange, as well as artificial ultramarine blue, and 1840, when continuous industrial wallpapers were extensively manufactured in Europe.     

Micro-Raman analysis of coloured lithographs

Raman micro-spectroscopy was chosen for analysis and identification of the pigments present in four nineteenth-century hand-coloured lithographs, as this technique has several advantages over others for this purpose. The possibility of performing completely non-destructive analysis without any sampling is probably one of its most favourable qualities for art analysis. Raman spectroscopy can also be used to determine some pigments that cannot be detected using FTIR, such as vermilion, carbon blacks, cadmium pigments, etc. Among others, Prussian blue, ultramarine blue, carbon black, chrome yellow, yellow ochre, red lead, red iron oxide, burnt Sienna, indigo blue, chrome orange, phthalocyanine green, and some other organic pigments, were determined in the specimens. The results obtained have led to doubts about the age of the lithographs.     

A non-invasive XRF study supported by multivariate statistical analysis and reflectance FTIR to assess the composition of modern painting materials

The palette used in two paintings by Paul Cézanne, L'étang des soeurs dated c. 1875 and La route tournante, made in the last year of his life (1902), were analyzed using non-invasive spectroscopic methods. X-ray fluorescence combined with principal components analysis (PCA) and supported by reflectance near- and mid-FTIR was shown to be a powerful analytical tool to draw conclusions about the chemical identification of inorganic materials in paintings. Pigments and fillers such us Thénard's blue, Prussian blue, red ochre, kaolin, vermilion, lead white, zinc white and barium sulphate, were identified. Evidence for three different pigments, namely a copper arsenite pigment, chrome green (a mixture of chrome yellow and Prussian blue) and viridian has been obtained by the PCA analysis of elemental compositions of green hues.     

Characterisation of pigments and corrosion patinas by means of micro-Raman spectroscopy

New applications of micro-Raman spectroscopy are presented here for the investigation of colouring agents in a wax model of plant and of corrosion products on metal artworks. A late 1700 wax model of Camellia japonica L. was studied in order to characterise the nature of white, red and green colours of petals and leaves. White and red colours of petals were identified as pigments of baryte and a mixture of cinnabar and carmine lake, respectively. Fragments taken from leaves with different green hues were also studied; only yellow grains were isolated in this case which were identified as orpiment and yellow chrome. The applicability of micro-Raman spectroscopy to the study of corrosion products on metal objects is presented here for iron archaeological artefacts and for lead samples taken from the cupolas of the Consolata Sancturay in Turin. Analysis of blackish and reddish corrosion patinas entirely covering the archaeological iron objects led to the identification of magnetite and maghemite, goethite and lepidocrocite, respectively. As to lead fragments, the main corrosion product was lead sulphate, and minor amounts of lead carbonate, nitrate and oxide (litharge) were also found.     

Theoretical foundations and technology of electrochemical production of lead chrome pigment from electroplating waste

An electrochemical method was developed for production of lead chrome pigment from Cr(VI)-containing spent solutions of electroplating shops and lead battery scrap.     

Detection and imaging of chrome yellow (lead chromate) in latent prints,solid residues,and minerals by laser‐desorption/ionization mass spectrometry (LDI‐MS)

In the past, chrome yellow (lead chromate, PbCrO₄), a bright orange‐red substance, has been widely used as an inorganic pigment in the production of paints, coatings, and plastics. Herein, we demonstrate that laser desorption/ionization mass spectrometry (LDI‐MS) is a powerful tool for the detection of lead chromate in solid residues. In fact, lead chromate in trace amounts is easily detectable by LDI‐MS even from residues left as latent prints. For example, a latent print obtained by stamping the exposed laterally cut surface of a pencil over 50 years old on an acetonitrile‐moistened paper, was successfully imaged for both lead and chromate using a Synapt G2 HDMS mass spectrometer. After rastering the print with a 355 nm laser beam and recording positive‐ and negative‐ion mass spectra over the range m/z 50–1200, we generated false‐color ‘heat maps’ (single‐ion images) for ²⁰⁸Pb^+• (m/z 207.98) and Cr₂O₆^−• (m/z 199.85). The heat maps matched closely with the faint visual image of the pencil imprint. Moreover, our results confirmed that lead chromate was used in the pigment coatings of old pencils. Evidently, LDI‐MS imaging is an efficient procedure to survey for the presence of lead and chromate in minerals and other materials. Copyright © 2017 John Wiley & Sons, Ltd.     

电感耦合等离子体原子发射光谱测定铬矿中的铅、锌、镍、钛、磷

提出了电感耦合等离子体原子原子发射光谱测定铬矿中的铅、锌、镍、钛、磷含量的方法,选择各元素的分析谱线,采用正交试验的方法确定仪器的工作参数,方法的检出限0.22 ~1.50ug·L-1 ,方法的回收率在89%~112%,测定值的相对标准偏差（n=5）小于1.45%,方法用于铬矿杂元素的分析结果与现有的国标检验方法测定值一致。填补无铬矿中铅、锌、钛元素检测方法的空白。     

Tribological evaluation of HVOF thermal‐spray coatings as a hard chrome replacement

Hard chrome plating has been used in several different applications in industries that require abrasive sliding wear resistance, such as hydraulic pistons, shafts or bearings. However, the increasing environmental and worker safety pressures on electrolytic hard chrome are leading companies to adopt alternatives. The improvements of the high‐velocity‐oxy‐fuel (HVOF) thermal spray process allow the chromium coating replacement with a comparable or superior surface treatment and are more environmentally friendly. This HVOF process, as a flexible dry‐coating technology, avoids high‐volume waste streams and enables a flexible choice of coating material for each application. The cobalt–chromium‐cemented tungsten carbides are some of the easiest materials to spray and the WC‐10Co‐4Cr coatings have demonstrated superior performance over hard chrome with regard to mechanical and tribological properties. In this work, this coating has been deposited with a Sulzer Metco WokaJet‐400 kerosene fuel spray gun, and the spray conditions have been optimized in order to ensure the best properties of the coatings. The mechanical and tribological properties have been evaluated in coatings sprayed with four deposition conditions that involve different gas flow rates. The most wear‐resistant coating is obtained with those HVOF parameters that prevent decarburization of WC particles and, at the same time, allow an adequate agglomerate melting giving a good intersplat adhesion. The results indicate that HVOF‐sprayed WC‐CoCr coatings are a reliable alternative to electrolytic hard chrome (EHC) in the aeronautical industry to coat landing gear components. In particular, in the dry wear tests, the WC‐CoCr coatings outperform hard chrome coatings in wear resistance. Copyright © 2010 John Wiley & Sons, Ltd.     

Evidence for Degradation of the Chrome Yellows in Van Gogh’s Sunflowers: A Study Using Noninvasive In Situ Methods and Synchrotron‐Radiation‐Based X‐ray Techniques

This paper presents firm evidence for the chemical alteration of chrome yellow pigments in Van Gogh’s Sunflowers (Van Gogh Museum, Amsterdam). Noninvasive in situ spectroscopic analysis at several spots on the painting, combined with synchrotron‐radiation‐based X‐ray investigations of two microsamples, revealed the presence of different types of chrome yellow used by Van Gogh, including the lightfast PbCrO₄ and the sulfur‐rich PbCr_1?xS_xO₄ (x≈0.5) variety that is known for its high propensity to undergo photoinduced reduction. The products of this degradation process, i.e., Cr^III compounds, were found at the interface between the paint and the varnish. Selected locations of the painting with the highest risk of color modification by chemical deterioration of chrome yellow are identified, thus calling for careful monitoring in the future.