煎炸胡麻油分子光谱分析研究

为保证煎炸食品的安全,探索煎炸食用油变化的规律,该实验利用三维荧光结合紫外-可见吸收光谱研究了胡麻油不同煎炸时间的物理化学性质的变化.结果表明,胡麻油在煎炸的前2 h内,其物理化学性质没有明显的变化,但是当连续使用超过6 h以后,其荧光光谱与紫外吸收光谱都有较大变化,说明胡麻油在连续煎炸6 h后,其物理化学性质变化最为...     

Discrimination of aged mixtures of lipidic paint binders by Raman spectroscopy and chemometrics

This work explores the application of chemometric techniques to Raman spectra to study aged lipidic paint binders. These binders, commonly known as drying oils, were widely used by artists throughout history both individually and in mixtures. We prepared various model samples of the pure binders (linseed, poppy‐seed and walnut oils and egg yolk) and of binary mixtures thereof. These model samples were left to age naturally for six years and further characterized by Raman spectroscopy. A comparative study of the Raman spectral features before and after ageing process was carried out. This showed changes mainly in the bands located at 1267, 1655 and 3011 cm^–1, which correspond to vibrations in cis double bonds. Multivariate analysis was performed by applying principal component analysis and partial least‐squares discriminant analysis on the corresponding Raman spectra to test whether spectral differences allowed samples to be distinguished on the basis of their composition. The CH stretching region was found to be especially useful for discrimination between the different binders. Furthermore, good sensitivity and specificity were found in the discriminant analysis particularly for the identification of binders containing egg yolk. The results of these multivariate analyses demonstrated the potential use of both chemometric approaches in the field of Cultural Heritage for drying oil characterization and identification, and also for gaining a deeper insight into the ageing process. Copyright © 2011 John Wiley & Sons, Ltd.     

A scientific approach to the characterization of the painting materials of Fra Mattia della Robbia polychrome terracotta altarpiece

During the last restoration (2008–2011) of the polychrome terracotta altarpiece called Coronation of Virgin between Saints Rocco, Sebastian, Peter martyr and Antonio abbot, located in the collegiate church of S. Maria Assunta in Montecassiano (Macerata, Italy), scientific investigations were carried out to acquire detailed information about the painting technique. The identification of materials allowed a correct restoration. The altarpiece is almost entirely realized by Marco della Robbia (Fra Mattia), dates back to the first half of the XVI century and represents an interesting example of painted terracotta produced by using two different techniques: glazed polychrome terracotta and the “cold painting” technique. The characterization of the samples’ material constituents was obtained by analysing the cross-sections and the fragments by different techniques (optical, SEM-EDS and ATR-FTIR microscopy as well as GC-MS), as the real nature of a component is often difficult to assess with one single technique. The optical microscope examination of paint cross-sections shows the presence of many layers, indicating the complexity of the paint stratigraphic morphologies. The original polychromy of della Robbia’s masterpiece is constituted of cinnabar, red lake, red lead, orpiment, red ochre, lead white, lead tin yellow, green earth and raw umber. Two different types of gilding technique have been distinguished. The first one presents a glue mordant, and the second one shows an oil mordant composed by a mixture of red lead, red ochre, cinnabar and orpiment. The GC-MS analysis allowed the characterisation of linseed oil and a mixture of animal glue and egg as binding media stratigraphically located by the use of ATR-FTIR mapping microscopy. The analytical results of the painted terracotta integrated investigations show that original technique adopted is characterised by the application of pigments in an oil-binding medium directly applied on the substrates, probably treated with oil and animal glue. A large number of overpaintings above the original scheme of polychromy was found, which could be ascribed to almost three different interventions; the absence of modern pigments suggests that they could be realized long ago.     

有机和无机国画颜料漫反射光谱和吸收光谱特征研究

国画颜料解混一直是古画颜料研究的重要内容,其中光纤反射光谱（FORS）是无损化探测颜料类别的常用手段。通过CCD光纤光谱系统,从光谱线型对国画颜料进行了分类,分别探测了两种有机植物颜料藤黄和胭脂在不同比例混合下的漫反射光谱与吸收光谱,并获取了不同色系无机矿物质颜料混合后的漫反射光谱。分析了单一颜料和混合颜料的光谱特征峰值,运用多元线性回归（MLR）以及一阶导数光谱法（FDS）,通过全波段线性解混获得了各组分颜料的比例。经过实验与理论分析,藤黄与胭脂的漫反射光谱为S型,混合颜料一阶导数光谱中两特征峰的位置分别为536和649 nm,在漫反射光谱中多元线性回归基本适用于该混合颜料的解混并显示出一定的线性规律,但无法精确地解混。而混合颜料的吸收光谱与单色光谱之间存在较好的线性关系,解混误差在5%左右。无机矿物质颜料中的漫反射光谱有S型（石黄和赭石）和钟型（石青和石绿）两种。首先,对于S型（石黄）与S型（赭石）混合颜料漫反射光谱,赭石的一阶导数光谱出现明显的“三峰”现象,并且混合颜料一阶导数光谱在534 nm处出现新的特征峰。多元线性回归理论虽适用于该混合颜料的解混,但由于不同颜料解混的权重因子不同,无法形成较为精准的线性模型。其次,对于S型（赭石）与钟型（石绿）混合颜料的反射光谱需要多元线性回归与导数光谱法共同判断混合比例的基本趋势,该光谱在400～800 nm范围内仅有一个交叉点。最后,利用钟型（石青）与钟型（石绿）混合颜料反射光谱的特征峰位置,即可判断出颜料混合比例的特征,随着混合比例的变化,反射光谱特征峰在457～524 nm出现了明显的横向移动,并且混合颜料光谱的峰值强度有明显的减弱。     

亚麻油组份的红外和拉曼光谱分析

亚麻油是重要的天然保健油。本文采用ＦＴＩＲ和ＦＴ－Ｒａｍａｎ光谱法定性分析了该油的组成,结果显示,亚麻油的各组分有其特征的ＩＲ和Ｒａｍａｎ频率,可以彼此区分开,这为今后亚麻油的定量分析和在线监控提供了重要的依据。     

Analysis of the electrical characteristic of linseed oil films exposed to humidity

Linseed oil is a material widely used in various applications as a protecting layer for surfaces in industry, in scientific research, for medical use, and finally for artistic purpose. This natural origins substance has a particular application as a protective and smoothing layer on phenolic-melaminic laminate electrodes on Resistive Plate Chamber (RPC) detectors used in various particle physic experiments. In such electronic applications where linseed oil could be exposed to water vapours, an electrical characterization should result useful for having an overall control of the process involving the oil. In this paper, we studied the electrical behaviour towards relative humidity variations of linseed oil films deposited on interdigitated metal electrodes. Moreover, I/V characterisation both in air and vacuum, current vs. temperature and relative humidity was performed.     

Raman spectroscopy of the components of 18th-century icon painting

The method of Raman spectroscopy is employed in the analysis of lead-containing pigments in ancient Russian painting, transformed pigments, chalk, and drying oil. The Raman spectra of white lead and the mixture of yellow lead oxide, red lead, and lead dioxide are measured, and the test Raman measurements of various fragments of the paint layer of the 18th-century Russian icon Evangelist Mark from the Kirillo-Belozerski State Historical Architectural Art Museum-Reserve are performed. The destructive action of laser radiation on various pigments is evaluated when measuring their Raman spectra.     

Effect of accelerated weathering on surface chemistry of modified wood

In this study, the effects of UV-light irradiation and water spray on colour and surface chemistry of scots pine sapwood samples were investigated. The specimens were treated with chromated copper arsenate (CCA), a metal-free propiconazol-based formulation, chitosan, furfuryl alcohol and linseed and tall oils. The weathering experiment was performed by cycles of 2 h UV-light irradiation followed by water spray for 18 min. The changes at the surface of the weathered samples were characterised by Fourier transform infrared spectroscopy (FT-IR); colour characterizations were performed by measuring CIELab parameters.The results show that all treatment methods except chitosan treatment provided lower colour changes than the control groups after 800 h exposure in weathering test cycle, but differences between chitosan and control were also small. The lowest colour changes were found on linseed oil (full cell process) and CCA treated wood. FT-IR results show that oil treatment (linseed and tall oil) decreased the intensities of a lignin specific peak (1500-1515 cm⁻¹). Absorption band changes at 1630-1660 cm⁻¹ were reduced by all treatments.     

New highlights on degradation process of verdigris from easel paintings

Verdigris is a green copper organometallic pigment, widely used in paintings during the fifteenth and sixteenth centuries. With ageing, chromatic modifications like browning or darkening can be observed on those green painted layers. An original but crucial approach has been developed based on the characterization of a reference neutral verdigris pigment—anhydrous copper acetate—and model samples, made of verdigris and linseed oil. Samples have undergone artificial ageing (temperature, light) to reproduce the color change effect. They were analysed before and after accelerated ageing tests by a complementary set of classical techniques: colorimetry, electron paramagnetic resonance, X-ray absorption spectroscopy, and UV–visible absorption. Our experiments revealed that the incorporation of the verdigris pigment in linseed oil induces a transformation of the copper acetate bimetallic structure, with the formation of monomeric species. These monomers, however, are not directly responsible for the darkening. The chromatic alteration seems instead linked to the transient formation of Cu(I) in the copper complexes of the pigment/oil system. This formation could be initiated by ambient light absorption through ligand-to-metal charge transfer, which favors the decarboxylation of the copper complexes leading to the reduction of Cu(II) into Cu(I). Moreover, dioxygen can react with partially decarboxylated dimers to form peroxy-Cu dimer complexes that can be responsible for the darkening.     

Revealing the invisible: using surface‐enhanced Raman spectroscopy to identify minute remnants of color in Winslow Homer's colorless skies

The fading of pigments in items of importance to cultural heritage, such as paintings, works of art on paper, and textiles, is a ubiquitous problem. Tools currently available that can detect and identify organic colorants in severely degraded works of art are rare, given the heavy deterioration and restricted availability of the sample. Recently, however, surface‐enhanced Raman scattering (SERS) spectroscopy has shown great promise in detecting and identifying mass‐limited samples. The art conservation field has seized upon the opportunity opened up by this powerful analytical technique to enable the identification of microscopic amounts of organic molecules used as artists' colorants in complex matrices, such as biomaterials (i.e. dyed natural textiles, linseed oil biofilms present in oil paintings, etc.), a possibility that was previously precluded due to interfering fluorescence and small sample size. Here, we report SERS spectra recorded directly on single particles of red lake pigments from an important historical watercolor by the American master Winslow Homer (1836–1910) that suffered some degree of fading. The accurate colorant identification provided by SERS, enhanced by comparison with reference samples of historical watercolors, has thus enabled important discoveries regarding the materials and intended meanings behind artworks from one of the most influential American watercolor painters. Copyright © 2011 John Wiley & Sons, Ltd.     

Multi-photon excitation fluorescence and third-harmonic generation microscopy measurements combined with confocal Raman microscopy for the analysis of layered samples of varnished oil films

The non-destructive determination of layer structures in works of art remains a significant challenge. Non-linear microscopy and confocal Raman microscopy (CRM) were employed for characterisation of varnish-media layers in model samples, providing important information regarding the thickness of materials and the identification of different media in depth. Commonly found triterpenoid varnishes mastic and dammar were applied over a single layer of films of linseed oil. Non-linear microscopy of samples was carried out using a 1028-nm femtosecond laser source; both third-harmonic generation signals (THG) and three-photon fluorescence signals (3PEF) of samples were collected in an effort to measure the thickness of mono- and bi-layers; in parallel scans of larger areas were undertaken to assess heterogeneities in samples with spatial resolution of ∼2 μm. Complementary spectroscopic information from CRM collected with both a 514.5-nm argon-ion and a 785-nm diode lasers coupled with a 100X objective and a motorised stage was carried out. Comparison of C–H stretching regions of Raman spectra allowed the differentiation between different molecular materials and the fingerprint region was employed for the depth profiling of the samples.     

Effects of preliminary treatment by ultrasonic and convective air drying on the properties and oil absorption of potato chips

The initial water content was closely related to the oil absorption and properties of fried food. The effects of convective air drying (D) and ultrasound combined convective air drying (UD) pretreatment on the properties and oil absorption of potato chips have been investigated. The oil contents were 48.48 ± 1.42% and 39.78 ± 3.08% for control samples (without D and UD pretreatment) and ultrasound treated samples (without D pretreatment). When the mass loss of samples was reached the proportion of quality to without drying samples quality 80%, 50%, and 20%, the oil contents of D pretreated samples decreased by 12.67%, 28.24% and 62.07%, respectively, and the oil contents of UD pretreated samples decreased by 7.42%, 24.10% and 51.76% (compared to the ultrasound pretreated samples ), respectively. By applying ultrasound before frying, more cracks and pores were exhibited of fried potato chips. After drying process, potato chips exhibited less disruption of cell structure and less deformation of cell irregular. The hardness of the D and UD pretreated potato chips increased with the extension of drying. The FTIR analysis stated the formation of amylose-lipid complexes. This research could contribute to providing evidence for the development and application of the pretreatment strategies.     

Studies of organic paint binders by NMR spectroscopy

Nuclear magnetic resonance spectroscopy is applied to the study of aged binding media used in paintings, namely linseed oil, egg tempera and an acrylic medium. High resolution 1D and 2D NMR experiments establish the state of hydrolysis and oxidation of the linseed and egg tempera binders after five years of aging, by determining several markers sensitive to the hydrolytic and oxidative processes of the binder lipid fraction. The composition of the acrylic binder co-polymer is determined by 2D NMR spectroscopy, while the identification of a surfactant, poly(ethylene glycol), found in greater amounts in aged acrylic medium, is reported.The non-destructive nature of the proposed analytical NMR methodology, and minimization of the amount of binder material needed through the use of sophisticated cryoprobes and hyphenated LC-NMR techniques, make NMR attractive for the arts analyst, in view of its rapid nature and experimental simplicity. PACS 82.56.Dj; 82.56.Fk; 82.56.Hg; 82.56.Ub     

Papyrus imaging with terahertz time domain spectroscopy

Terahertz time domain spectroscopic imaging (THz-TDSI) is a non-ionizing, non-contact and non-destructive measurement technique that has been recently utilized to study cultural heritage artifacts. We will present this technique and the results of non-contact measurements of papyrus texts, including images of hidden papyri. Inks for modern papyrus specimens were prepared using the historical binder, Arabic gum, and two common pigments used to write ancient texts, carbon black and red ochre. The samples were scanned in reflection at normal incidence with a pulse with a spectral range between 0.1 and 1.5 THz. Temporal analysis of the signals provides the depths of the layers, and their frequency spectra give information about the inks.     

Intrinsic structure of hydrophobic surfaces: the oil-water interface

We investigate the water-oil interface using molecular dynamics simulations of realistic models of alkanes and water. The intrinsic density profiles are computed using a methodology that removes the smoothing effect of the capillary waves. We show that at 300 K the intrinsic width of the gap separating the oil and water phases spans little more than one water molecule diameter, and undergoes very weak short-ranged fluctuations, indicating that the water-oil interface is a rigid molecular structure at ambient temperature. Only near the drying transition (above 500 K for dodecane), the gap features uncoupled fluctuations of the oil and water surfaces, as expected in a typical drying structure. We find that the intrinsic structure of water next to the oil phase is remarkably similar to the bare water-vapor interface.     

Characterization of Edible Oils Using Total Luminescence Spectroscopy

Total luminescence spectroscopy was used to characterise and differentiate edible oils and additionally, to control one of the major problems in the oil quality--the effect of thermal and photo-oxidation. We studied several vegetable oils available on the Polish market, including soybean, rapeseed, corn, sunflower, linseed and olive oils. Total luminescence spectroscopy measurements were performed using two different sample geometries: front-face for pure oil samples and right-angle for transparent samples, diluted in n-hexane. All the samples studied as n-hexane solutions exhibit an intense peak, which appears at 320 nm in emission and 290 nm in excitation, attributed to tocopherols. Some of the oils exhibit a second long-wavelength peak, appearing at 670 nm in emission and 405 nm in excitation, belonging to pigments of the chlorophyll group. Additional bands were present in the intermediate range of excitation and emission wavelengths; however, the compounds responsible for this emission were not identified. The front-face spectra for pure oils included chlorophyll peaks for most samples, and some additional peaks in the intermediate range, while the tocopherol peaks were comparatively less intense. The results presented demonstrate the capability of the total luminescence techniques to characterise and differentiate vegetable oil products, and additionally, to characterize the effect of thermal and photo-oxidation on such products. In the photo-oxidation experiments, special attention was paid to possible involvement of singlet oxygen. Experiments were done to monitor the highly specific O2(1delta(g)) --> O2(3sigma(g)-) singlet oxygen emission at 1270 nm. Thus, total luminescence spectroscopy presents an interesting alternative to time-consuming and expensive techniques such as gas or liquid chromatography, mass spectrometry and other methods requiring wet chemistry steps.     

水中矿物油三维荧光谱的特征提取与光谱重构

基于荧光激发-发射矩阵的奇异值分解方法,提取矿物油三维荧光谱的特征序列并进行光谱重构研究。对数十个水中污染油的三维荧光谱进行了奇异值分解和参数计算,表明奇异值参数具有明显的能量聚拢特性; 在适当截取奇异值特征参数后,将奇异值与相应的伴随特征向量组合构成三维荧光谱泛基因序列,实现了三维光谱反演重构。作为比较典型的示例,给出了水中柴油的原始三维荧光谱和重构三维荧光谱的对照图。重构的三维荧光谱与原始三维荧光谱基本相同。研究表明,矿物油三维荧光谱的奇异值特征谱能够代表三维荧光谱主能量的分布特征,有限的奇异值泛基因序列具有三维光谱反演重构能力。该结论对于水环境中的污染油模式识别以及矿物油荧光信息文库的建设有重要意义。     

聚苯乙烯相对分子量对薄壁聚苯乙烯空心微球质量的影响北大核心CSCD

激光惯性约束聚变(ICF)作为探索受控核聚变的有效途径,有望获得清洁无污染的能源,而薄壁聚苯乙烯(PS)空心微球是ICF物理实验中亟需的一类微球。针对薄壁空心微球因径厚比(直径/壁厚)增大导致其在干燥、使用中易开裂的问题,研究了PS原料对薄壁微球质量的影响,探讨了其影响机制。结果表明:当油相PS质量分数为4%时,随着油相粘度增加,W1/O/W2复合乳粒稳定性逐渐提高;当油相质量分数不低于8%时,复合乳粒稳定性良好。PS原料对微球表面粗糙度影响较小,微球球形度和壁厚均匀性随初始油相粘度的增大而降低,在干燥过程中微球开裂率随原料力学性能提高而减小。在外水相中引入氟苯(FB)液滴,延缓固化速率,可减小油相粘度增加对微球球形度和壁厚均匀性的不利影响。     

Partial Least Squares Processing of Near‐Infrared Spectra for Discrimination and Quantification of Adulterated Olive Oils

Abstract

A new processing based on partial least squares (PLS) algorithm for the discrimination and determination of adulterants in pure olive oil using near‐infrared (NIR) spectroscopy has been introduced. The 280 adulterations of olive oil with corn oil (n=70), hazelnut oil (n=70), soya oil (n=70), and sunflower oil (n=70) were prepared, and their NIR spectra in the region 12,000–4550 cm^?1 were collected. The 70 spectra of each adulteration of olive oil were divided into two sets, 50 spectra for a calibration set and 20 spectra for a prediction set. The spectra of a total calibration set (n=200) were separated into individual adulterant calibration sets (n_i=50, i=corn, hazelnut, soya, sunflower) by using discriminant PLS (DPLS) analysis, and PLS calibration models for the quantification of adulterants with corn oil, hazelnut oil, soya oil, or sunflower oil were developed separately. A variety of wavelength ranges and data pretreatments were examined for obtaining optimal results for the discrimination and quantification objects. Four PLS models for differentiating the adulterant types were evaluated by classifying the NIR spectra of a total prediction set (n=80) into known adulterant types. Then, these known adulterant spectra were analyzed by the PLS calibration models developed for each type to determine the content of an adulterant in pure olive oil. The results of evaluation revealed that the processing reported in this article works excellently for the discrimination and quantification of the adulterations of olive oil.     

脐橙香料、色素的提取及光谱研究

本文分别用水蒸气蒸馏法和溶剂浸出法从干脐橙皮中提取脐橙香料及脐橙色素与香料的混合物，测定了它们的紫外可见光吸收光谱、红外光谱。采用电感耦合等离子体原子发射光谱测定了该混合物中矿物质的含量。