Pitch Shift in Exsomatized Cochlea Observed by Laser Interferometry

Pitch is one of the most important auditory perception characteristics of sound; however, the mechanism underlying the pitch perception of sound is unclear. Although theoretical researches have suggested that perception of virtual pitch is connected with physics in cochlea of inner ear, there is no direct experimental observation of virtual pitch processing in the cochlea. By laser interferometry, we observe shift phenomena of virtual pitch in basilar membrane vibration of exsomatized cochlea, which is consistent with perceptual pitch shift observed in psychoacoustic experiments. This means that the complex mechanical vibration of basilar membrane in cochlea plays an important role in pitch information processing during hearing.     

Pitch shift of pure and complex tones induced by masking noise

Psychoacoustic experiments were performed to measure the pitch-shift effects of pure and complex tones resulting from the addition of a masking noise to the tonal stimuli. Harmonic residue tones with either two or three harmonics and a fundamental frequency of 200 Hz were chosen as test tones. The pitch shifts of virtual and spectral pitches of the residue tones were measured as a function of the intensity of a low-pass noise with 600-Hz cutoff frequency. The SPL of this noise varied between 30 and 70 dB. In another experiment, the pitch shifts of single pure tones corresponding to the frequencies and SPLs of the harmonics of the residue tones were measured using the same masking noise. The results from five subjects for the harmonic residue tones show only a weak dependence of pitch shift on masking noise intensity. This dependence exists for both spectral and virtual pitches. In the case of single pure tones, pitch shift depends more distinctly on noise intensity. Pitch shifts of up to 5% were found in the range of noise intensity investigated. The magnitude of pitch shift shows pronounced interindividual differences, but the direction of the shift effect is always the same. In all cases pitch increases with higher masking noise levels.     

Nonconscious control of fundamental voice frequency

The aim of this paper is to answer the question whether "perception-action" dissociation, which is well documented in vision, may also be found in auditory information processing. Trained singers were asked to produce vowel sounds into a microphone. The sound that each singer produced was fed back to their ears via headphones. Two seconds after the sound production had begun, the auditory feedback was shifted in pitch by a certain degree (9, 19, 50, or 99 cents in either direction). In every set of sounds, instances without any pitch shifts also appeared. After each trial, participants reported whether they were aware of a pitch change or not. It was found that even though the participants were unaware of subtle pitch changes, the fundamental frequency of their vowel production was found to shift slightly in the opposite direction to the pitch shift. These results show that auditory information is processed by two separate systems: one for perception and one for action. They also show that the function of the auditory control system differs from the visual control system. The latter is used to control bodily movements while the function of the former is a nonconscious, instant control of vocalization.     

影响"水杯编钟"音调变化的实验研究

利用微型麦克风和基于计算机声卡的虚拟频谱分析仪,实时采集水杯受击时的信号频谱图,通过对频谱图的分析获得水杯受击时的音调.利用Matlab对数据进行拟合得出水杯中不同体积水与受击时音调的关系.同时,研究了不同敲击点对音调的影响.     

Experimental study of nonlinear acoustical effects in limestone

Results of an experimental and theoretical study of nonlinear acoustic effects (amplitude-dependent loss, resonance frequency shift, second and third harmonic generation, and sound by sound damping) in a limestone bar resonator are reported. The observed effects are analytically described in the framework of phenomenological equations of state with allowance for the low-frequency hysteretic nonlinearity and the high-frequency dissipative nonlinearity. Experimental and analytical dependences of nonlinear effects are compared to find the parameters of the hysteretic and dissipative nonlinearities of the limestone sample studied.     

The integration of nonsimultaneous frequency components into a single virtual pitch

The integration of nonsimultaneous frequency components into a single virtual pitch was investigated by using a pitch matching task in which a mistuned 4th harmonic (mistuned component) produced pitch shifts in a harmonic series (12 equal-amplitude harmonics of a 155-Hz F0). In experiment 1, the mistuned component could either be simultaneous, stop as the target started (pre-target component), or start as the target stopped (post-target component). Pitch shifts produced by the pre-target components were significantly smaller than those obtained with simultaneous components; in the post-target condition, the size of pitch shifts did not decrease relative to the simultaneous condition. In experiment 2, a silent gap of 20, 40, 80, or 160 ms was introduced between the nonsimultaneous components and the target sound. In the pre-target condition, pitch shifts were reduced to zero for silent gaps of 80 ms or longer; by contrast, a gap of 160 ms was required to eliminate pitch shifts in the post-target condition. The third experiment tested the hypothesis that, when post-target components were presented, the processing of the pitch of the target tone started at the onset of the target, and ended at the gap duration at which pitch shifts decreased to zero. This hypothesis was confirmed by the finding that pitch shifts could not be observed when the target tone had a duration of 410 ms. Taken together, the results of these experiments show that nonsimultaneous components that occur after the onset of the target sound make a larger contribution to the virtual pitch of the target, and over a longer period, than components that precede the onset of the target sound.     

Pitch perception by cochlear implant subjects

Direct electrical stimulation of the auditory nerve can be used to restore some degree of hearing to the profoundly deaf. Percepts due to electrical stimulation have characteristics corresponding approximately to the acoustic percepts of loudness, pitch, and timbre. To encode speech as a pattern of electrical stimulation, it is necessary to determine the effects of the stimulus parameters on these percepts. The effects of the three basic stimulus parameters of level, repetition rate, and stimulation location on subjects' percepts were examined. Pitch difference limens arising from changes in rate of stimulation increase as the stimulating rate increases, up to a saturation point of between 200 and 1000 pulses per second. Changes in pitch due to electrode selection depend upon the subject, but generally agree with a tonotopic organization of the human cochlea. Further, the discriminability of such place-pitch percepts seems to be dependent on the degree of current spread in the cochlea. The effect of stimulus level on perceived pitch is significant but is highly dependent on the individual tested. The results of these experiments are discussed in terms of their impact on speech-processing strategies and their relevance to acoustic pitch perception.     

Influence of direct current on dc receptor potentials from cochlear inner hair cells in the guinea pig

Inner hair cell responses to sound were monitored while direct current was applied across the membranous labyrinth in the first turn of the guinea pig cochlea. The current injection electrodes were positioned in the scala vestibuli and on the round window membrane. Positive and negative current (less than 100 microA) caused changes in the sound-evoked dc receptor potentials which were dependent on the sound frequency and intensity. The frequencies most affected by this extracellular current were those comprising the "tip" portion of the inner hair cell frequency tuning characteristic (FTC). The influence of current increased with increasing frequency. Positive current increased the amount of dc receptor potential for the affected frequencies while negative current decreased the potential. Current-induced changes (on a percentage basis) were greater for low intensity sounds and the negative current direction. These frequency specific changes are evidenced as a loss in sensitivity for the tip area of the FTC and a downward shift of the inner hair cell characteristic frequency. Larger current levels (greater than 160 microA) cause more complex changes including unrecoverable loss of cell performance. In separate experiments positive and negative currents (less than 1.1 microA) were injected into the inner hair cell from the recording electrode during simultaneous measurement of the sound-evoked dc receptor potential. This condition caused a shift in IHC sensitivity that was independent of sound frequency and intensity. Positive current decreased the sensitivity of the level of the cell while negative current increased the responses. The effect of current level on sound-evoked dc receptor potential was nonlinear, as comparatively greater increases in cell response were observed for negative than decreases for positive current. The intracellular current injection results are accounted for by the mechano-resistive model of hair cell transduction, where nonlinear responses with current level may reflect outward rectification. Response changes induced by extracellular current are evidence of current effects on both inner and outer hair cells. The frequency and intensity dependences are hypothesized to represent voltage mediated control of inner hair cell response by the outer hair cells.     

Enhancement, adaptation, and the binaural system

In a test sound consisting of a burst of pink noise, an arbitrarily selected target frequency band can be "enhanced" by the previous presentation of a similar noise with a spectral notch in the target frequency region. As a result of the enhancement, the test sound evokes a pitch sensation corresponding to the pitch of the target band. Here, a pitch comparison task was used to assess enhancement. In the first experiment, a stronger enhancement effect was found when the test sound and its precursor had the same interaural time difference (ITD) than when they had opposite ITDs. Two subsequent experiments were concerned with the audibility of an instance of dichotic pitch in binaural test sounds preceded by precursors. They showed that it is possible to enhance a frequency region on the sole basis of ITD manipulations, using spectrally identical test sounds and precursors. However, the observed effects were small. A major goal of this study was to test the hypothesis that enhancement originates at least in part from neural adaptation processes taking place at a central level of the auditory system. The data failed to provide strong support for this hypothesis.     

One source for distortion product otoacoustic emissions generated by low- and high-level primaries

Distortion product otoacoustic emissions (DPOAE) elicited by tones below 60-70 dB sound pressure level (SPL) are significantly more sensitive to cochlear insults. The vulnerable, low-level DPOAE have been associated with the postulated active cochlear process, whereas the relatively robust high-level DPOAE component has been attributed to the passive, nonlinear macromechanical properties of the cochlea. However, it is proposed that the differences in the vulnerability of DPOAEs to high and low SPLs is a natural consequence of the way the cochlea responds to high and low SPLs. An active process boosts the basilar membrane (BM) vibrations, which are attenuated when the active process is impaired. However, at high SPLs the contribution of the active process to BM vibration is small compared with the dominating passive mechanical properties of the BM. Consequently, reduction of active cochlear amplification will have greatest effect on BM vibrations and DPOAEs at low SPLs. To distinguish between the "two sources" and the "single source" hypotheses we analyzed the level dependence of the notch and corresponding phase discontinuity in plots of DPOAE magnitude and phase as functions of the level of the primaries. In experiments where furosemide was used to reduce cochlear amplification, an upward shift of the notch supports the conclusion that both the low- and high-level DPOAEs are generated by a single source, namely a nonlinear amplifier with saturating I/O characteristic.     

Reduced contribution of a nonsimultaneous mistuned harmonic to residue pitch

Ciocca and Darwin [V. Ciocca and C. J. Darwin, J. Acoust. Soc. Am. 105, 2421-2430 (1999)] reported that the shift in residue pitch caused by mistuning a single harmonic (the fourth out of the first 12) was the same when the mistuned harmonic was presented after the remainder of the complex as when it was simultaneous, even though subjects were asked to ignore the pure-tone percept. The present study tried to replicate this result, and investigated the role of the presence of the nominally mistuned harmonic in the matching sound. Subjects adjusted a "matching" sound so that its pitch equaled that of a subsequent 90-ms complex tone (12 harmonics of a 155-Hz F0), whose mistuned (+/-3%) third harmonic was presented either simultaneously with or after the remaining harmonics. In experiment 1, the matching sound was a harmonic complex whose third harmonic was either present or absent. In experiments 2A and 2B, the target and matching sound had nonoverlapping spectra. Pitch shifts were reduced both when the mistuned component was nonsimultaneous, and when the third harmonic was absent in the matching sound. The results indicate a shorter than originally estimated time window for obligatory integration of nonsimultaneous components into a virtual pitch.     

Visualization of the hot chocolate sound effect by spectrograms

We present an experimental and a theoretical analysis of the hot chocolate effect. The sound effect is evaluated using time–frequency signal processing, resulting in a quantitative visualization by spectrograms. This method allows us to capture the whole phenomenon, namely to quantify the dynamics of the rising pitch. A general form of the time dependence volume fraction of the bubbles is proposed. We show that the effect occurs due to the nonlinear dependence of the speed of sound in the gas/liquid mixture on the volume fraction of the bubbles and the nonlinear time dependence of the volume fraction of the bubbles.     

Acoustic nonlinearity parameter tomography for biological tissues via parametric array from a circular piston source--theoretical analysis and computer simulations

The acoustic nonlinearity parameter B/A describes the nonlinear features of a medium and may become a novel parameter for ultrasonic tissue characterization. This paper presents a theoretical analysis for acoustic nonlinear parameter tomography via a parametric array. As two primary waves of different frequencies are radiated simultaneously from a circular piston source, a secondary wave at the difference frequency is generated due to the nonlinear interaction of the primary waves. The axial and radial distributions of sound pressure amplitude for the generated difference frequency wave in the near field are calculated by a superposition of Gaussian beams. The calculated results indicated that the difference frequency component of the parametric array grows linearly with distance from the piston source. It therefore provides a better source to do the acoustic nonlinearity parameter tomography because the fundamental and second harmonic signals both have a near field that goes through many oscillations due to diffraction. By using a finite-amplitude insert substitution method and a filtered convolution algorithm, a computer simulation for B/A tomography from the calculated sound pressure of the difference frequency wave is studied. For biological tissues, the sound attenuation is considered and compensated in the image reconstruction. Nonlinear parameter computed tomography (CT) images for several biological sample models are obtained with quite good quality in this study.     

Performance characterization of human pitch control system: an acoustic approach

The performance of the human pitch control system was characterized by measurement of the speed of pitch shift and pitch shift response speed (inverse of reaction time) at various initial pitch and loudness levels. Data from three nonsinger adult male subjects and one professional singer suggest a strong inverse correlation (r greater than 0.78) between initial pitch and rate of pitch rise. This study showed no significant relation between initial loudness and rate of pitch rise. Also, vocal response speed showed no significant relation with either initial pitch or loudness. However, it is suggested that pitch shift response speed might be related to the second formant frequency of the target vowel. A composite index of pitch control performance capacity was defined as the product of response speed and vocal fold contractile velocity. From experimental data, the composite index was able to reflect a distinct 74% superior performance by the professional singer (relative to the average maximum performance capacity of nonsingers). It is suggested that the product-based composite index of performance capacity can serve as a sensitive means for vocal proficiency determination.     

Cooperative Lamb shift in an atomic vapor layer of nanometer thickness

We present an experimental measurement of the cooperative Lamb shift and the Lorentz shift using a nanothickness atomic vapor layer with tunable thickness and atomic density. The cooperative Lamb shift arises due to the exchange of virtual photons between identical atoms. The interference between the forward and backward propagating virtual fields is confirmed by the thickness dependence of the shift, which has a spatial frequency equal to twice that of the optical field. The demonstration of cooperative interactions in an easily scalable system opens the door to a new domain for nonlinear optics.     

耳蜗中tip-link张力与静纤毛运动动力学研究

诠释耳蜗的主动感音放大机制一直是未解的医学难题.这种机制与耳蜗中外毛细胞顶端的静纤毛运动密切相关,静纤毛运动又受到tip-link张力与淋巴液流体力的调节.因此,研究静纤毛运动过程中tip-link张力是诠释耳蜗的主动感音放大机制的重要环节.本文把静纤毛视为变形体,基于泊肃叶流动理论并结合分布参数模型,推导了静纤毛运动的解析解.研究了盖膜剪切荷载作用下静纤毛和淋巴液相互作用的动力响应以及tip-link张力的变化规律.研究发现:当静纤毛的杨氏模量减小时,在小于峰值频率的区域,tip-link张力显著增大,f₂的峰值频率减小.以往的研究将静纤毛作为刚体,势必导致低频声音信号作用减弱.当系数c=0 (无黏性阻力)时,f₂频率选择特性存在;当μ=0(无压力)时,f₂频率选择特性消失,因此淋巴液可能是通过在静纤毛间产生压强的方式来调节毛束的频率特性的.另外,盖膜剪切荷载频率越高,静纤毛轴弯曲越明显,发束内外域的压强差也越大.     

Probing vacuum birefringence by phase-contrast Fourier imaging under fields of high-intensity lasers

In vacuum high-intensity lasers can cause photon–photon interaction via the process of virtual vacuum polarization which may be measured by the phase velocity shift of photons across intense fields. In the optical frequency domain, the photon–photon interaction is polarization-mediated described by the Euler–Heisenberg effective action. This theory predicts the vacuum birefringence or polarization dependence of the phase velocity shift arising from nonlinear properties in quantum electrodynamics (QED). We suggest a method to measure the vacuum birefringence under intense optical laser fields based on the absolute phase velocity shift by phase-contrast Fourier imaging. The method may serve for observing effects even beyond the QED vacuum polarization.     

改进LVAMDF及综合多因素基音检测算法

在对语音信号静音、清音、浊音划分的基础上,针对语音信号周期特征明显段分布随机性问题,提出改进的变长度平均幅度差函数LVAMDF及综合多因素基音检测算法,该算法对语音信号进行周期特征明显段和周期特征不明显段的聚类划分,同时,获取周期特征明显语音段的基音周期,针对少数基音周期划分倍频或半频问题,提出识别、修正方法,其识别、修正率极高。在对大量真实语音处理中,能够精确的检测出语音特征明显段的基音周期端点,基本没有倍频和半频划分,并且和AMDF、ACF算法作了对比。     

Roughness of organ pipe sound due to frequency comb

In the sound spectrum of flue organ pipes in addition to the usual harmonic partials, sometimes a series of equidistant but not harmonic lines can be found. This phenomenon has been observed in the recorded sound of pipes from different pipe ranks. The second set of spectral lines is similar to "frequency combs" used in optics for accurate measurement of optical frequencies. Analysis of measured sound spectra with and without frequency comb and simulations are presented and discussed in the paper. The appearance of frequency combs in the sound spectrum is explained by a model that assumes the presence of a mouth tone in addition to the pipe sound. Mouth tone bursts are generated when the oscillating air jet passes the upper lip. The burst repetition frequency is locked to the fundamental frequency of the pipe and the bursts are coherent with a pulse-to-pulse phase shift. The phase shift explains the observed frequency offset of the frequency comb to the harmonic frequencies. The simulations also show that weak and fluctuating mouth tones cannot generate frequency comb due to a lack of coherence.