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1.
Four normal-hearing young adults have been extensively trained in the use of a tactile speech-transmission system. Subjects were tested in the recognition of various phonetic elements including vowels, and stop, nasal, and fricative consonants under three receiving conditions; visual reception alone (lipreading), tactile reception alone, and tactile plus visual reception. Subjects were artificially deafened using earplugs and white noise and all speech tokens were presented live voice. Analysis of the data demonstrates that the tactile transform enables receivers to achieve excellent recognition of vowels in CVC context and the consonantal features of voicing and nasality. This, in combination with high recognition of vowels and the consonantal feature place of articulation through visual receptors, leads to recognition performance in the combined condition (visual plus tactual) which far exceeds either reception condition in isolation.  相似文献   

2.
During voice evaluation and treatment it is customary for clinicians to elicit samples of the vowel /a/ from clients using various elicitation techniques. The purpose of this study was to compare the effects of four commonly used stimulation tasks on the laryngeal mechanism. Eleven female singing students, studying at a university music school, served as subjects for the study. The subjects phonated the vowel /a/ using 4 vocal stimulation techniques: yawn-sigh, gentle onset, focus, and the use of the voiceless fricative. Videoendoscopic and acoustic evaluations of their productions were done. Results show that, in the first 100 ms following the end of the formant transition, these techniques affected voice differently. The fundamental frequency was found to be highest in the yawn-sigh condition, whereas the maximum frequency perturbation was obtained for the voiceless fricative condition. Planned comparisons were made by comparing the data across 2 dimensions: (1) vowels elicited with voiced contexts versus those elicited with voiceless consonantal contexts and (2) vowels elicited with obstruent versus vowels elicited with nonobstruent consonantal contexts. Some changes in acoustic parameters brought about by these stimulation techniques may be explained on the basis of coarticulatory effects of the consonantal context.  相似文献   

3.
Questions exist as to the intelligibility of vowels sung at extremely high fundamental frequencies and, especially, when the fundamental frequency (F0) produced is above the region where the first vowel formant (F1) would normally occur. Can such vowels be correctly identified and, if so, does context provide the necessary information or are acoustical elements also operative? To this end, 18 professional singers (5 males and 13 females) were recorded when singing 3 isolated vowels at high and low pitches at both loud and soft levels. Aural-perceptual studies employing four types of auditors were carried out to determine the identity of these vowels, and the nature of the confusions with other vowels. Subsequent acoustical analysis focused on the actual fundamental frequencies sung plus those defining the first 2 vowel formants. It was found that F0 change had a profound effect on vowel perception; one of the more important observations was that the target tended to shift toward vowels with an F1 just above the sung frequency.  相似文献   

4.
Static, dynamic, and relational properties in vowel perception   总被引:2,自引:0,他引:2  
The present work reviews theories and empirical findings, including results from two new experiments, that bear on the perception of English vowels, with an emphasis on the comparison of data analytic "machine recognition" approaches with results from speech perception experiments. Two major sources of variability (viz., speaker differences and consonantal context effects) are addressed from the classical perspective of overlap between vowel categories in F1 x F2 space. Various approaches to the reduction of this overlap are evaluated. Two types of speaker normalization are considered. "Intrinsic" methods based on relationships among the steady-state properties (F0, F1, F2, and F3) within individual vowel tokens are contrasted with "extrinsic" methods, involving the relationships among the formant frequencies of the entire vowel system of a single speaker. Evidence from a new experiment supports Ainsworth's (1975) conclusion [W. Ainsworth, Auditory Analysis and Perception of Speech (Academic, London, 1975)] that both types of information have a role to play in perception. The effects of consonantal context on formant overlap are also considered. A new experiment is presented that extends Lindblom and Studdert-Kennedy's finding [B. Lindblom and M. Studdert-Kennedy, J. Acoust. Soc. Am. 43, 840-843 (1967)] of perceptual effects of consonantal context on vowel perception to /dVd/ and /bVb/ contexts. Finally, the role of vowel-inherent dynamic properties, including duration and diphthongization, is briefly reviewed. All of the above factors are shown to have reliable influences on vowel perception, although the relative weight of such effects and the circumstances that alter these weights remain far from clear. It is suggested that the design of more complex perceptual experiments, together with the development of quantitative pattern recognition models of human vowel perception, will be necessary to resolve these issues.  相似文献   

5.
Monolingual Peruvian Spanish listeners identified natural tokens of the Canadian French (CF) and Canadian English (CE) /?/ and /?/, produced in five consonantal contexts. The results demonstrate that while the CF vowels were mapped to two different native vowels, /e/ and /a/, in all consonantal contexts, the CE contrast was mapped to the single native vowel /a/ in four out of five contexts. Linear discriminant analysis revealed that acoustic similarity between native and target language vowels was a very good predictor of context-specific perceptual mappings. Predictions are made for Spanish learners of the /?/-/?/ contrast in CF and CE.  相似文献   

6.
The current investigation studied whether adults, children with normally developing language aged 4-5 years, and children with specific language impairment, aged 5-6 years identified vowels on the basis of steady-state or transitional formant frequencies. Four types of synthetic tokens, created with a female voice, served as stimuli: (1) steady-state centers for the vowels [i] and [ae]; (2) voweless tokens with transitions appropriate for [bib] and [baeb]; (3) "congruent" tokens that combined the first two types of stimuli into [bib] and [baeb]; and (4) "conflicting" tokens that combined the transitions from [bib] with the vowel from [baeb] and vice versa. Results showed that children with language impairment identified the [i] vowel more poorly than other subjects for both the voweless and congruent tokens. Overall, children identified vowels most accurately in steady-state centers and congruent stimuli (ranging between 94%-96%). They identified the vowels on the basis of transitions only from "voweless" tokens with 89% and 83.5% accuracy for the normally developing and language impaired groups, respectively. Children with normally developing language used steady-state cues to identify vowels in 87% of the conflicting stimuli, whereas children with language impairment did so for 79% of the stimuli. Adults were equally accurate for voweless, steady-state, and congruent tokens (ranging between 99% to 100% accuracy) and used both steady-state and transition cues for vowel identification. Results suggest that most listeners prefer the steady state for vowel identification but are capable of using the onglide/offglide transitions for vowel identification. Results were discussed with regard to Nittrouer's developmental weighting shift hypothesis and Strange and Jenkin's dynamic specification theory.  相似文献   

7.
Both in normal speech voice and in some types of pathological voice, adjacent vocal cycles may alternate in amplitude or period, or both. When this occurs, the determination of voice fundamental frequency (defined as number of vocal cycles per second) becomes difficult. The present study attempts to address this issue by investigating how human listeners perceive the pitch of alternate cycles. As stimuli, vowels /a/ and /i/ were synthesized with fundamental frequencies at 140 Hz and 220 Hz, and the effect of alternate cycles was simulated with both amplitude- and frequency-modulation of the glottal volume velocity waveform. Subjects were asked to judge the pitch of the modulated vowels in reference to vowels without modulation. The results showed that (a) perceived pitch became lower as the amount of modulation increased, and the effect seems to be more dramatic than would be predicted by existing hypotheses, (b) perceived pitch differed across vowels, fundamental frequencies, and modulation types, that is, amplitude versus frequency modulation, and (c) the prediction of perceived pitch was best made in the frequency domain in terms of subharmonic-to-harmonic ratio. These findings provide useful information on how we should assess the pitch of alternate cycles. They may also be helpful in developing more robust pitch determination algorithms.  相似文献   

8.
This paper seeks to characterize the nature, size, and range of acoustic amplitude variation in naturally produced coarticulated vowels in order to determine its potential contribution and relevance to vowel perception. The study is a partial replication and extension of the pioneering work by House and Fairbanks [J. Acoust. Soc. Am. 22, 105-113 (1953)], who reported large variation in vowel amplitude as a function of consonantal context. Eight American English vowels spoken by men and women were recorded in ten symmetrical CVC consonantal contexts. Acoustic amplitude measures included overall rms amplitude, amplitude of the rms peak along with its relative location in the CVC-word, and the amplitudes of individual formants F1-F4 along with their frequencies. House and Fairbanks' amplitude results were not replicated: Neither the overall rms nor the rms peak varied appreciably as a function of consonantal context. However, consonantal context was shown to affect significantly and systematically the amplitudes of individual formants at the vowel nucleus. These effects persisted in the auditory representation of the vowel signal. Auditory spectra showed that the pattern of spectral amplitude variation as a function of contextual effects may still be encoded and represented at early stages of processing by the peripheral auditory system.  相似文献   

9.
This paper examines four acoustic properties (duration F0, F1, and F2) of the monophthongal vowels of Iberian Spanish (IS) from Madrid and Peruvian Spanish (PS) from Lima in various consonantal contexts (/s/, /f/, /t/, /p/, and /k/) and in various phrasal contexts (in isolated words and sentence-internally). Acoustic measurements on 39 speakers, balanced by dialect and gender, can be generalized to the following differences between the two dialects. The vowel /a/ has a lower first formant in PS than in IS by 6.3%. The vowels /e/ and /o/ have more peripheral second-formant (F2) values in PS than in IS by about 4%. The consonant /s/ causes more centralization of the F2 of neighboring vowels in IS than in PS. No dialectal differences are found for the effect of phrasal context. Next to the between-dialect differences in the vowels, the present study finds that /s/ has a higher spectral center of gravity in PS than in IS by about 10%, that PS speakers speak slower than IS speakers by about 9%, and that Spanish-speaking women speak slower than Spanish-speaking men by about 5% (irrespective of dialect).  相似文献   

10.
This study examines measures of glottal flow for vowels of Hmong, a Southeast Asian language which uses breathy and normal phonation contrastively. A software inverse filter was used to recover glottal airflow from oral airflow recordings. Properties of glottal flow measured in the time domain were glottal pulse symmetry and relative closed-phase duration. In the frequency domain, measures of spectral tilt and the amplitude difference between F0 and H2 were applied to discrete Fourier transforms (DFTs) of the glottal flow waveforms. Spectral tilt could not be reliably measured for many tokens. For the other measures, values were available for all tokens and were compared across phonation types. Flow pulse symmetry is not significantly different for breathy and normal-voice vowels. On the other hand, prominence of the fundamental relative to the second harmonic is a very significant correlate of the breathy/normal distinction, as is the relative closed-phase duration. These results are considered in light of an existing model of the voice source.  相似文献   

11.
Formant dynamics in vowel nuclei contribute to vowel classification in English. This study examined listeners' ability to discriminate dynamic second formant transitions in synthetic high front vowels. Acoustic measurements were made from the nuclei (steady state and 20% and 80% of vowel duration) for the vowels /i, I, e, epsilon, ae/ spoken by a female in /bVd/ context. Three synthesis parameters were selected to yield twelve discrimination conditions: initial frequency value for F2 (2525, 2272, or 2068 Hz), slope direction (rising or falling), and duration (110 or 165 ms). F1 frequency was roved. In the standard stimuli, F0 and F1-F4 were steady state. In the comparison stimuli only F2 frequency varied linearly to reach a final frequency. Five listeners were tested under adaptive tracking to estimate the threshold for frequency extent, the minimal detectable difference in frequency between the initial and final F2 values, called deltaF extent. Analysis showed that initial F2 frequency and direction of movement for some F2 frequencies contributed to significant differences in deltaF extent. Results suggested that listeners attended to differences in the stimulus property of frequency extent (hertz), not formant slope (hertz/second). Formant extent thresholds were at least four times smaller than extents measured in the natural speech tokens, and 18 times smaller than for the diphthongized vowel /e/.  相似文献   

12.
An analysis is presented of regional variation patterns in the vowel system of Standard Dutch as spoken in the Netherlands (Northern Standard Dutch) and Flanders (Southern Standard Dutch). The speech material consisted of read monosyllabic utterances in a neutral consonantal context (i.e., /sVs/). The analyses were based on measurements of the duration and the frequencies of the first two formants of the vowel tokens. Recordings were made for 80 Dutch and 80 Flemish speakers, who were stratified for the social factors gender and region. These 160 speakers were distributed across four regions in the Netherlands and four regions in Flanders. Differences between regional varieties were found for duration, steady-state formant frequencies, and spectral change of formant frequencies. Variation patterns in the spectral characteristics of the long mid vowels /e o ?/ and the diphthongal vowels /ei oey bacwards c u/ were in accordance with a recent theory of pronunciation change in Standard Dutch. Finally, it was found that regional information was present in the steady-state formant frequency measurements of vowels produced by professional language users.  相似文献   

13.
Vocal vibrato and tremor are characterized by oscillations in voice fundamental frequency (F0). These oscillations may be sustained by a control loop within the auditory system. One component of the control loop is the pitch-shift reflex (PSR). The PSR is a closed loop negative feedback reflex that is triggered in response to discrepancies between intended and perceived pitch with a latency of approximately 100 ms. Consecutive compensatory reflexive responses lead to oscillations in pitch every approximately 200 ms, resulting in approximately 5-Hz modulation of F0. Pitch-shift reflexes were elicited experimentally in six subjects while they sustained /u/ vowels at a comfortable pitch and loudness. Auditory feedback was sinusoidally modulated at discrete integer frequencies (1 to 10 Hz) with +/- 25 cents amplitude. Modulated auditory feedback induced oscillations in voice F0 output of all subjects at rates consistent with vocal vibrato and tremor. Transfer functions revealed peak gains at 4 to 7 Hz in all subjects, with an average peak gain at 5 Hz. These gains occurred in the modulation frequency region where the voice output and auditory feedback signals were in phase. A control loop in the auditory system may sustain vocal vibrato and tremorlike oscillations in voice F0.  相似文献   

14.
The first three formant frequencies for 778 steady-state tokens of 30 nonretroflex vowel types uttered by a female speaker are found to lie close to a piecewise-planar surface (expressed numerically as 0.634F1 +0.603F2 -- 0.485F3 -- 366 = 0, for F2 greater than 0.027F1 +1692 and 0.686F1 -- 0.528F2 -- 0.501F3 +1569 = 0, otherwise). The rms distance of the vowels from this surface is only 86 Hz. The intersection between the two planes is a line of nearly constant F2, corresponding closely to the F2 of a uniform vocal tract of the same length as our speaker's. The piecewise-planar representation also suggests a way to test the hypotheses of uniform and nonuniform formant-frequency scaling between speakers.  相似文献   

15.
This study investigated the extent to which adult Japanese listeners' perceived phonetic similarity of American English (AE) and Japanese (J) vowels varied with consonantal context. Four AE speakers produced multiple instances of the 11 AE vowels in six syllabic contexts /b-b, b-p, d-d, d-t, g-g, g-k/ embedded in a short carrier sentence. Twenty-four native speakers of Japanese were asked to categorize each vowel utterance as most similar to one of 18 Japanese categories [five one-mora vowels, five two-mora vowels, plus/ei, ou/ and one-mora and two-mora vowels in palatalized consonant CV syllables, C(j)a(a), C(j)u(u), C(j)o(o)]. They then rated the "category goodness" of the AE vowel to the selected Japanese category on a seven-point scale. None of the 11 AE vowels was assimilated unanimously to a single J response category in all context/speaker conditions; consistency in selecting a single response category ranged from 77% for /eI/ to only 32% for /ae/. Median ratings of category goodness for modal response categories were somewhat restricted overall, ranging from 5 to 3. Results indicated that temporal assimilation patterns (judged similarity to one-mora versus two-mora Japanese categories) differed as a function of the voicing of the final consonant, especially for the AE vowels, /see text/. Patterns of spectral assimilation (judged similarity to the five J vowel qualities) of /see text/ also varied systematically with consonantal context and speakers. On the basis of these results, it was predicted that relative difficulty in the identification and discrimination of AE vowels by Japanese speakers would vary significantly as a function of the contexts in which they were produced and presented.  相似文献   

16.
Vowel identification was tested in quiet, noise, and reverberation with 20 normal-hearing subjects and 20 hearing-impaired subjects. Stimuli were 15 English vowels spoken in a /b-t/context by six male talkers. Each talker produced five tokens of each vowel. In quiet, all stimuli were identified by two judges as the intended targets. The stimuli were degraded by reverberation or speech-spectrum noise. Vowel identification scores depended upon talker, listening condition, and subject type. The relationship between identification errors and spectral details of the vowels is discussed.  相似文献   

17.
The abilities to hear changes in pitch for sung vowels and understand speech using an experimental sound coding strategy (eTone) that enhanced coding of temporal fundamental frequency (F0) information were tested in six cochlear implant users, and compared with performance using their clinical (ACE) strategy. In addition, rate- and modulation rate-pitch difference limens (DLs) were measured using synthetic stimuli with F0s below 300 Hz to determine psychophysical abilities of each subject and to provide experience in attending to rate cues for the judgment of pitch. Sung-vowel pitch ranking tests for stimuli separated by three semitones presented across an F0 range of one octave (139-277 Hz) showed a significant benefit for the experimental strategy compared to ACE. Average d-prime (d') values for eTone (d' = 1.05) were approximately three time larger than for ACE (d' = 0.35). Similar scores for both strategies in the speech recognition tests showed that coding of segmental speech information by the experimental strategy was not degraded. Average F0 DLs were consistent with results from previous studies and for all subjects were less than or equal to approximately three semitones for F0s of 125 and 200?Hz.  相似文献   

18.
Previous non-invasive brain research has reported auditory cortical sensitivity to periodicity as reflected by larger and more anterior responses to periodic than to aperiodic vowels. The current study investigated whether there is a lower fundamental frequency (F0) limit for this effect. Auditory evoked fields (AEFs) elicited by natural-sounding 400 ms periodic and aperiodic vowel stimuli were measured with magnetoencephalography. Vowel F0 ranged from normal male speech (113 Hz) to exceptionally low values (9 Hz). Both the auditory N1m and sustained fields were larger in amplitude for periodic than for aperiodic vowels. The AEF sources for periodic vowels were also anterior to those for the aperiodic vowels. Importantly, the AEF amplitudes and locations were unaffected by the F0 decrement of the periodic vowels. However, the N1m latency increased monotonically as F0 was decreased down to 19 Hz, below which this trend broke down. Also, a cascade of transient N1m-like responses was observed in the lowest F0 condition. Thus, the auditory system seems capable of extracting the periodicity even from very low F0 vowels. The behavior of the N1m latency and the emergence of a response cascade at very low F0 values may reflect the lower limit of pitch perception.  相似文献   

19.
Cross-language perception studies report influences of speech style and consonantal context on perceived similarity and discrimination of non-native vowels by inexperienced and experienced listeners. Detailed acoustic comparisons of distributions of vowels produced by native speakers of North German (NG), Parisian French (PF) and New York English (AE) in citation (di)syllables and in sentences (surrounded by labial and alveolar stops) are reported here. Results of within- and cross-language discriminant analyses reveal striking dissimilarities across languages in the spectral/temporal variation of coarticulated vowels. As expected, vocalic duration was most important in differentiating NG vowels; it did not contribute to PF vowel classification. Spectrally, NG long vowels showed little coarticulatory change, but back/low short vowels were fronted/raised in alveolar context. PF vowels showed greater coarticulatory effects overall; back and front rounded vowels were fronted, low and mid-low vowels were raised in both sentence contexts. AE mid to high back vowels were extremely fronted in alveolar contexts, with little change in mid-low and low long vowels. Cross-language discriminant analyses revealed varying patterns of spectral (dis)similarity across speech styles and consonantal contexts that could, in part, account for AE listeners' perception of German and French front rounded vowels, and "similar" mid-high to mid-low vowels.  相似文献   

20.
Previous research indicated that, as groups, male (bass/baritone) and female (soprano) professional singers tend to exhibit differing vocal tract and voice source behaviours. The use of an objective measure of voice [xeroradiographic-electrolaryngographic analysis (XEL)] revealed differences between the two voice types, especially at the highest sample pitches (e, 330 Hz for bass/baritones, and e″, 1,320 Hz for sopranos). XEL analysis combines two known techniques, i.e., soft-tissue radiographic imaging (xeroradiography), and an analysis of voice-source vibratory patterning (electrolaryngography). Subsequent to this investigation, interest centered on the male professional falsetto voice over a two-octave range (E 165 Hz to e′ 660 Hz) using a sample (n=9) of professional countertenors. Results suggest that there are characteristic trends in the patterning of the male professional falsetto register, but there is also evidence of within-group variability. The subjects significantly increased the size of the pharyngeal tube area during phonation. ANOVA and Trend Analysis revealed ventricular space as the only measure to expand systematically and consistently as sung pitch increases.  相似文献   

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