Non-invasive and non-destructive micro-XRF and micro-Raman analysis of a decorative wallpaper from the beginning of the 19th century

Non-destructive and non-invasive micro-Raman fibre optic and micro-XRF analyses were performed to study a wallpaper from the beginning of the 19th century. The complementarity of these two non-destructive techniques is shown in this work. The analysed artwork is considered one of the most beautiful wallpapers ever manufactured according to the catalogues and books; it is known as Chasse de Compiègne, manufactured by Jacquemart, Paris, in 1812. During the analysis, an unexpected pigment was detected by both analytical techniques: lead-tin yellow type II. This pigment was used until ca. 1750, when other yellow pigments replaced it, thus it is very difficult to find it in paintings afterwards. Together with this pigment, red lead, Prussian blue, brochantite, yellow iron oxide, calcium carbonate, vermilion, carbon black of animal origin (bone black), lead white, and raw and burnt sienna were also determined by combining the analytical information provided by both techniques. A possible degradation of brochantite to antlerite is also discussed.     

Raman fibre optic approach to artwork dating

Raman micro-probe spectroscopy has been applied to the analysis of a non catalogued hand-crafted wallpaper during its restoration process. The analysis has been totally non-destructive without the necessity of taking any sample. The artwork showed a great chromatic palette having been detected the presence of calcium carbonate, Prussian blue, ultramarine blue, gypsum (CaSO4.2H2O), minium (Pb3O4), vermilion (HgS), chrome orange (CaCO3), chrome yellow (PbCrO4), barium sulphate and carbon black (C). From the spectroscopic analysis the date of its manufacturing has been set between 1828 and 1830, introduction of chrome yellow and orange, as well as artificial ultramarine blue, and 1840, when continuous industrial wallpapers were extensively manufactured in Europe.     

Analytical contributions to the evaluation of painting authenticity from Princely church of Curtea de Arges

The present study contains the analyses performed for pigment samples taken from the Princely church of Curtea de Arges, one of the oldest churches in Romania. The results of our investigations have shown the source of these samples, thus being identified the pigments: natural ultramarine, cinnabar, red earth, and calcium carbonate in the painting from the 14th century, the pigments: lead white, zinc white, and Prussian blue in the repainting from the 19th century and the pigments zinc white, titanium dioxide white, bone white, yellow ochre, red ochre, green earth, artificial ultramarine, and mars red in the interventions carried out in the 20th century. The analyses consisted of light microscopy (LM) and microchemical tests, as well as energy dispersive X-ray (EDX) analysis. This system of analyses allows one to precisely determine the authenticity of certain pigments, thus avoiding the dating errors for different interventions carried out on the original mural painting from the Saint Nicholas Princely church of Curtea de Arges.     

Analysis of mural paintings in Istria

Fragments of wall paintings from Istria, coming from the Basilica of Guran near Vodnjan, from the cemeterial Church of Saint Simeon in Guran and from the Benedictine monastery of Santa Maria Alta near Bale were studied. The analytical instrumental techniques used were Optical Microscopy, Scanning Electron Microscopy equipped with an EDS microanalysis detector, X Ray diffraction, FTIR infrared Spectroscopy and Raman Spectroscopy. Red and yellow pigments used in Guran and Bale have bean derived from red and yellow istrian bauxites, as already demonstrated for works from 11th to 15th century. The blue pigment found in the paintings of the Bale Chapel is a lapislazzuli blue; this fact confirms the literature data referring to the period from 11th to the 16th century. The materials and pigments used at Bale and Guran fit with the Istrian tradition and history of painting going back to the first Carolingian period.     

Enamels in stained glass windows: Preparation, chemical composition, microstructure and causes of deterioration

Stained glass windows incorporating dark blue and purple enamel paint layers are in some cases subject to severe degradation while others from the same period survived the ravages of time. A series of dark blue, green–blue and purple enamel glass paints from the same region (Northwestern Europe) and from the same period (16–early 20th centuries) has been studied by means of a combination of microscopic X-ray fluorescence analysis, electron probe micro analysis and transmission electron microscopy with the aim of better understanding the causes of the degradation. The chemical composition of the enamels diverges from the average chemical composition of window glass. Some of the compositions appear to be unstable, for example those with a high concentration of K₂O and a low content of CaO and PbO. In other cases, the deterioration of the paint layers was caused by the less than optimal vitrification of the enamel during the firing process. Recipes and chemical compositions indicate that glassmakers of the 16–17th century had full control over the color of the enamel glass paints they made. They mainly used three types of coloring agents, based on Co (dark blue), Mn (purple) and Cu (light-blue or green–blue) as coloring elements. Blue–purple enamel paints were obtained by mixing two different coloring agents. The coloring agent for red–purple enamel, introduced during the 19th century, was colloidal gold embedded in grains of lead glass.     

Synthetisches Blau als Wegbereiterin des Impressionismus

Up until the 18th century stable, strong blue pigments for painting were very expensive. Only well‐off painters or their wealthy patrons could afford them. Progress in chemistry changed this situation during the 18th and 19th centuries by synthesizing good quality blue pigments at reasonable prices. Pigments in primary colors in ready‐to‐paint tubes paved the way for painters from all social classes to join the new “plein‐air” movement of impressionism.     

Application and evaluation of a new cold-stable kinetic Jaffé reagent to the Hitachi 747 for the determination of serum creatinine

One of the most commonly requested tests of the clinical laboratory is that of serum creatinine. Since the late 19th century the most commonly used reagents have been those based upon the work of Jaffé [1], which are composed of alkali and picric acid. Upon addition of creatinine to this reagent a red color, referred to as a Janovsky complex [2 and 3] is rapidly formed. Almost all of the currently available approaches to the automated determination of creatinine are based upon this reaction. Furthermore, the rate of the reaction may be controlled so that either equilibrium [4] or kinetic [5] measurements can be made. Although various enzymic approaches have been proposed [6, 7, 8, 9 and 10] they, as yet, have not gained the same popular support of the modified Jaffé reagents.     

On the Transition from Tin-Rich to Antimony-Rich European White Soda-Glass Trade Beads for the Senecas of Northeastern North America

It has been shown that several modifications occurred, over the span of the 17th to 19th centuries, in the agents used to opacify European-made white soda-glass beads that were transmitted as trade goods to northeastern North America. Tin was used at the beginning of the 17th century, followed by Sb later in the century, and then by As during the 18th and 19th centuries. In an attempt to define more closely the transition from Sn-rich to Sb-rich white beads, we analyzed 198 white glass beads from a number of archaeological sites in western New York State. Chemical analysis shows that the arrival of Sb-white soda-glass trade beads began in this region during the period from approximately A.D. 1625–1640, and that they had completely replaced Sn-white beads by A.D. 1675. Specific bead chemistries link a number of the archaeological sites.     

Raman microspectrometric investigation of wall paintings in S. Giovanni Evangelista Abbey in Parma: a comparison between two artists of the 16th century

Micro-Raman spectroscopy, combined with gas chromatography and ultra-violet fluorescence photography, was used to study some wall paintings in the S. Giovanni Evangelista Abbey in Parma, Italy. The restoration of some painted chapels enabled a comparison between two painters of the 16th century: Parmigianino (Girolamo Francesco Maria Mazzola, 1503-1540) and Michelangelo Anselmi (1492?-1556?). Micro-Raman spectroscopy determined the palette used by the artists, leading to the identification of different white, yellow, red, brown, green, blue and black pigments. Some pigments are evidence of later restorations. Gas chromatography combined with mass spectroscopy revealed the presence of organic binding media and enabled to distinguish between fresco and secco paintings.     

The use of microspectrofluorimetry for the characterization of lake pigments

In this paper, the potential of confocal microfluorescence spectroscopy is explored for the characterization of selected red lake pigments and paints based on alizarin, purpurin and eosin (weak, medium and strong emitters). The anthraquinone pigments have been used since ancient times by artists, and eosin lakes were used by impressionist painters. Reconstructions of artists paints based on 19th century recipes are examined. The paints were made using the lake pigments bound in a range of binding media including gum arabic, collagen, a vinyl emulsion and linseed oil. The acquisition of the spectra is rapid, with high spatial resolution and the data reliable and reproducible. Together with full emission spectra, it was possible to acquire well-resolved excitation spectra for purpurin, alizarin and eosin based colors. The present investigation suggests that micro-emission fluorescence can also be used as a semi-quantitative method for madder lake pigments, enabling the determination of purpurin lake ratio in a mixture of purpurin and alizarin, which is important for provenance studies. The data obtained with microfluorescence emission with those acquired with fiber-optic fluorimetry are compared. The spatial resolution used, 8microm, is appropriate for the analysis of individual pigments particles or aggregates in a paint film. Micro-emission molecular fluorescence proved to be a promising analytical tool to identify the presence of selected red lake pigments combined with a range of binding media.     

硅元素的发现及其概念的发展

通过对硅元素发现历程的考证分析可知,17、18世纪随着科学实验的兴起以及元素观的发展,科学家以实践为基础,运用逻辑思维和直觉思维预见了硅元素的存在;19世纪随着电化学和分析化学的发展,科学家们成功制取无定形硅和晶体硅;20世纪30年代,硅同位素的发现使人们对硅元素的概念有了新认识。总之,随着科学思想的演进和科学方法的发展,硅元素概念的内涵也在不断发展变化。     

Raman spectroscopic analysis of the enigmatic Comper pigments

An early church decoration project carried out by Sir Ninian Comper in 1896–98, involving the rood screen and canopy in St. Mary’s, Egmanton, is currently undergoing restoration. Despite the rather prolific works of this famous ecclesiastical architect, there is little information available about the actual pigments that he used in his projects that gave rise to the special nomenclature “Comper green” and “Comper red”. Specimens of green, red, black, grey, white and blue paint from this work have been made available for Raman spectroscopic analysis, and their identification has been achieved for the first time. The characteristic red and green pigments used in Comper’s work, Comper green and Comper red, are both seen to be mixtures; in the former, Raman bands from chrome yellow (lead(II) chromate) and Prussian blue are identified, and the latter is confirmed as being a mixture of vermilion (mercury(II) sulfide) and barytes (barium sulfate). The other colours are found to represent a rich diversity of palette and include haematite, lead tin yellow (type II), lamp black, gypsum, anhydrite, hydrocerussite and calcite. The information from this first Raman spectroscopic study of Comper’s palette will assist the conservation and restoration of an important nineteenth century church decoration.     

A Review of Red Yeast Rice,a Traditional Fermented Food in Japan and East Asia: Its Characteristic Ingredients and Application in the Maintenance and Improvement of Health in Lipid Metabolism and the Circulatory System

Red yeast rice has been used to produce alcoholic beverages and various fermented foods in China and Korea since ancient times; it has also been used to produce tofuyo (Okinawan-style fermented tofu) in Japan since the 18th century. Recently, monacolin K (lovastatin) which has cholesterol-lowering effects, was found in some strains of Monascus fungi. Since statins have been used world-wide as a cholesterol-lowering agent, processed foods containing natural statins are drawing attention as materials for primary prevention of life-style related diseases. In recent years, large-scale commercial production of red yeast rice using traditional solid-state fermentation has become possible, and various useful materials, including a variety of monascus pigments (polyketides) that spread as natural pigments, in addition to statins, are produced in the fermentation process. Red yeast rice has a lot of potential as a medicinal food. In this paper, we describe the history of red yeast rice as food, especially in Japan and East Asia, its production methods, use, and the ingredients with pharmacological activity. We then review evidence of the beneficial effects of red yeast rice in improving lipid metabolism and the circulatory system and its safety as a functional food.     

Heteroblastic Development and Shade-avoidance in Response to Blue and Red Light Signals in Acacia implexa

Information from blue (400–500 nm) and red (660–730 nm) wavelengths is used by plants to determine proximity of neighbors or actual shading. Plants undergo trait changes in order to out-compete neighbors or accommodate shading. Heteroblasty, the dramatic shift from one leaf type to another during juvenility, can be influenced by the light environment although it is unknown whether cues from blue or red (or both) are driving the developmental process. Seedlings of three populations of Acacia implexa (Mimosaceae) collected from low, medium and high rainfall habitats were grown in a factorial design of high/low blue and red light to determine how light signals affect heteroblasty and patterns of biomass allocation. Low blue light significantly delayed heteroblasty in the low rainfall population and low red light significantly delayed in the low and high rainfall populations. Low blue light increased stem elongation and decreased root biomass whereas low red light induced a strong shade-avoidance response. These results were consistent across populations although the low rainfall population showed greater trait variability in response to red light signals. We conclude that red light conveys a greater information signal than blue light that affects heteroblasty and seedling development in A. implexa .     

磷单质概念的新发展

自白磷与红磷相继被发现后，磷单质的概念初步形成。20世纪初期，黑磷的发现突破了人们对磷单质的认识。随后，紫磷、蓝磷、二磷分子以及环状磷的出现，使磷单质的概念有了新的发展。几种新的磷单质的发现，建立了磷单质概念的新范式，科学家在探索磷单质概念多元化的道路上还将继续前行。     

Application of ATR–FTIR spectroscopy to the analysis of tannins in historic leathers: The case study of the upholstery from the 19th century Portuguese Royal Train

Tanning materials of historic leather samples collected from the 19th century Portuguese Royal train were analyzed by attenuated total reflection–Fourier transform infrared (ATR–FTIR) spectroscopy. Studied leathers were visually identified as morocco leathers, one of the most valued types of vegetable tanned leathers. In technical and historic literature, morocco leathers are described as a distinctive type of vegetable tanned leather, with a typical grain surface pattern, made from goat skins and sumac (Rhus coriaria) leaves.ATR–FTIR spectra of the Royal train leathers were investigated and compared with 10 reference tanning materials obtained from different plants in use in the 19th century, here described. Two different types of vegetable tanned leathers were identified. The obtained spectra allowed to confirm the presence of morocco leathers as well as to detect a different type of vegetable tanned leather, probably applied as a restoration material in a past intervention. This study shows the usefulness of ATR–FTIR to distinguish different types of historic leathers based in the spectroscopic characteristic IR bands of vegetable tannins used for leather production, which can be of great assistance for conservation condition assessments.     

The infrared microspectroscopic and energy dispersive X-ray analysis of paints removed from a painted, medieval sculpture of Saint Wolfgang

A spectroscopic study of paints removed from a 15th century sculpture depicting Saint Wolfgang, which is housed in the Ball State Museum of Art, was performed. Infrared spectra on the minute paint samples were obtained using a microscope accessory in the transmission mode, and the spectra were compared to reference spectra of known art pigments and materials. In addition, energy dispersive X-ray spectra were obtained using a scanning electron microscope source. Although many of the pigments found are relatively modern pigments, the first application of paint is composed of materials consistent with the sculpture's medieval date. Pigments identified include brass gilding, calcium carbonate, China clay, lac dye, orpiment, Prussian blue, satin ochre, ultramarine blue and red, and zinc chromate. A zinc tungate finish was also identified.     

Advances in fingerprint analysis

Fingerprints have been used in forensic investigations for the identification of individuals since the late 19th century. However, it is now clear that fingerprints can provide significantly more information about an individual. Here, we highlight the considerable advances in fingerprinting technology that can simultaneously provide chemical information regarding the drugs ingested and the explosives and drugs handled by a person as well as the identity of that individual.