| “生态大我”与中国传统审美范畴“意境”“中和”关系研究 |
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| 引用本文： | 朱利华.“生态大我”与中国传统审美范畴“意境”“中和”关系研究[J].泰山学院学报,2013,35(4):31-38. |
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| 作者姓名： | 朱利华 |
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| 作者单位： | 首都经济贸易大学英语系,北京,100070 |
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| 基金项目： | 首都经济贸易大学校级科研项目（2013XJQ018） |
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| 摘 要： | 生态文化的建设应从对各种中心主义的争论中转向对人自身的反思中来.深层生态学提出的“生态大我”概念是一个很好的尝试,“生态大我”的本质是自我认同模式的变革.中国传统审美范畴“意境”与“中和”很好地体现了“生态大我”的认同模式和精神诉求,丰富了“生态大我”内涵,从而启发生态文化的构建.
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| 关 键 词： | 生态大我 审美范畴 意境 中和 |
Research on Relationship between Eco-Self,State of Mind and Harmony |
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| ZHU Li-hua.Research on Relationship between Eco-Self,State of Mind and Harmony[J].Journal of Taishan University,2013,35(4):31-38. |
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| Authors: | ZHU Li-hua |
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| Institution: | ZHU Li-hua(Capital Economic and Business University,English Department,Beijing,100070) |
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| Abstract: | The construction of ecological culture should shift its focus from the dispute on various kinds of centralisms to the reflection on humanity itself.Ecological SELF proposed by Deep Ecology is a fine attempt in this direction;the essence of Ecological SELF is the transformation of self-identification mode.Chinese traditional aesthetic categories ＂state of mind＂ and ＂harmony＂ can fully embody the identification and spirituality,and these two aesthetic categories enrich the connotation of Ecological SELF and thus enlighten the construction of ecological culture. |
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| Keywords: | Ecological SELF aesthetic categories ＂state of mind＂ ＂harmony＂ |
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