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Consonance and dissonance perception. A critical review of the historical sources,multidisciplinary findings,and main hypotheses
Institution:1. Institute for Cognitive Sciences and Technologies (ISTC), National Research Council of Italy (CNR), Via San Martino della Battaglia 44, 00185 Rome, Italy;2. Center for Music in the Brain, Department of Clinical Medicine, Aarhus University Royal Academy of Music Aarhus/Aalborg (RAMA), 8000 Aarhus, Denmark;3. Department of Education, Psychology, Communication, University of Bari Aldo Moro, 70122 Bari, Italy;1. VERSES Research Lab, Los Angeles, CA, 90016, USA;2. Wellcome Centre for Human Neuroimaging, University College London, London WC1N 3AR, UK;1. Neurobiology, Biochemistry and Biophysics School, Wise Faculty of Life Sciences, Israel;2. Sagol School of Neuroscience, Tel Aviv University, Tel Aviv, Israel;1. Rehabilitation Center Valens, CH-7317 Valens, Switzerland;2. University Hospital of Psychiatry, CH-8032 Zurich, Switzerland;1. School of Mechanical Engineering, University of Science and Technology Beijing, Beijing 100083, China;2. John A. Paulson School of Engineering and Applied Sciences, Harvard University, 9 Oxford St, Cambridge, MA, 02138, USA;3. Gonville & Caius College, University of Cambridge, Trinity St., Cambridge CB2 1TA, UK;4. Institute of Biomechanics and Medical Engineering, Department of Engineering Mechanics, Tsinghua University, Beijing 100084, China;5. Department of Physics, Harvard University, 9 Oxford St, Cambridge, MA, 02138, USA
Abstract:
Keywords:Harmony  Musical intervals  Vocal similarity hypothesis  Auditory roughness  Vocality  Processing fluency
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