| Abstract: | A two-interval, two-alternative forced choice task was used to estimate frequency difference limens (DLs) for individual harmonics within complex tones, and DLs for the periodicity (i.e., number of periods per s) of the whole complexes. For complex tones with equal-amplitude harmonics, the DLs for the lowest harmonics were small (less than one percent). The DLs increased rather abruptly around the fifth to seventh harmonic. The highest harmonic in each complex was also well discriminated, and the discriminability of a single high harmonic was markedly improved by increasing its level relative to the other components. The DL for a complex tone was generally smaller than the frequency DL of its most discriminable component. The DL for a complex was found to be predictable from the DLs of the harmonics comprising the complex, using a formula derived by Goldstein J. Acoust. Soc. Am. 54, 1496-1516 (1973)] from his optimum processor theory for the formation of the pitch of complex tones. The DL for a complex is sometimes primarily determined by high harmonics, such as the highest harmonic, or a harmonic whose level exceeds that of adjacent harmonics. We also measured intensity DLs for individual harmonics within complex tones. The intensity DLs were smallest for low harmonic numbers, and for the highest harmonic in a complex. An excitation-pattern model was used to determine whether the frequency DLs of harmonics within complex tones could be explained in terms of place mechanisms, i.e., in terms of changes in the amount of excitation at appropriate frequency places. We conclude that place mechanisms are not adequate, and that information about the frequencies of individual harmonics is probably carried in the time patterning of neural impulses. |
