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Detection of Organic Colorants in Historical Painting Layers Using UV Laser Ablation Surface‐Enhanced Raman Microspectroscopy
Authors:Anna Cesaratto  Dr. Marco Leona  Prof. John R. Lombardi  Dr. Daniela Comelli  Dr. Austin Nevin  Dr. Pablo Londero
Affiliation:1. Dipartimento di Fisica, Politecnico di Milano, Milano (Italy);2. Department of Scientific Research, The Metropolitan Museum of Art, New York NY (USA);3. Department of Chemistry and Center for Analysis of Structures and Interfaces (CASI), The City College of New York, New York, NY (USA);4. Institute of Photonics and Nanotecnologies‐Consiglio Nazionale, delle Ricerche (IFN‐CNR) (Italy)
Abstract:Surface‐enhanced Raman spectroscopy (SERS) has been increasingly used in the study of works of art to identify organic pigments and dyes in paintings, which (depending on the material) are difficult or not possible to detect by other current methods. The application of SERS to the study of paintings has been limited, however, by the lack of a sampling approach with sufficient sensitivity and spatial resolution. We show that ultraviolet laser ablation (LA) sampling coupled with SERS detection can be successfully used to study paint layers. LA‐SERS permitted the isolation of signals from colorants in individual thin paint layers in sample cross‐sections, avoiding contamination from adjacent layers. These results expand the range of analytical applications of SERS demonstrating how the technique can be used to sensitively detect minor organic components in complex matrices. While this is fundamental for the study of cultural heritage, it is also relevant in other fields such as forensic analysis, food science, and pharmacology.
Keywords:conservation science  red lakes  SERS  UV ablation  vibrational spectroscopy
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