论明清相如文君戏中情与理的嬗变

司马相如与卓文君的故事是明清戏剧的重要题材。明初的相如文君戏虽有对私情的欣赏,但道德教化是其根本旨归;到明中叶以后,此戏则高举情之大纛,奏响了至情的强音;到清代,相如文君戏则寄予了作家的忠君报国梦,从而完成了一个否定之否定的回归思想历程。通过梳理明清相如文君戏中情与理的嬗变,其间作家个人的思想倾向、襟怀抱负与时代社会潮流的关系昭然若揭。

On the evolution of emotion and reason in the play of Sima Xiangru and Zuo Wenjun of the Ming and Qing dynasty

The story of Sima Xiangru and Zuo Wenjun was an important theme of the play in the Ming and Qing Dynasty.In the early Ming dynasty,although the private feeling of Sima Xiangru and Zuo Wenjun was appreciated,the moral teaching was the final purpose.After the middle Qing dynasty,the play emphasized the emotion.To the Qing dynasty,the play was endowed with writers＇ dream of being loyal to rulers and serving the country worthily,completing the ideological return journey from negation to negation.This paper analyses the evolution of emotion and reason in the play of Sima Xiangru and Zuo Wenjun of the Ming and Qing dynasty to find the relation between the writers＇ ideological trend and ambition and the social trend.