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"一画"的本体论意义--论石涛《画语录》美学思想之哲学底蕴
引用本文:张学军."一画"的本体论意义--论石涛《画语录》美学思想之哲学底蕴[J].玉林师范学院学报,2005,26(4):62-67.
作者姓名:张学军
作者单位:玉林师范学院中文系 讲师文学硕士
基金项目:玉林师范学院2005年院级一般课题“石涛美学的现代阐释”的研究成果。
摘    要:石涛在哲学的高度上,赋予“一画”艺术本体论的意义,使之囊括了中国传统哲学中“道”、“气”、“心”等三个重要的本体范畴所蕴含的积极的生命意识和宇宙意识,并在时代精神的感召下,融入了明清之际启蒙主义美学思潮追求个性解放和个性自由的思想,为其理论的建构和变革创新精神奠定了坚实的基石。

关 键 词:一画  本体论  个性解放
文章编号:1004-4671(2005)04-0062-06
收稿时间:2005-03-08
修稿时间:2005年3月8日

The YiHua Theory's Ontological Meaning: The Philosophical Basic Of Shi Tao's Aesthetical Thought in Works The Collection of Theories on Painting
ZHANG Xie-jun.The YiHua Theory''''s Ontological Meaning: The Philosophical Basic Of Shi Tao''''s Aesthetical Thought in Works The Collection of Theories on Painting[J].Journal of Yulin Teachers College,2005,26(4):62-67.
Authors:ZHANG Xie-jun
Institution:Lecturer, M.A. Dept. of Chinese, Yulin Teachers' College, Yulin, Guangxi 537000
Abstract:From a phyosophical point of view, Shi Tao embodied in it an artistic ontological connotation, so that it included the active consciousness of life and the universe embodied in Tao, Qi and Xin, the three important ontologies in traditional Chinese philosophy. On the other hand, called forth by the spirit of the times, ShiTao gave his theory an apeal of the liberation and freedom of personality on the Enlightmental aesthetics in Ming and Qing Dynasty. thus set a solid basis for the construction and reforming spirit for his theory.
Keywords:YiHua  ontological  Tao  Qi  Xin  the liberation of personality
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