梁宗岱与象征主义诗学

梁宗岱对深化中国诗人关于象征主义的理解所做出的杰出贡献尚未得到学界充分认可。作为诗人、文学批评家和翻译家，梁展示了他极高的外语语言才能；当论及他对艺术与美、理想与“纯诗”的至高无上的信仰，并阐发他所理解的思想与感觉、个性与共性、小我与宇宙、传统与现代的关系时，确是深得象征派大师瓦雷里的精髓。他捍卫诗的形式、结构，诗意背后有意的探寻、思想的揉折，以及反复推敲、精打细磨的艰苦的劳作，这与浪漫主义的灵光一现、一气呵成形成了鲜明的对照。梁宗岱的主要理论著述曾激励“新月派”诗人倡导新诗的形式革命，并对三十年代最有才华的诗人之一卞之琳产生了重大的影响，又在四十多年以后令“后朦胧诗派”的“四川五君子”深深地为之折服，激励他们在尊重传统的同时开创自己的新诗之路。

Liang Zongdai and Symbolist Poetics

Liang Zongdai’s outstanding contribution to deepening the understanding of symbolism has not been fully recognized yet in China. As a poet, literary critic and translator, Liang has demonstrated his great competence in French. When it comes to his supreme belief in art and beauty, ideal and ' pure poetry”, and the poetry relationship between thoughts and feelings, individuality and commonness, ego and the universe, tradition and modernity, it was really interpreted in the spirit of Valery. He defended the form and structure of poetry, the deliberate exploration behind the poetry, the rubbing of ideas, and the hard work of repeated deliberation and the meticulous polishing, which contrasted sharply with the creation of romanticism, which favors accomplishing with one breath and out of inspiration. Liang’s main theoretical writings inspired the ' new-moon-school” poets to advocate the revolution in the form of new poetry and exerted a great influence on Bian Zhilin, one of the most talented poets in the 1930s. More than forty years later, the ' Five Poets in Sichuan” – namely Bai Hua, Zhong Ming, Zhang Zao, Ouyang Jianghe and Zhai Yongming, were deeply convinced and encouraged to start their own experiment in ' post-misty-poetry”.