| 电视散文的审美遗憾 |
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| 引用本文： | 高素英,高云亭.电视散文的审美遗憾[J].泰山学院学报,2006,28(4):38-41. |
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| 作者姓名： | 高素英 高云亭 |
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| 作者单位： | 1. 泰山学院,中文系,山东,泰安,271021
2. 威海职业学院,山东,威海,264500 |
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| 摘 要： | 传统的纸媒介传播方式下的散文自与现代化传播技术——电视结合之后,其叙述语言就由文字变成了画面,这样的转化对于以抒情性、主观性为主要文体特征的散文而言,在审美感受方面不免产生诸多遗憾。这些遗憾在名篇重现类中则体现为多不能再现原作已有的意境,而在具有原创意义的新片制作类中则多表现为制作手法的单调与空乏、画面语言的直白与类同以及听觉方面的失声现象。
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| 关 键 词： | 电视散文 手法单一 画面直白 失声 "大散文"趋势 |
| 文章编号： | 1672-2590（2006）04-0038-04 |
| 收稿时间： | 2006-03-06 |
| 修稿时间： | 2006-03-06 |
Television Prose's Appreciation of the beautiful Pity |
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| GAO Su-ying,GAO Yun-ting.Television Prose''''s Appreciation of the beautiful Pity[J].Journal of Taishan University,2006,28(4):38-41. |
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| Authors: | GAO Su-ying GAO Yun-ting |
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| Institution: | 1. Chinese language Department, Taishan University, Taian 271021, China; 2. Weihai Vocational College, Weihai 264500, China |
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| Abstract: | Since prose with traditional paperbased methods of media combined with modem communications technology in television, the words of the described language had been changed into images , and this transformation and this transformation could produce a lot of aesthetic regret to the lyrical, and subjectine-styled prose. These regrets in the category of excellent works reappeared could been embodied because the original works had been not incorporated, and the production of original meaning in new movies displayed monotonously and hungrily in multi-category performance for the production practices, straightforward language with similar images and hearing on the phenomenon of aphonia. |
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| Keywords: | Television prose techigues monotonous |
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