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甘南藏区汉语诗歌的审美意识
引用本文:孙强.甘南藏区汉语诗歌的审美意识[J].武陵学刊,2012(1):124-129,144.
作者姓名:孙强
作者单位:西北师范大学文史学院
基金项目:甘肃省教育厅高等学校硕士生导师科研项目“中国现当代文学中的国民性叙事研究”(1001-14)
摘    要:新时期以来,在甘南藏区形成了以藏族诗人为主体的创作群体,他们绝大多数是藏族,但用汉语创作,由于地域环境、文化氛围和生活体验的影响,诗作既有浓郁的地域和民族文化的深刻烙印,同时又不乏对现代生活经验的深刻体会,以及由于宗教的影响而对神性的感悟,表现出独特的审美意识。甘南诗人群落的创作,不仅推动了藏民族诗歌传统的发展,也扩展了当代汉语诗歌经验的边界。

关 键 词:甘南  藏族  诗歌  审美意识

The Aesthetic Consciousness of Chinese Poetry in Gannan Tibetan Area
Authors:SUN Qiang
Institution:SUN Qiang (College of Literature and History The Northwest Normal University,Lanzhou 730070,China)
Abstract:Since the new period,a literary creation group mainly including Tibetan poets was formed in Gannan Tibetan areas.They are mainly Tibetan but create poems in Chinese.Due to influence of region,culture and life experience,their poems boast rich regional and ethnical culture as well as deep understanding of modern life.And their poems also show a unique aesthetic consciousness because of religious influence.Their creation not only promotes the development of traditional Tibetan poetry,but also expands the boundary of contemporary Chinese poetry experience.
Keywords:Gannan Area  Tibetan  poetry  aesthetic consciousness
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