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Full-wave numerical simulation of nonlinear dissipative acoustic standing waves in wind instruments
Institution:1. School of Mechanical Engineering, Northwestern Polytechnical University, 127 Youyi Xilu, Xi’an, Shaanxi, China;2. Department of Applied Mathematics, Illinois Institute of Technology, 10 West 32nd Street, Chicago, IL, USA;1. Ecole Centrale Marseille, Laboratoire de Mécanique et d’Acoustique (LMA), UPR–CNRS 7051, 31 chemin Joseph Aiguier, 13402 Marseille Cedex 20, France;2. Instituto de Tecnologías Físicas y de la Información (ITEFI), Consejo Superior de Investigaciones Científicas (CSIC), Serrano 144, 28006 Madrid, Spain;1. LMA, CNRS UPR 7051, Centrale Marseille, Aix-Marseille Univ., F-13402 Marseille Cedex 20, France;2. POEMS, CNRS UMR 7231 CNRS-INRIA-ENSTA, 91762 Palaiseau, France
Abstract:A finite volume full-wave method is used to simulate nonlinear dissipative acoustic propagation in ducts with a circular cross-section. Thermoviscous dissipative effects, due to bulk viscosity and shear viscosity in the boundary layer adjacent to the duct walls, are also considered. The propagation is assumed to be axisymmetric, and two different geometries are considered: a straight cylindrical tube, and a cylindrical tube joined smoothly to a slowly-flaring bell. Of special interest is the study of the onset of standing waves in the nonlinear regime. The full-wave numerical scheme is particularly well-adapted for this purpose, as it is not necessary to impose boundary conditions at the open end of the duct. A simplified model of excitation is adopted, where the lips are replaced by a spring–mass system which behaves like a pressure valve with a single degree of freedom. The full system behaves as expected, with a feedback cycle established between the pressure valve and the air column. The simulation is validated successfully in the linear regime using a theoretical solution. It is shown that increasing the stiffness of the lips leads to discrete jumps in playing frequency, which is behaviour typical of brass instruments. In the nonlinear regime, shock formation is observed for sufficiently high amplitudes of oscillation, and the radiation of these shock waves by the open end of the ducts can be visualised in the time-domain, along with edge-diffraction effects. The formation and evolution of standing waves in the nonlinear regime, where the effect of these shocks is very noticeable, is also examined.
Keywords:Nonlinear acoustics  Musical acoustics  Numerical simulation in fluids  Full-wave methods
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