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比兴思维与意象的生成
引用本文:李健.比兴思维与意象的生成[J].韶关学院学报,2003,24(7):8-14.
作者姓名:李健
作者单位:北京师范大学,中文系,北京,100875
摘    要:意象是汉代之后逐渐形成的一个审美范畴,王充较早提出这一概念。王弼探讨了意象的创造过程,将其看做是意和象的统一。“立象”是意象创造中的核心问题,自然涉及艺术思维。“立象”的过程是比兴思维的过程,无论是选择物象还是心理创造都离不开比兴思维。在比兴思维的调和下,意象才能真正地发挥审美作用。“兴象”从基元上讲就是一种审美意象,但它不是普通的意象,而是一种言有尽而意无穷,且具有刚健壮大情思的审美意象。这种审美意象就是象外之象。

关 键 词:比兴思维  意象  立象  兴象  象外之象
文章编号:1007-5348(2003)07-0008-07

On Bixing Thinking Creates Suggestive Images
LI Jian.On Bixing Thinking Creates Suggestive Images[J].Journal of Shaoguan University(Social Science Edition),2003,24(7):8-14.
Authors:LI Jian
Abstract:The suggestive image is an aesthetical category that formed H an dynasty.Wang chong named it at first.Wang Bi studied the process that sugges t ive image used.He thought that it was unity of idea and image.Create image is a c ode problem in creating suggestive image.It takes about artistic thinking,and it self is Bixing thinking.The suggestive image has aesthetieal value depend on Bix ing thinking."Xingxiang"is an aesthetical suggestive image radically,but,it is not a normal suggestive image,it is an aesthetical suggestive image that has in teresting and strange emotion and idea.The aesthetical suggestive image is the i mage out surface image.
Keywords:Bixing thinking  suggestive image  create image  Xingxiang  the image of surface image  
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