The nature of sound and vision in relation to colour |
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| Authors: | Marianne Greated |
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| Institution: | 1. Past-President Linnean Society, and Royal Botanic Gardens, Kew, UK;2. School of Physics and Astronomy, The University of Edinburgh, Edinburgh, UK;3. Thermofluids Group, Institution of Mechanical Engineers and Brunel Institute for Bioengineering, Brunel University, Uxbridge, UK;4. Thermofluids Group, Institution of Mechanical Engineers and School of Engineering and Design, Brunel University, Uxbridge, UK;1. Hewlett Packard, Boise, ID and School of Electrical and Computer Engineering, Purdue University, West Lafayette 47907, IN, USA;2. School of Electrical and Computer Engineering, Purdue University, West Lafayette 47907, IN, USA;1. School of Computing, National University of Singapore, Singapore;2. Faculty of Computer System and Information Technology, University of Malaya, Kuala Lumpur, Malaysia;3. National Key Lab for Novel Software Technology, Nanjing University, Nanjing, China;1. School of Electronics and Information, Northwestern Polytechnical University, Xi?an, China;2. School of Electrical and Computer Engineering, Royal Melbourne Institute of Technology, Melbourne, Victoria 3001, Australia |
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| Abstract: | The increasing role of sound within the visual arts context and the trend in postmodernism towards interdisciplinary artworks has demanded a heightened awareness of the audio-visual. This paper explores some of the fundamental physical properties of both sound and colour, their similarities and differences and how the audio and visual senses are related. Ways in which soundscapes have been combined with paintings in exhibitions by the author will be used to illustrate how the two media can be combined to enhance the overall artistic experience. |
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