| 庄子的“物化论”与绘画的形神兼备 |
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| 引用本文： | 万伟民.庄子的“物化论”与绘画的形神兼备[J].长春师范学院学报,2006(9). |
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| 作者姓名： | 万伟民 |
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| 作者单位： | 广东肇庆学院美术系 广东肇庆 |
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| 摘 要： | 物化是画家的主体和创作对象的客体合而为一的境界,就是物我合一的境界。画家只有进入了物化境界,才能创作出形神兼备的作品。
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| 关 键 词： | 庄子 物化 艺术创作 中国绘画 |
Zhuangzi's Wuhua and the Combination of the Figure & Spirit in Painting |
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| WAN Wei-min.Zhuangzi''''s Wuhua and the Combination of the Figure & Spirit in Painting[J].Journal of Changchun Teachers College,2006(9). |
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| Authors: | WAN Wei-min |
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| Abstract: | Wuhua refers to the combination of the painter and the object,only in this way the painter can reach a higher level and can create the painting with figure and spirit. |
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| Keywords: | Zhuangzi wuhua art creation Chinese painting |
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