浅论《声无哀乐论》中“和”的思想

"和"是嵇康《声无哀乐论》美学思想的核心。嵇康在批判儒家音乐教化思想、继承道家音乐自由和谐思想的基础上提出了"声无哀乐"的观点;在自然之和的基础上,人们运用"和比"的方式创作出了和谐的乐音组合,又将自身的情感融入其中,"和比"之音由此而生;人们在倾听和美之乐时,与之形成共鸣,内心情感便外在表现出来,同时,音乐亦在礼和乐的配合的潜移默化中达到了一定的审美作用。

Discussing the Harmony Aesthetical Ideology in No Sadness in Music

Harmony aesthetics is the key factor of aesthetical ideology in Ji Kang’s No Sadness in Music.On the basis of criticizing Confucianism’s music education and inheriting Taoist’s harmonious music idea,Ji Kang composed No Sadness in Music;On the basis of nature harmony,people use ＂harmony and proportion＂ theory to create harmonious rhythm,and put their emotion in it and the harmonious music naturally comes out;when we listen to the music,our inner emotion will be involved,and in the cooperation with Li（礼）,music also can produce its aesthetic effect.