为情弃责与为责弃情--论《长生殿》与《桃花扇》的爱情理想

清代的爱情婚姻剧成就最高者首推洪异的《长生殿》与孔尚任的《桃花扇》，二剧分别表达了情重于责、为情弃责的爱情理想和责重于情、为责弃情的爱情理想。为情弃责，是对明中叶以来倡情之风的进一步高扬，是对晚明以来情欲泛滥的世风的警示，是对明末清初情理合一创作思想的反拨。为责弃情是《桃花扇》所标举的爱情新特征。为责弃情，与明清之际经世思潮的广为倡导有关，又是明末清初社会动荡的产物。

Giving up Responsibility for Love or Giving up Love for Responsibility--Discussing on the Love Ideal of Chang Sheng Dian and Tao Hua Shan

Of all the Love and Marriage Dramas in Qing Dynasty , Hongsheng' s Chang sheng dian and Kong-shangren' s Tao hua shan are the most famous ones . The former expressed the love ideal of abdicating responsibility for affect . The later expressed the love ideal of abdicating affect for responsibility . Abdicating responsibility for affection is the further upsurging of the atmosphere of advocating affection. The rectifying of the public morals and mores of canal desire' s overspilling since the Middle of Ming dynasty, and the correcting of writing ideas of the combination of affection with reason during the cross of Ming and Qing dynasties . The emergence of abdicating affect for responsibility is connected with the world - experiencing tinking climate and the unstable society at the cross of Ming and Qing dynasties.