油画教学的多元化取向

油画作为我国当代文化领域内最具生命力的新兴学科之一，在各美术院校均有设置，如何调整我校油画教学的单一化倾向，笔者从三个角度进行分析。提出油画教学应取向多元化。     

书画阅览室服务模式创新之我见

介绍了河北师范大学图书馆为适应读者信息需求的变化，对书画阅览室服务模式进行的创新。新的服务方式不仅方便了读者，同时也使图书馆的服务水平上了一个新台阶。     

Fourier transform infrared spectroscopy and the analytical study of works of art for purposes of diagnosis and conservation

This paper is a study of the analytical capacity of Fourier transform infrared spectroscopy (FT-IR) for any type of samples from works of art. The analytical information obtained with this technique on organic and inorganic compounds is extremely useful in the preliminary studies necessary for diagnosis and to decide on the conservation process. This paper reports the analysis and study with FT-IR on samples extracted from the microlayers in several works of art from different periods (16th to 18th century) comprising wall paintings and canvas. The most outstanding of these being the frescoes by A. Palomino from two ceilings in the Santos Juanes church. The analytical procedures for the different components of the works studied such as

1. (a) varnish applied to wood panels and canvas paintings,

2. (b) binding media and pigments used by the artists,

3. (c) inerts, mortars, stuccos and grounds have been optimized. The FT-IR technique offers a quick analysis of microsamples (less than 0.5 mg) and is able to characterise the different molecular groups which provide information on the nature of the different materials of organic and inorganic origin used by the artist and thus permits the diagnosis of pathologies requiring conservation treatment.

行者无疆--浅析美术家陈祖煌的艺术人生

美术家陈祖煌是在“主题先行”的年代成长起来的现实主义艺术家,然而,他更敏于在“主题”之内拓展出另外 的主题,在现实中揣摩出更深的精神内涵。他践行了一个行者的本质,独立行走,高扬时代主题而不失真我。他涉猎在 版画、雕塑、国画、壁画、油画之中,在环艺、木雕方面也受到了广泛的赞誉。2001年受新余市政府委托创作的题为《思 索者》的袁水园群雕,为新余市增添了一道深厚的文化景观。     

中国画与现代构成

中国画发展至今已形成一套完整、系统的笔墨形式和创作模式.继承与创新、扬弃与借鉴是发展中国画艺术的一个基本态度.研究中国画的传统技法和符号程式,分析西方现代构成的原理,突破界限,变通的并融合西方现代构成法则,从而丰富和完善中国画的艺术语言.运用新思想、新观念、新材料、新工艺,使中国画的创作在传统的形式上有新的发展,呈现崭新的面貌.     

浮世绘里的日本美人画

浮世绘是日本历史上影响最为深远的一种艺术形式，而浮世绘里的美人画更是有着重要的作用，流传甚广。它根植于江户文化，受当时市民阶层的普遍赏玩。现代的美人画应该对其中的优良传统文化成分加以吸收，创作出具有当代特征的美人画。     

直纹曲面喷漆机器人喷枪轨迹多目标优化

针对直纹曲面上喷漆机器人的喷枪轨迹多目标优化问题,通过平面喷漆实验,采集各点膜厚数据,运用MATLAB遗传算法工具箱拟合β分布,建立直纹曲面漆膜厚度生长模型.将曲面离散为点集,采用三次B样条曲线拟合生成初始喷枪轨迹.以曲面上各点漆膜厚度均匀和喷涂效率高为目标建立喷枪轨迹多目标优化模型,并采用改进的快速非支配排序遗传算法对该模型求解,获得喷枪轨迹最优解集,最终实现了直纹曲面喷枪轨迹的优化目标.通过实例结果对比验证了该方法的有效性和实用性.     

A Silver Monochrome “Concetto spaziale” by Lucio Fontana: A Spectroscopic Non- and Micro-Invasive Investigation of Materials

In several of his artworks, for instance the Venezie cycle, Fontana employed metallic paints; previous investigations on such materials highlighted the use of different synthetic binders and of thick paint layers below the metal one, having different colours to change the visual perception of the metallic surface. In the present work, a monochrome silver “Concetto spaziale” by the Italo–Argentine artist belonging to a private collection recently gifted to the museum of the Church of San Fedele in Milano, Italy, was investigated to deepen the knowledge of this particular group of Fontana’s paintings. The artwork was initially visually inspected in visible and ultraviolet (UV) light. Subsequently, a non-invasive spectroscopic investigation was performed by X-ray fluorescence (XRF), reflection Fourier-transform infrared (FTIR) and Raman spectroscopy. A minute fragment of silver-coloured paint was taken from the reverse of the painting, near the cut edge, and examined by scanning electron microscopy coupled with energy dispersive X-ray analysis (SEM-EDX) and micro-Fourier-transform Raman (FT-Raman) spectroscopy. The analytical data made it possible to identify the composition of the metallic paint layer and of the underlying dark one, both from the point of view of the pigments and of the binders used, also highlighting the potential of the non-invasive and micro-invasive methods adopted in the investigation.     

李耕绘画的艺术定位

作为民间职业画师,李耕的绘画体现了民间审美趣味,具备民间艺术＂俗＂的特征,但是他的绘画价值、形态和精神追求却具备了主流文人画＂雅＂的特征。立足于当今雅俗蜕变、新旧交融的文化环境,从民间画师身份、文人画体式、雅俗兼融意趣三个方面为李耕绘画进行艺术定位,为理解传统绘画艺术的发展提供新视角。     

李渔从绘画到戏曲的身份认同

李渔是中国古代著名的文化艺术大家,毕生直面社会经济发展潮流,绘画理论与实践根置现实,执着无待而兴;与此同时,通过实施直观实用的创作原则,绘画向戏曲渗透,艺术向谋生齐观,获得了戏曲上的独特建树,充分体现了李渔从绘画到戏曲的身份认同,以及商品经济价值取向。李渔从绘画到戏曲具有强烈的商品经济意识与动机,所含审美理想与经济实用兼而有之,给予当今人们有益的启迪。