论毕加索和杜尚对西方现代设计发展的影响

毕加索和杜尚的艺术思想与表现对西方现代设计的形成和发展起到了极为重要的推动作用,然而他们对设计的影响又有不同,毕加索开创的抽象艺术表现形式解决了工业时代产品造型的难题,使得设计形式从传统手工艺的自然主义装饰的困境中解脱出来,促使了现代主义设计的形成；杜尚对现代设计的影响在于其反理性主义的“反艺术”创作思想开启了后现代主义设计。     

The Odor Value Concept in the Formal Analysis of Olfactory Art

In the past 15 years, there has been a tremendous increase in the emergence of olfactory artworks despite the traditional skepticism with respect to scents as subjects of art. This essay submits that this skepticism lacks aesthetic justification; art is what is accepted as such, and olfactory art is in fact already well accepted as an art form by the general public. However, there exists no methodological tool for the formal analysis of olfactory artworks. The essay suggests such a method, based on odor values; this is elaborated using the fragrance ‘Dune’ (Dior, 1991), and is compared with a purely visual approach to the same subject. This new concept allows for the derivation of simple compositional sketches and is then exemplified by the formal analysis of three more recent olfactory artworks: Elodie Pong/Roman Kaiser, ‘White‘ (2016), Martynka Wawrzyniak/Yann Vasnier, ‘Tears (T6)’ (2012), and Christophe Laudamiel, ‘heat’ (2003).     

创造就是艺术的生命--马塞尔·杜桑的意义及启示

马塞尔·杜桑是西方现代派美术达达派的代表人物,反传统精神和创造精神使他能够不断地开创艺术活动中的新领域,对于现代艺术设计具有先进意义和重要的启示作用.