Study of just noticeable difference of the reverberance with Chinese instrumental music

The just noticeable difference （JND） of the reverberance was tested using the constant-stimulus, method. Some factors that may influence the tested results are analyzed to validate the experimental data. The test materials are the Chinese instrumental music. Three subjects groups were tested, including the audio technician group, the students from audio engineering department and a group of postgraduates majoring in acoustics. It is found that the value of JND of reverberance is about 25%. The difference possibly caused by the professional training and experience of different subjects groups is noticeable, but the difference caused by different music motifs is insignificant.     

民乐片段混响感主观偏爱度的初步实验

为了探讨不同受试人群、不同实验素材对民乐片段混响感主观偏爱度的影响，以民族器乐中典型的弹拨乐器、拉弦乐器、吹奏乐器独奏作品片段为实验素材，以有经验的音响技师和普通大学生为受试人，采用对偶比较法对实验素材混响处理的主观偏爱度进行了实验测量。实验得出了两组受试对不同实验素材所偏爱的混响时间，验证了同一受试组对不同素材偏爱的混响感不同；发现不同受试组对同一实验素材实验结果的差别不显著。     

胡琴的发声及其声波的辐射--物理与音乐系列专题之七

胡琴的历史悠久，早在唐代就已出现，称为奚琴，用竹片摩擦琴弦发声，是当时北方少数民族奚族的拉弦乐器．在宋代就有了胡琴的名称出现，北宋沈括在《梦溪笔谈》中有一首军士歌，“马尾胡琴随汉车，曲声犹自怨单于”．此歌明确记载当时已有马尾胡琴．在宋、元时代，胡琴被广泛用于器乐合奏，明、     

音乐中的数学

<正>音乐给人以美的享受是充满激情与幻想的艺术,而数学却是严谨、缜密而不带任何感情色彩的科学,它们二者之间会有什么关系呢?其实,音乐与数学存在着天然的联系.300多年前,著名数学家莱布尼茨曾说过:"音乐是一种无意识的数学演算……就它的基础来说,