Jaw Opening in Novice and Experienced Classically Trained Singers

This study examined the amount of jaw opening used by two groups of singers, those with less than 4 years of training (novice) and those with more than 8 years of training (experienced) in the Western tradition of opera and art song. Movement of the jaw in the superior-inferior plane was measured with the use of a lightweight head-mounted cephalostat with a strain gauge. The subjects spoke and then sung a carrier phrase "I say b(v)p," where (v) was each of three vowels, [a], [i], and [u]. The phrase was first spoken with a natural inflection and then sung on a repeated pitch at three notes from the low, medium, and high singing voice range. There was no statistically significant difference in jaw opening between the two groups of singers. Vowel was significant for jaw opening in both groups, with [a] being produced with more jaw opening than [i] or [u]. The voicing condition was also significant for jaw opening with greater jaw opening being used as pitch increased. In general the amount of jaw opening was smallest for the low singing voice condition and greatest for the high singing voice condition. The jaw opening most typically was less in the low voice condition than in the speech condition and then increased for both the medium and high voice tasks. All but two singers used more jaw opening on the [a] vowel than the other two vowels at all voicing conditions.     

Characteristics of complex voluntary mandibular movements in the monkey before and after destruction of most jaw muscle spindle afferents

To study the role of proprioception in voluntary movement, two monkeys were trained to use their mandible to control the position of a lever that electronically loaded the jaw. They “tracked” stationary and moving targets both with and without visual feedback. Lesions of the tract of the mesencephalic nucleus of the fifth nerve, which destroyed most jaw muscle proprioceptors, did not interfere, even transiently, with the ability to perform the basic requirements of the jaw tracking tasks. There was an increase in low-frequency jaw tremor, and a small increase in the tracking error when the visual feedback signal was present, but these effects may have resulted from damage to other neural pathways. We conclude that muscle spindles are not necessary to perform well-practiced movements.     

“夹部牙”光弹实验及临床应用

本文提出三维牙颌光弹模型的制作方法,该方法制作的模型可以满足各种有关牙齿的三维光弹应力分析的需要.同时提出新型的“夹部牙”.临床应用及光弹性实验证明它是设计合理的.     

Dependence of jaw opening on pitch and vowel in singers

In singing, F₀ sometimes is much higher than the typical frequency value of F₁. According to previous investigations, sopranos raise F₁ to a frequency near F₀ by widening the jaw opening in such cases. In the present study, the jaw opening was measured in 10 professional singers of different categorizations whose task was to sing an ascending two-octave scale on different vowels. Their normal F₁ values for these vowels were determined at a low F₀. Only for the vowels /a/ and /a/ did the singers widen the jaw opening when F₀ approached the F₁ value measured at a low pitch. For the other vowels, jaw opening was widened, beginning at a higher F₀. It is assumed that for these vowels the singers used other articulatory means to increase F₁.     

Interrelation of mandibular laryngeal functions

The purpose of the experiment was to explore relations between jaw and laryngeal functions. The general question was whether laryngeal adduction was affected by jaw opening or by jaw biting. Twelve untrained, vocally healthy male and female adults participated as subjects. Subjects produced repeated tokens of /uh/ in each of 12 experimental conditions involving combinations of 3 jaw openings (10 mm, 25 mm, 40 mm), 2 jaw biting pressures (10 kPa, 200 kPa), and 2 fundamental frequencies (conversational and high). For each token, laryngeal adduction was estimated from the electroglottographic closed quotient. The most straightforward results were that (1) laryngeal adduction increased as jaw opening increased at the conversational pitch, for all subjects, independent of biting pressure, and (2) laryngeal adduction increased as biting pressure increased, at the conversational pitch, for males, independent of jaw opening. Other relations between estimated laryngeal adduction and jaw manipulations were more complex, varying with fundamental frequency and gender. Speculations are made about possible biomechanical and neurological explanations for the findings.     

Vowel Effect on Glottal Parameters and the Magnitude of Jaw Opening

This study investigated the relationship among the magnitude of jaw opening, intrinsic fundamental frequency (F0), and glottal parameters in natural speech. Acoustic, jaw opening, and electroglottographic (EGG) signals were simultaneously recorded. The subjects were 10 healthy men with New Zealand English as their native language. Subjects were asked to repeat a standard nonemphasized sentence in which one of the target vowels (/a/, /e/, /i/, /o/, and /u/) was embedded in various contexts. The glottal parameters F0, open quotient (OQ), and speed quotient (SQ) were measured from the EGG signal. Results of a series of one-way repeated-measures analyses of variance (ANOVA) showed a significant vowel effect on the magnitude of jaw opening [F(4, 24) = 25.512, P < .001], F0 [F(4, 28) = 45.415, P < .001] and speed quotient [F(4, 28) = 5.233, P = .003], but not on the open quotient [F(4, 28) = 0.501, P = .735]. The magnitude of jaw opening was found to be inversely related with F0 (r = -0.624, n = 25, P = .0009). These findings showed that the magnitude of jaw opening was related to F0 and that jaw opening might be a control signal for simulation of long-term F0 variation to achieve a higher degree of naturalness in artificial voice.