Evaluating a Cumaean Sibyl: Domenichino or later? A multi analytical approach

The purpose of this study is to clarify important details about a Cumaean Sibyl painting that is preserved in a private collection. This work, bearing neither signature nor date, has never undergone conservation. It was executed after Domenichino's Cumaean Sibyl, a work known to have been used as a model by many 18th century painters.Investigation of the anonymous artist's painting technique and identification of its constituent materials were facilitated by employing optical microscopy (OM), scanning electron microscopy (SEM/EDS), FTIR and microRaman spectroscopies and high performance liquid chromatography with diode array detection (HPLC-DAD). The painter's palette comprised lead white, yellow ochre, lead-antimonate yellow (Naples yellow), cinnabar, cochineal lake, madder lake, haematite, Prussian blue and carbon black.The detection of Prussian blue (synthesized in 1704 and widely used as artist's pigment after 1750) was decisive in establishing the work's authenticity for, as such, it cannot be attributed either to Domenico Zampieri (1581-1641) or to his apprentices. In addition, the identification of Naples yellow, which prevailed in the period from 1750 to 1850, supports this statement. Nevertheless, its elaborate painting technique strongly suggests an artist greatly influenced by the Renaissance masters. A comparison of its stylistic features with those of the Cumaean Sibyl of Angelica Kauffmann (1741-1807), a prolific 18th century artist known to have studied and to have copied Domenichino's Sibyl, reveals significant similarities between the two in composition and palette. The unsigned Sibyl, therefore, could well be by Kauffmann.     

Photochemical Activation of Aromatic Aldehydes: Synthesis of Amides,Hydroxamic Acids and Esters

A cheap, facile and metal-free photochemical protocol for the activation of aromatic aldehydes has been developed. Utilizing thioxanthen-9-one as the photocatalyst and cheap household lamps as the light source, a variety of aromatic aldehydes have been activated and subsequently converted in a one-pot reaction into amides, hydroxamic acids and esters in good to high yields. The applicability of this method was highlighted in the synthesis of Moclobemide, a drug against depression and social anxiety. Extended and detailed mechanistic studies have been conducted, in order to determine a plausible mechanism for the reaction.     

Investigation of the colourants used in icons of the Cretan School of iconography

The red shades of 13 icons (15th-17th century) of the Cretan School of iconography are investigated in detail to identify the inorganic and organic colouring materials comprising the paint layers. Examination of sample cross-sections is performed with optical microscopy. Micro-Raman spectroscopy and high performance liquid chromatography (HPLC) coupled to a photodiode array detector are employed for the identification of the inorganic and organic colouring materials, respectively. The results reveal the extensive use of coccid dyes by the Cretan painters: kermes (Kermes vermilio Planchon) is found in icons dated before the middle 16th century and cochineal in icons created several decades after the discovery of the New World. Other dyestuffs detected in the historical samples are madder (possibly Rubia tinctorum L., according to HPLC profiles), soluble redwood and indigoid dyes. Organic dyes were used by the painters as exclusive colouring matters (or glazes) or in mixtures with inorganic pigments, such as red ochre, cinnabar, minium, azurite lead white and carbon black.Liquid chromatography with mass spectrometry (LC-MS) coupled to a negative electrospray ionization mode is employed to provide information on the identity of some unknown colouring components, of the aforementioned dyes, detected in the historical samples. The results suggest that (i) the type B compound (also known as Bra′) is a dehydro-brazilein product and (ii) the deprotonated molecular ion of the type C compound corresponds to m/z = 243. Both compounds are commonly used as markers for the identification of soluble redwood in historical samples. LC-MS analysis of cochineal shows that the dcIV and dcVII components are isomeric with carminic acid, as it has been recently suggested. Finally, LC-MS is employed to identify and record kermesic and flavokermesic acid in kermes and rubiadin in wild madder.     

A study of smalt and red lead discolouration in Antiphonitis wall paintings in Cyprus

The present analytical study focuses on the degradation phenomena observed in fifteenth century wall paintings of the Christ Antiphonitis monastery in Cyprus. Examination of ten fragments by means of optical microscopy (OM), scanning electron microscopy (SEM/EDS), μRaman and FTIR spectroscopy revealed smalt discolouration and loss, and transformation of red lead from orange Pb₃O₄ to black PbO₂. The chromatic changes have affected the aesthetic effect of the paintings insofar as these pigments were extensively used. The mechanisms of smalt weathering, i.e. leaching of alkali and formation of micro-cracks, are interpreted in relation to its chemical composition and to the aggressive environmental conditions. In addition, it is assumed that red lead degradation may have been induced not only by the effect of temperature, light and humidity but also by the presence of chlorine salts. These phenomena of pigment alteration and loss underline the unsuitability of smalt and minium on wall paintings, regardless of the painting technique (fresco, fresco-secco, secco).