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81.
82.
S. Mukherjee 《Il Nuovo Cimento C》1996,19(2):237-243
Summary The neutrino emission from supernova 1987A is being studied by taking into consideration the effect of the magnetic field
present in the star. The magnetic field generates an anisotropic feature in the local space-time, which in turn leads to the
cancellation of the axial-vector part of the neutrino current. The interaction cross-section of these neutrinos in the course
of their interaction with matter on Earth has an inverse square energy dependence. The present work presents the calculations
based on this changed cross-section that relates to predictions of the expected number of events at KAMIOKANDE on the basis
of the Mont Blanc signal. It might be interesting to take a look into the implications of these results.
The author of this paper has agreed to not receive the proofs for correction. 相似文献
83.
84.
85.
相干驱动场的线宽对电磁感应透明的影响 总被引:1,自引:3,他引:1
考虑相干驱动场的线宽,探讨了其对双激发态原子三能级系统中的电磁感应透明现象的影响,得到结论:相干驱动场的线宽抑制了介质对弱探测光的透明。 相似文献
86.
87.
基于Stockes矢量,通过测量以线偏振光和圆偏振光入射时脂肪乳剂后向散射光的偏振度,研究了532nm、650nm和780nm三个波长的光与散射粒子粒径为325nm的脂肪乳剂溶液作用后,其后向散射光的偏振度特性.研究结果表明,对于入射线偏振光,780nm波长后向散射光中的线偏振光成分多于圆偏振光成分,而532nm波长则相反;对于入射圆偏振光,三个波长后向散射光中的圆偏振光成分均多于线偏振光成分;532nm波长的总偏振度高于650nm和780nm两个波长各自的总偏振度;线偏振光的保偏性优于圆偏振光的保偏性,但偏振光在散射介质中的穿透深度较小.因此,后向散射成像技术适用于物体表层成像,而且选择波长略大于粒径的线偏振光可以提高成像质量. 相似文献
88.
在金刚石对顶砧中进行原位高温高压电阻测量时,由于受到绝热层的限制,从而达不到理想的温度条件。采用普通的粉末绝热材料,会给电极的引入造成很大困难,而且不规则的电阻丝使电阻测量很难精确量化。利用溅射镀膜方法,在对顶砧的砧面上镀氧化铝膜作绝热层,溅射的金属钼膜作电极材料,成功地完成了高温高压条件下原位电阻的测量。利用此装置,测量了铁镁硅酸盐(Mg0.875,Fe0.125)2SiO4在高温高压环境下(31~35 GPa,1 500~3 400 K)的电导率,得到了样品的导电粒子激活能,发现其激活能随着压强的升高而增大,与低压低温(小于15 GPa,低于1 200 K)条件相比,其激活体积和激活能都明显减小。 相似文献
89.
90.
María Teresa Domnech‐Carb Howell G.M. Edwards Antonio Domnech‐Carb Julio M. del Hoyo‐Melndez Juana de la Cruz‐Caizares 《Journal of Raman spectroscopy : JRS》2012,43(9):1250-1259
In 1695, the Valencian artist Vicente Guillo was engaged in painting the vault of the Sant Joan del Mercat church in Valencia, Spain. After preliminary work was carried out, his contract was cancelled. In 1697, Antonio Palomino, renowned for the publication of his technical treatise entitled El Museo Pictorio y Escala Optica, was finally selected as the painter in charge of decorating the vaulted ceiling of Sant Joan del Mercat. This paper reports an analytical study focused on the characterisation and discrimination of the palette and painting procedures used by Palomino and Guillo in the frescoes of Sant Joan del Mercat. For this purpose, Raman spectroscopy combined with light microscopy, scanning electron microscopy–X‐ray microanalysis, voltammetry of microparticles, X‐ray diffraction, Fourier transform infrared spectroscopy and gas chromatography–mass spectrometry has been employed. The use of gypsum as stucco material for the ground layers contrasts with the recommendations made by Palomino in his treatise about the convenience of using slaked lime‐sand mortars according to traditional fresco recipes. Although lead‐based pigments were not traditionally recommended for frescoes because of their empirically known alterations when subjected to strong alkaline fresco medium, both Guillo and Palomino used them. Palomino, probably supported by his personal experience as a painter, recommended and used Naples yellow, which has been found in a good state of preservation. In contrast, white lead areas found on Guillo's paintings have transformed into lead oxides. Other pigments found in the vaulted ceiling such as smalt, goethite, haematite, azurite and malachite have also undergone substantial changes because of the extreme temperature conditions to which they were subjected in the church. Copyright © 2012 John Wiley & Sons, Ltd. 相似文献