“玻璃缸里的鱼”与“飘落的杨絮”—殖民地的弱危美学

本文提出一个理论操作性概念−弱危美学（vulnerable-precarious aesthetics）,因为其脆弱、易受攻击、易受伤害,培育出一种应对攻击和伤害的不断调试的本领;这种不确定、不稳定的存在具有消解、瓦解既有秩序的力量。透过弱危美学概念进入殖民地文学研究,可以发现殖民地不仅仅是被殖民被攻击被伤害的创伤之址,不仅仅是虚弱和无能为力,而具有一种脆弱的力量,一种千疮百孔的力量,一种新形式诞生的可能。伪满洲国时期的女作家杨絮以杂糅、两可的作品性格将私人生活与文学写作交织在一起,模糊了现实与虚构、记忆与真实,私人形象与公共形象,是弱危美学的实践性人物。杨絮及其作品动摇了一系列话语界限,展示出伪满洲国一系列话语的摇摆不定、颠倒混乱,以易受伤害的敏感而柔弱的个体应对沉重的时代之殇,同时也成为当时殖民强权统治秩序的扰乱者和解构者。     

物理美学对物理教学的意义

在实施新课程改革的大背景下,运用理论与实践相结合的方法就物理美学对物理教学的意义做了论述,以引起同行们对物理美学研究及其应用的关注．     

Generative Art with Swarm Landscapes

We present a generative swarm art project that creates 3D animations by running a Particle Swarm Optimization algorithm over synthetic landscapes produced by an objective function. Different kinds of functions are explored, including mathematical expressions, Perlin noise-based terrain, and several image-based procedures. A method for displaying the particle swarm exploring the search space in aesthetically pleasing ways is described. Several experiments are detailed and analyzed and a number of interesting visual artifacts are highlighted.     

建筑美创作的评价机制

从哲学和审美的角度，对建筑美创作的评价机制的性质、内容进行了系统的探讨，认为建筑创作是特殊的商品生产，建筑美创作的评价是一个审美过程，结合审美主体提出了“审美域”；把建筑美的创作评价看作一个动态系统，结合创作主体提出了“评价域”，最终结合建筑方案的评选，提出了建筑美创作的评价曲线，具有一定的实用价值和决策作用．     

论中西小说理论的哲学和美学根基

小说研究是当前的国际性课题,但是,小说理论的研究一般以西方的概念为指导,使用诸如摹仿说、现实主义、自然主义、后现代主义等理论,基本不关心非西方的小说理论,甚至视不合西方小说理论的创作方法为缺憾。因此,很有必要从比较的视角对中国古典小说进行概念性探索,审视其哲学和美学的基础。本文试图在世界文学的大背景下从比较的视角关注中西小说的基础性概念问题,从其与哲学的关联之处探索中西小说的美学基础。在将西方小说和中国小说的美学基础予以比较研究的基础之上提出：小说美学是哲学的诗性表现,在中国传统中,是“道”在语言艺术层面上的诗性表现,在西方传统中是希腊哲学的“理念”及其变体通过摹仿而获得的诗性显现,在两大传统中都是融历史、哲学和诗歌为一体的叙事学存在。     

A Product Shape Design and Evaluation Model Based on Morphology Preference and Macroscopic Shape Information

A product form design and evaluation model are proposed. In this method, the forms can be evaluated by three sub-evaluation models which can help designers to grasp consumers’ preferences. In the process, the overall shape is first disassembled into several shape elements, and a morphological chart is constructed. Then, the priority of shape elements is analyzed through the fuzzy analytical hierarchy process, and several required combinations are selected from a morphological chart. Moreover, the fuzzy comprehensive evaluation (I), preference questionnaire (II), and quadratic curvature entropy (III) of the selected combinations are analyzed. Finally, the results of I, II, and III are compared. In conclusion, the three sub-evaluation systems are consistent, which confirms the applicability of the proposed model.     

审美欣赏理论：环境美学的独特美学观及其对于美学原理的推进

不同的环境美学家提出过不同的美学观,而最为独特的当数卡尔森提出的审美欣赏理论。卡尔森通过批评分析“审美”一词在当代美学中的发展来讨论其理论贡献与局限,在借鉴斯托尼茨、迪基与齐夫等人相关理论的基础上,将“欣赏”界定为“交融的精神与肉体活动”,用以取代“像呆牛般的凝视”。这种意义上的“欣赏”与“审美关联”“欣赏性关联”等新型美学术语一道推进了美学原理的研究。准确把握卡尔森的审美欣赏理论是准确理解其环境美学理论的前提。环境美学将美学的根本问题界定为“审美欣赏”是一个意味深长的重大变化,它透露出一种极富时代意义的信息：人类对于自己的生存环境,首先应该抱有感激之情,尊重环境自身的客观属性和内在价值,欣赏环境的客观特征和动态过程。     

潘知常生命美学“信仰转向”现象批判

潘知常以“生命美学”的代表而著称,新世纪以来更大力提倡为中国美学补上“信仰之维、爱之维”,其思想、言说为刘小枫所代表的“诗化神学”美学诠释之延续,自有“神性启蒙”的现代性意义,也因此而同染以二元对立思维扬西贬中之弊。此实为当代学人所共有之长短,似不必苛责。但潘先生经常自诩、四处“讲道”,却放大了其知识上的欠缺和学理上的轻率,也使得他的“生命美学”“信仰”和“爱”,远离了肉身与灵魂的沉重,成为消费时代的时尚,浮华为空洞美丽的辞藻、无所不能的爱之“心灵鸡汤”。“布道”所指高远,结果却失之浅近,虽有浮华时代之因,但既以“信仰”与“宣道”为己任,恐首先当自省。     

数学教学中审美能力的培养

本探讨审美与审美能力的概念，系统论述了在数学教学中审美感受能力的培养；审美鉴赏能力的培养；审美想象能力韵培养和审美创造能力的培养，也只有将这四个方面密切结合，才能在数学教学中培养审美能力。     

Validation of an Aesthetic Assessment System for Commercial Tasks

Automatic prediction of the aesthetic value of images has received increasing attention in recent years. This is due, on the one hand, to the potential impact that predicting the aesthetic value has on practical applications. Even so, it remains a difficult task given the subjectivity and complexity of the problem. An image aesthetics assessment system was developed in recent years by our research group. In this work, its potential to be applied in commercial tasks is tested. With this objective, a set of three portals and three real estate agencies in Spain were taken as case studies. Images of their websites were taken to build the experimental dataset and a validation method was developed to test their original order with another proposed one according to their aesthetic value. So, in this new order, the images that have the high aesthetic score by the AI system will occupy the first positions of the portal. Relevant results were obtained, with an average increase of 52.54% in the number of clicks on the ads, in the experiment with Real Estate portals. A statistical analysis prove that there is a significant difference in the number of clicks after selecting the images with the AI system.