In-Situ Investigation of Discolouration Processes Between Historic Oil Paint Pigments

Discolouring interactions between paint pigments have been observed since the mid 19^th century. The source of some of these discolourations is the production of copper sulfides from an interaction between cadmium sulfide pigments and copper containing pigments. In this work, the discolouring interaction between cadmium yellow and malachite pigments was observed dynamically using the environmental scanning electron microscope (ESEM).     

Thermal analysis of new,artificially aged and archival linen

The thermal degradation of new, and artificially aged fine Ulster linen and archival linen specimens from 19th century paintings were compared using thermogravimetric analysis and differential scanning calorimetry. Thermal degradation data from new and artificially aged linen were found to be similar in nature. Archival specimens showed a decreased major degradation temperature, an increase in char remaining at the end of the experiment and some evidence of a depressed glass transition temperature. These indicate natural ageing through chain scission. Evidence of a two-stage degradation process was observed in some archival specimens suggesting that an unknown additive was present. This revised version was published online in July 2006 with corrections to the Cover Date.     

Use of Raman microspectroscopy to characterize wallpaintings in Cerro de las Cabezas and the Roman villa of Priego de Cordoba (Spain)

The analysis by Raman microscopy of several wallpainting fragments found at an archaeological site in Fuente Tojar and in the Roman villa of Priego de Cordoba, both in southern Spain, revealed that the most abundant colours in them were obtained from the usual pigments of the time. Thus, red corresponded to red ochre, which consisted of hematite mainly. Also, yellow came from yellow ochre (goethite), blue from Egyptian blue, and grey hues were obtained from mixtures of coal and calcite occasionally also containing gypsum. The components of some pigments were confirmed by X-ray diffraction spectroscopy. The two spectroscopic techniques were additionally used to examine the mortars and the preparatory layer present in the fragments.     

The study of the mural painting in the 12th century monastery of Santa Maria delle Cerrate (Puglia‐Italy): characterization of materials and techniques used

A multidisciplinary research was conducted by the University of Salento in collaboration with the Lecce Provincial Museum, in order to study different forms of art widespread in the Salento peninsula (Southern Italy) very valuable from an artistic point of view and important as driving force for the tourism of the area. In this research, the archaeometrical analysis was used to study the first cycle of paintings of the church of Santa Maria delle Cerrate, an italo‐greek monastery located in the country about 15 km north‐east of Lecce, probably built in the 12th century. Microscopic, chromatographic and spectrometric techniques were used: optical microscopy was used to study samples and the relevant stratigraphy, micro‐Raman Spectroscopy to identify pigments and Gas Chromatography with Mass Spectrometric Detection to investigate the techniques masters used to decorate the monastery church. Further information on organic and inorganic materials present in the samples were obtained from Fourier transform infrared analysis in attenuated total reflectance. Materials and techniques were clearly ascertained, and, interestingly, pigments were applied both by fresco and egg‐based tempera. Among the various pigments detected, the identification of both lapis lazuli and lead white opened new perspectives both from the historical and conservative points of view. Copyright © 2013 John Wiley & Sons, Ltd.