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51.
I. Martínez-Arkarazo A. Sarmiento M. Maguregui K. Castro J. M. Madariaga 《Analytical and bioanalytical chemistry》2010,397(7):2717-2725
Any restoration performed on cultural heritage artworks must guarantee a low impact on the treated surfaces. Although completely
risk-free methods do not exist, the use of tailor-made procedures and the continuous monitoring by portable instrumentation
is surely one of the best approaches to conduct a modern restoration process. In this work, a portable Raman monitoring, combined
sometimes with spectroscopic techniques providing the elemental composition, is the key analysis technique in the three-step
restoration protocol proposed: (a) in situ analysis of the surface to be treated (original composition and degradation products/pollutants)
and the cleaning agents used as extractants, (b) the thermodynamic study of the species involved in the treatment in order
to design a suitable restoration method and (c) application and monitoring of the treatment. Two cleaning operations based
on new technologies were studied and applied to two artworks on mineral supports: a wall painting affected by nitrate impact,
and a black crusted stone (chalk) altarpiece. Raman bands of nitrate and gypsum, respectively, decreased after the step-by-step
operations in each case, which helped restorers to decide when the treatment was concluded, thus avoiding any further damage
to the treated surface of the artworks. 相似文献
52.
ER Badman GE Patterson JM Wells RE Santini RG Cooks 《Journal of mass spectrometry : JMS》1999,34(8):889-894
Dual-detector differential non-destructive Fourier transform detection in a quadrupole ion trap is shown to improve signal intensity and reduce noise compared with spectra recorded using a single detector. A larger area detector in each end-cap electrode is machined to fit its hyperbolic shape and so minimize field imperfections on the z-axis. Argon, acetophenone and bromobenzene spectra were recorded to allow a comparison between single- and dual-detector (differential) modes of detection and to demonstrate the improvement achieved with differential detection. Copyright 1999 John Wiley & Sons, Ltd. 相似文献
53.
Polubarinova-Kochina's analytical differential equation methodis used to determine the pseudo-steady-state solution to problemsinvolving the freezing (solidification) of wedges of liquidwhich are initially at their fusion temperature. In particular,we consider four distinct problems for wedges which are: freezingwith the same constant boundary temperature, freezing with thesame constant boundary heat fluxes, freezing with distinct constantboundary temperatures and freezing with distinct constant fluxesat the boundaries. For the last two problems, a Heun's differentialequation with an unknown singularity is derived, which in bothcases admits a particularly elegant simple solution for thespecial case when the wedge angle is . The moving boundariesobtained are shown pictorially. 相似文献
54.
Alves GA Amato S Anjos JC Appel JA Astorga J Bernard T Bracker SB Cremaldi LM Darling CL Dixon RL Errede D Gay C Green DR Jedicke R Karchin PE Kwan S Lueking LJ de Mello Neto JR Metheny J Milburn RH de Miranda JM da Motta Filho H Napier A Passmore D Rafatian A dos Reis AC Ross WR Santoro AF Sheaff M Souza MH Spalding WJ Stoughton C Streetman ME Summers DJ Takach SF Wallace A Wu Z 《Physical review letters》1994,72(6):812-815
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Castro K Vandenabeele P Rodríguez-Laso MD Moens L Madariaga JM 《Analytical and bioanalytical chemistry》2004,379(4):674-683
Raman micro-spectroscopy was chosen for analysis and identification of the pigments present in four nineteenth-century hand-coloured lithographs, as this technique has several advantages over others for this purpose. The possibility of performing completely non-destructive analysis without any sampling is probably one of its most favourable qualities for art analysis. Raman spectroscopy can also be used to determine some pigments that cannot be detected using FTIR, such as vermilion, carbon blacks, cadmium pigments, etc. Among others, Prussian blue, ultramarine blue, carbon black, chrome yellow, yellow ochre, red lead, red iron oxide, burnt Sienna, indigo blue, chrome orange, phthalocyanine green, and some other organic pigments, were determined in the specimens. The results obtained have led to doubts about the age of the lithographs. 相似文献