Sound propagation and energy relations in churches

The results of an acoustic survey carried out in a group of Italian churches differing in style, typology, and location were used in order to study how the acoustic energy varies inside this kind of space. The effect of different architectural elements on sound propagation was investigated by means of three-dimensional impulse responses measured using a B-format microphone with sweep signals. Side chapels, columns, and trussed roofs appeared to scatter the reflections, so that the purely diffuse exponential sound decay begins after a time interval which grows with the source-receiver distance and with the complexity of the church. The results of the measurements were then compared with predictions given by existing theoretical models to check their accuracy. In particular a model previously proposed by the authors for a specific type of Romanesque churches was further refined taking into account the new findings and making some simplifications. Its application to the wider sample of churches under analysis showed that strength, clarity, and center time can be predicted with reasonable accuracy.     

Early energy decays in two churches in Hong Kong

Acoustical measurements based on impulse responses have been made in a Protestant and a Catholic church in Hong Kong. Analysis has concentrated on reverberation time, early decay time and C₈₀, the early-to-late ratio, as well as integrated decays. The measured results have been compared with predictions according to two different theoretical room acoustic models: a model for a single diffuse space and one for a set of coupled-rooms. The comparison has shown that treating the churches as a series of coupled spaces is more valid. However the clarity, C₈₀, at different receiver positions was found to be either under- or over-estimated by the classical coupled-room model. Following this observation, a delayed coupled-room model was developed in the hope of achieving more accurate predictions. In this model, the initial condition under the impulse excitation was modified by introducing a time delay for sound propagated from the source to achieve diffuse sound fields in each subspace. The predicted results of the coupled-room model agree well with the measured results.     

Sound strength and reverberation time in small concert halls

Sound strength and reverberation time measurements have been carried out in six small concert halls in Cambridge, UK. The sound strength G is a measure of the physical sound level in a concert hall and is closely related to the subjective sensation of loudness. It compares integrated impulse responses at a point in the measured room with that measured at ten metres distance in the free field.The aim of the measurements is to investigate the acoustic characteristics of the halls concerning sound strength and reverberation time. Furthermore the effect of the variable acoustics in the halls on these parameters is discussed in this paper. Especially for bigger ensembles it is often desirable to reduce the sound level in a small concert hall. The measurement results show that for a fixed hall volume, this can primarily be achieved by decreasing the reverberation time in the hall. However, with regard to the sound quality of a hall and the recommended reverberation times for chamber music, reverberation time cannot be reduced by an arbitrary extent. Therefore reverberation time and strength have to be balanced very carefully in order to obtain sufficient reverberation whilst at the same time avoiding excessive loudness. Finally the measured strength levels are compared to values derived from traditional and revised theory [Barron M, Lee L-J. Energy relations in concert auditoriums. J Acoust Soc Am 1988;84(2):618-28] on strength calculations in order to assess the accuracy of the theory for small chamber music halls. Possible reasons for the low measured strength levels observed are discussed with reference to related design features and objective acoustic parameters.     

The prediction of speech intelligibility in underground stations of rectangular cross section

Long enclosures are spaces with nondiffuse sound fields, for which the classical theory of acoustics is not appropriate. Thus, the modeling of the sound field in a long enclosure is very different from the prediction of the behavior of sound in a diffuse space. Ray-tracing computer models have been developed for the prediction of the sound field in long enclosures, with particular reference to spaces such as underground stations which are generally long spaces of rectangular or curved cross section. This paper describes the development of a model for use in underground stations of rectangular cross section. The model predicts the sound-pressure level, early decay time, clarity index, and definition at receiver points along the enclosure. The model also calculates the value of the speech transmission index at individual points. Measurements of all parameters have been made in a station of rectangular cross section, and compared with the predicted values. The predictions of all parameters show good agreement with measurements at all frequencies, particularly in the far field of the sound source, and the trends in the behavior of the parameters along the enclosure have been correctly predicted.     

Evaluations of output from room acoustic computer modeling and auralization due to different sound source directionalities

Evaluations of the predictions and auralizations from the room acoustic modeling program, ODEON, have been run using three directional source types with the same sound power: (a) an omni-directional source; (b) three sources with realistically-directional characteristics based on measurements from real instruments (grand piano, violin, and singing voice); and (c) an artificial, extremely directional beaming source. Objective analyses have been run for nine source/receiver combinations in a simple hall on three acoustic parameters: relative sound pressure level (SPL), reverberation time (T30), and clarity index (C80). Auralizations were subsequently created for two source/receiver combinations and used in subjective testing with 28 subjects. Results show that, objectively, differences in SPL were negligible for the majority of cases. Some differences in T30 and C80 were found between the omni-directional and realistically-directional sources; however, subjects did not perceive any corresponding differences when comparing the auralizations, possibly due to the limited directional octave band data available. Subjects did significantly differentiate between auralizations from the omni-directional source and the extreme beaming source. Subjective results from comparing these two sources in terms of reverberation, clarity and realism were generally consistent with objective data, although source/receiver combination and musical track had some influence on the outcomes.     

The effect of ceramic vases on the acoustics of old Greek orthodox churches

The effect of resonators on the acoustics of orthodox churches was studied. Empty bottles of commercial refreshment were used as resonators. A total number of 480 resonators having the same resonant frequency, were placed inside a church, in steps of 100 resonators each time, and the impulse response of the church was measured and analyzed in 1/1 and 1/3 octave band analysis. The effect of resonators is rather poor. An amplification of sound in the near field of resonators was observed as well as a small attenuation of the sound level in the reverberant part of the field in the resonant frequency and near to a higher overtone. A remarkable increase of C80 and D50 at resonant frequency was also observed.     

Experimental evaluation of radiosity for room sound-field prediction

An acoustical radiosity model was evaluated for how it performs in predicting real room sound fields. This was done by comparing radiosity predictions with experimental results for three existing rooms--a squash court, a classroom, and an office. Radiosity predictions were also compared with those by ray tracing--a "reference" prediction model--for both specular and diffuse surface reflection. Comparisons were made for detailed and discretized echograms, sound-decay curves, sound-propagation curves, and the variations with frequency of four room-acoustical parameters--EDT, RT, D50, and C80. In general, radiosity and diffuse ray tracing gave very similar predictions. Predictions by specular ray tracing were often very different. Radiosity agreed well with experiment in some cases, less well in others. Definitive conclusions regarding the accuracy with which the rooms were modeled, or the accuracy of the radiosity approach, were difficult to draw. The results suggest that radiosity predicts room sound fields with some accuracy, at least as well as diffuse ray tracing and, in general, better than specular ray tracing. The predictions of detailed echograms are less accurate, those of derived room-acoustical parameters more accurate. The results underline the need to develop experimental methods for accurately characterizing the absorptive and reflective characteristics of room surfaces, possible including phase.     

Loudness criteria in auditorium acoustics

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An improved model to predict energy-based acoustic parameters in Apulian-Romanesque churches

In this paper an improved model to predict energy relations in churches is proposed. A detailed acoustic survey was carried out of nine Romanesque churches having volumes ranging from 33 000 to 1500 m³. The measured sound level and early/late ratio showed significant correlation with the source-receiver distance, but the comparison with values predicted using theoretical models initially gave unsatisfactory results. The main difference was due to the early energy which was underestimated at points near the source and overestimated at distant points. Barron's revised theory proved to be the most reliable among the analysed models, so, in order to improve its prediction accuracy, a modified early reflected energy component was added to the direct and reverberant sound. The improved model was finally validated and the comparison between predicted and measured values gave good results.     

Nonlinear finite element model updating of an infilled frame based on identified time-varying modal parameters during an earthquake

A model updating methodology is proposed for calibration of nonlinear finite element (FE) models simulating the behavior of real-world complex civil structures subjected to seismic excitations. In the proposed methodology, parameters of hysteretic material models assigned to elements (or substructures) of a nonlinear FE model are updated by minimizing an objective function. The objective function used in this study is the misfit between the experimentally identified time-varying modal parameters of the structure and those of the FE model at selected time instances along the response time history. The time-varying modal parameters are estimated using the deterministic–stochastic subspace identification method which is an input–output system identification approach. The performance of the proposed updating method is evaluated through numerical and experimental applications on a large-scale three-story reinforced concrete frame with masonry infills. The test structure was subjected to seismic base excitations of increasing amplitude at a large outdoor shake-table. A nonlinear FE model of the test structure has been calibrated to match the time-varying modal parameters of the test structure identified from measured data during a seismic base excitation. The accuracy of the proposed nonlinear FE model updating procedure is quantified in numerical and experimental applications using different error metrics. The calibrated models predict the exact simulated response very accurately in the numerical application, while the updated models match the measured response reasonably well in the experimental application.     

The influence of duration and level on human sound localization

The localization of sounds in the vertical plane (elevation) deteriorates for short-duration wideband sounds at moderate to high intensities. The effect is described by a systematic decrease of the elevation gain (slope of stimulus-response relation) at short sound durations. Two hypotheses have been proposed to explain this finding. Either the sound localization system integrates over a time window that is too short to accurately extract the spectral localization cues (neural integration hypothesis), or the effect results from cochlear saturation at high intensities (adaptation hypothesis). While the neural integration model predicts that elevation gain is independent of sound level, the adaptation hypothesis holds that low elevation gains for short-duration sounds are only obtained at high intensities. Here, these predictions are tested over a larger range of stimulus parameters than has been done so far. Subjects responded with rapid head movements to noise bursts in the two-dimensional frontal space. Stimulus durations ranged from 3 to 100 ms; sound levels from 26 to 73 dB SPL. Results show that the elevation gain decreases for short noise bursts at all sound levels, a finding that supports the integration model. On the other hand, the short-duration gain also decreases at high sound levels, which is in line with the adaptation hypothesis. The finding that elevation gain was a nonmonotonic function of sound level for all sound durations, however, is predicted by neither model. It is concluded that both mechanisms underlie the elevation gain effect and a conceptual model is proposed to reconcile these findings.     

Vibration analysis and measurement of a gradient coil insert in a 4 T MRI

High speed switching of current in gradient coils within high magnetic field strength Magnetic Resonance Imaging (MRI) scanners may result in high acoustic sound pressure levels in and around these machines. Many studies have already been conducted to characterize the sound field in and around MRIs and various methods have been investigated to attenuate the noise generated. To characterize the vibration properties of the gradient coil, a modified Finite Element (FE) model was developed according to the dimensional design of an available gradient coil insert and the concentration of the copper windings in the coil. The finite element analysis results were verified through experimental modal testing of the same gradient coil in a free-free state (no boundary constraints). Comparisons show that the FE model predicts the vibration properties extremely accurately. Based on the verified FE model, boundary conditions (supports) were added to the model to simulate the operating condition when the gradient coil insert is in place in an MRI machine. Vibration analysis results from the FE model were again verified through experimental vibration testing with the gradient coil insert installed in a 4 T MRI and excited using swept sinusoidal time waveforms. Through a comparison of the vibration signals generated it was found that the vibration resonances, both from the FE model and the experimental vibration testing, shift to higher frequencies after the boundary constraints were applied, as was expected. The predicted vibration response was very close to that measured from the gradient coil insert in operation. The FE modeling procedure that has been developed could easily be used to accurately predict the vibration properties of other gradient coil designs. Furthermore, the vibration analysis results from the FE model could be used in acoustic noise analysis to predict the sound pressure level produced by different types of input current pulse sequences.     

Guidelines for acoustical measurements in churches

The acoustics of churches is a cultural heritage to be preserved as carefully as the artistic and architectural aspects of this particular category of buildings. The acoustic characteristics of an environment could be measured according to different techniques varying from the numerical quantification, by means of acoustical parameters, to the recording of the binaural or ambisonic impulse responses of several combinations of source-receiver locations. The complexity of this kind of buildings can lead different researchers to choose dissimilar source-receiver arrangements, that yield incomparable results. To prevent different approaches to the problem and to assist in obtaining comparable data, the results of experimental measurements deriving from previous acoustical surveys are statistically analysed in order to better understand the spatial variation of acoustical parameters leading to the definition of a set of guidelines to standardize the choice of sources and receivers locations. In addition, suitable hardware combinations depending on the purpose of the measurement are finally suggested.     

Objective and subjective evaluations of twenty-three opera houses in Europe, Japan, and the Americas

The room acoustical parameters, reverberation time RT, early decay time EDT, clarity factor C80, bass ratio BR, strength G, interaural cross-correlation coefficient IACC, and initial-time-delay gap ITDG [definitions in Hidaka et al., J. Acoust. Soc. Am. 107, 340-354 (2000) and Beranek, Concert and Opera Halls: How They Sound (Acoustical Society of America, New York, 1996)], were measured in 23 major opera houses under unoccupied conditions in 11 countries: Argentina, Austria, Czech, France, England, Germany, Hungary, Italy, Japan, The Netherlands, and the USA. Questionnaires containing rating scales on the acoustical quality of 24 opera houses were mailed to 67 conductors, 22 of whom responded. The objective measurements were analyzed for reliability and orthogonality, and were related to the subjective responses. Presented are (a) the rankings of 21 opera houses each rated by at least 6 conductors for acoustical quality as heard by them both in the audience areas and in the pit; (b) relations between objective room acoustical parameters and subjective ratings; (c) findings of the most important of the parameters for determining acoustical quality: RT (or EDT), G(M), ITDG, [1 - IACC(E3)], texture (appearance of reflectrograms in the first 80-100 ms after arrival of the direct sound), a lower limiting value for BR, and major concern for diffusion and avoidance of destructive characteristics (noise, vibration, echoes, focusing, etc.); (d) the differences between average audience levels with and without enclosed stage sets; and (e) the differences between average levels in audience areas for sounds from the stage and from the pit.     

Improved parameterization of Antarctic krill target strength models

There are historical discrepancies between empirical observations of Antarctic krill target strength and predictions using theoretical scattering models. These differences are addressed through improved understanding of key model parameters. The scattering process was modeled using the distorted-wave Born approximation, representing the shape of the animal as a bent and tapered cylinder. Recently published length-based regressions were used to constrain the sound speed and density contrasts between the animal and the surrounding seawater, rather than the earlier approach of using single values for all lengths. To constrain the parameter governing the orientation of the animal relative to the incident acoustic wave, direct measurements of the orientation of krill in situ were made with a video plankton recorder. In contrast to previous indirect and aquarium-based observations, krill were observed to orient themselves mostly horizontally. Averaging predicted scattering over the measured distribution of orientations resulted in predictions of target strength consistent with in situ measurements of target strength of large krill (mean length 40-43 mm) at four frequencies (43-420 kHz), but smaller than expected under the semi-empirical model traditionally used to estimate krill target strength.     

Objective evaluation of chamber-music halls in Europe and Japan

The room acoustical parameters reverberation time, RT; early decay time, EDT; clarity, C80; time gravity, Tg; bass ratio, BR; strength, G; initial time delay gap, ITDG; interaural cross-correlation coefficient, IACC(E), the where binaural quality index BQI equals [1-IACC(E3)]; and stage support, ST1 were measured in 18 major chamber-music halls in Austria, Germany, the Netherlands, Czech Republic, Switzerland, and Japan, employing procedures in accordance with ISO 3382 (1997). In combination with the architectural data, the intrinsic objective parameters for the acoustics of chamber-music halls and their variation range were examined. The results of these studies reveal four pertinent orthogonal parameters: RT, G, ITDG, BQI. General design guidelines for a chamber-music hall are presented.     

Extension of a binaural cross-correlation model by contralateral inhibition. II. The law of the first wave front

This paper explains the "law of the first wave front" and related binaural phenomena on the basis of the model presented in the previous paper [Lindemann, J. Acoust. Soc. Am. 80, 1608-1622 (1986)] in which a contralateral inhibition mechanism was added to the well-known model of binaural cross correlation. In order to verify the predictions of the extended model, psychoacoustic experiments were performed with pairs of narrow-band impulses which were presented through headphones. The test signals consisted of a diotic primary sound and an "echo" with an interaural arrival-time difference. Lateralization was measured as a function of the time delay between primary sound and echo. For delays below the echo threshold, summing localization and the law of the first wave front were simulated; for delays above the echo threshold, the model predicts an influence of the primary sound on the lateralization of the echo.     

Review of objective room acoustics measures and future needs

ISO 3382-1 describes a number of objective room acoustics parameters that are generally accepted as useful for rating some specific aspects of concert hall sound fields. They include measures of decay times, energy ratios, measures of sound strength and several quantities related to the spatial aspects of sound fields. In most cases there are details of the measures, or their application, that raise questions. In general, there has not been a lot of practical research to explore how best to develop and use these objective measures to evaluate conditions in concert halls. For some well established measures such as Early Decay Time (EDT), we are not really sure how best to calculate their values. For other measures such as energy ratios, modifications are often proposed but without the support of subjective evaluations of the proposed changes. In other cases, such as measures of spatial impression, two approaches have been suggested, but their relative merits are not well understood. It is easy to propose ever more complex measures, but it is much more difficult to demonstrate their general utility. On the other hand, some commonly described characteristics do not have accepted related objective measures. Many more important and more general problems relate to the need, for design criteria in terms of each quantity, and for an improved understanding of just noticeable differences for each measure. This paper discusses each measure illustrating particular problems with measurements in various halls.     

氧化铟锡薄膜的磁感应热声分析

基于优良导体在磁场下的涡流效应理论和固体的热声效应理论,建立了氧化铟锡(ITO)导电薄膜磁-热-声效应的理论模型,推导了导电薄膜热致发声的温度振荡和输出声压表达式。对有基底的ITO导电膜进行了磁场下的热声理论计算和实验测试,结果表明：薄膜的温度振荡值随频率呈上升趋势,与电-热-声模型相比趋势相反;薄膜声压的理论值与实验值在频域内的变化趋势基本吻合,验证了理论模型的正确性。进而,根据磁-热-声的理论模型,分析了线圈相关参数对薄膜声压级的影响,结果表明：薄膜声压级随着线圈匝数的增加而增大,随着薄膜与线圈中心距离的增加而减小,随着线圈半径的增加而减小。文中的研究结果拓展了导电薄膜在扬声器等领域的应用。