公路交通噪声阈限值的分析研究

本文采用客观测量和主观评价相结合的方法研究公路交通噪声对人的影响。通过研究，求得了公路交通噪声扰民的容忍阈值，分析了比较了公路交通噪声各种客观评价量与人的主观评价量的之间的相互关系。     

大型综合医院室外声景观评价影响因素分析——以长沙市中心医院为例

大型综合医院室外本是医患康复疗养、舒缓身心的场所,但并未引起足够的重视,噪声影响严重,声景观较差.该文以长沙市中心医院为例,通过定点实测结合问卷调查的方式,探究影响大型综合医院室外声景观评价结果的因素.结果表明:长沙市中心医院室外声景观整体满意度一般,语义词调查结果整体偏向贬义负值,受访者身份、调查时间和声源构成对声景...     

Dimensionality in Voice Quality

This study concerns speaking voice quality in a group of male teachers (n = 35) and male actors (n = 36), as the purpose was to investigate normal and supranormal voices. The goal was the development of a method of valid perceptual evaluation for normal to supranormal and resonant voices. The voices (text reading at two loudness levels) had been evaluated by 10 listeners, for 15 vocal characteristics using VA scales. In this investigation, the results of an exploratory factor analysis of the vocal characteristics used in this method are presented, reflecting four dimensions of major importance for normal and supranormal voices. Special emphasis is placed on the effects on voice quality of a change in the loudness variable, as two loudness levels are studied. Furthermore, the vocal characteristics Sonority and Ringing voice quality are paid special attention, as the essence of the term "resonant voice" was a basic issue throughout a doctoral dissertation where this study was included.     

Loudness growth in 1/2-octave bands (LGOB)--a procedure for the assessment of loudness

In this paper, a method that has been developed for the assessment and quantification of loudness perception in normal-hearing and hearing-impaired persons is described. The method has been named LGOB, which stands for loudness growth in 1/2-octave bands. The method uses 1/2-octave bands of noise, centered at 0.25, 0.5, 1.0, 2.0, and 4.0 kHz, with subjective levels between a subject's threshold of hearing and the "too loud" level. The noise bands are presented to the subject, randomized over frequency and level, and the subject is asked to respond with a loudness rating (one of: VERY SOFT, SOFT, OK, LOUD, VERY LOUD, TOO LOUD). Subject responses (normal and hearing-impaired) are then compared to the average responses of a group of normal-hearing subjects. This procedure allows one to estimate the subject's loudness growth relative to normals, as a function of frequency and level. The results may be displayed either as isoloudness contours or as recruitment curves. In its present form, the measurements take less than 30 min. The signal presentation and analysis is done using a PC and a PC plug-in board having a digital to analog converter.     

Outcome of laryngeal and velopharyngeal biofeedback treatment in children and young adults: A pilot study

A relatively new management strategy for the treatment of voice disorders is the use of laryngeal (LB) and velopharyngeal biofeedback (VB). The main purpose of the present pilot study is to document the outcome of vocal and velopharyngeal performances after a well-defined LB and VB treatment. Four subjects were studied pretreatment (1 week before LB or VB treatment) and posttreatment (1 week after the LB or VB treatment). To measure and compare the effect of LB and VB, objective and subjective assessment techniques were used. Perceptual voice assessment included a perceptual rating of the voice using the GRBAS scale. Furthermore, the vocal quality in this population is modeled by means of the Dysphonia Severity Index. For the objective assessment of nasal resonance, the Nasometer and the Glatzel test were used. A perceptual evaluation of speech, the Gutzmann test, and the tests from Bzoch were used as subjective assessment techniques. Both patients selected for LB and VB treatment showed improvement of their performances. The resulting improvement, as measured by means of an objective approach, is in agreement with the perceived (auditory) improvement of voice and resonance. The use of LB and VB treatment in patients, especially in some subjects who are not responding to traditional voice or velopharyngeal therapy, must be encouraged.     

Intrasubject variability of objective voice measures

Recent advances in the diagnosis and treatment of voice disorders necessitate the need for accurate and reliable objective voice measurements. There are many instruments commonly used to analyze voice data. Many, if not most, of these instruments have not been adequately tested for reliability or consistency. This study evaluates the intrasubject variability of the objective voice measurements from two commonly used voice analysis instruments. The study also presents data correlating subjective mood states, room temperatures, sleep times of the subject, time since last meal, and hydration levels to the various acoustic measures. Several weak but significant correlations were obtained and are discussed. Guidelines for the appropriate use of these instruments are described.     

Continuous assessment of time-varying speech quality

This paper addresses the question of whether subjects are able to assess the perceived time-varying quality of speech material continuously. A method is introduced which is characterized by a subjective continuous rating of the perceived speech quality by moving a slider along a graphical scale. The usability of this method is illustrated with an experiment in which different sequences of sentences were degraded in quality with a Modulated Noise Reference Unit. The modulation depth was varied with time and the subject's task was to assess the perceived quality. The results indicate that subjects can monitor speech quality variations very accurately with a delay of approximately 1 s. An objective speech quality measure based on an auditory processing model was applied to predict the subjective speech quality results. The speech quality measure qC was modified to allow for time-dependent objective measurement of the speech quality. The averaged subjective response data could be modeled by the scale transformed and low-pass filtered measure qC(t) with a high degree of accuracy.     

Sound strength and reverberation time in small concert halls

Sound strength and reverberation time measurements have been carried out in six small concert halls in Cambridge, UK. The sound strength G is a measure of the physical sound level in a concert hall and is closely related to the subjective sensation of loudness. It compares integrated impulse responses at a point in the measured room with that measured at ten metres distance in the free field.The aim of the measurements is to investigate the acoustic characteristics of the halls concerning sound strength and reverberation time. Furthermore the effect of the variable acoustics in the halls on these parameters is discussed in this paper. Especially for bigger ensembles it is often desirable to reduce the sound level in a small concert hall. The measurement results show that for a fixed hall volume, this can primarily be achieved by decreasing the reverberation time in the hall. However, with regard to the sound quality of a hall and the recommended reverberation times for chamber music, reverberation time cannot be reduced by an arbitrary extent. Therefore reverberation time and strength have to be balanced very carefully in order to obtain sufficient reverberation whilst at the same time avoiding excessive loudness. Finally the measured strength levels are compared to values derived from traditional and revised theory [Barron M, Lee L-J. Energy relations in concert auditoriums. J Acoust Soc Am 1988;84(2):618-28] on strength calculations in order to assess the accuracy of the theory for small chamber music halls. Possible reasons for the low measured strength levels observed are discussed with reference to related design features and objective acoustic parameters.     

The Towne-Heuer reading passage—A reliable aid to the evaluation of voice

The science of voice evaluation and assessment has profited from technological advancement and objective measurement of voice parameters has become an integral part of the voice examination, however, subjective voice evaluation remains a vital component of any voice examination. The Towne-Heuer Reading Passage was developed in 1970 to provide a reading sample that would facilitate subjective voice evaluation. The reliability of the passage was established using three judges listening to 15 normal Philadelphia speakers and 15 vocal abuse-misuse clients with verified vocal nodules. The frequency of hard glottal attack (HGA) was determined for the two groups and high interjudge and intrajudge correlation was found. A difference in the frequency of HGA was found between the two groups.     

The Towne-Heuer Reading Passage--a reliable aid to the evaluation of voice.

The science of voice evaluation and assessment has profited from technological advancement and objective measurement of voice parameters has become an integral part of the voice examination, however, subjective voice evaluation remains a vital component of any voice examination. The Towne-Heuer Reading Passage was developed in 1970 to provide a reading sample that would facilitate subjective voice evaluation. The reliability of the passage was established using three judges listening to 15 normal Philadelphia speakers and 15 vocal abuse-misuse clients with verified vocal nodules. The frequency of hard glottal attack (HGA) was determined for the two groups and high interjudge and intrajudge correlation was found. A difference in the frequency of HGA was found between the two groups.     

Bimodal cues for speech loudness

This paper presents a bimodal (audio-visual) study of speech loudness. The same acoustic stimuli (three sustained vowels of the articulatory qualities "effort" and "noneffort") are first presented in isolation, and then simultaneously together with an appropriate optical stimulus (the speaker's face on a video screen, synchronously producing the vowels). By the method of paired comparisons (law of comparative judgment) subjective loudness differences could be represented by different intervals between scale values. By this method previous results of effort-dependent speech loudness could be verified. In the bimodal study the optical cues have a measurable effect, but the acoustic cues are still dominant. Visual cues act most effectively if they are presented naturally, i.e., if acoustic and optical effort cues vary in the same direction. The experiments provide some evidence that speech loudness can be influenced by other than acoustic variables.     

Changes in Objective Acoustic Measurements and Subjective Voice Complaints in Call Center Customer-Service Advisors During One Working Day

SUMMARY: The aim of this study was to investigate how different acoustic parameters, extracted both from speech pressure waveforms and glottal flows, can be used in measuring vocal loading in modern working environments and how these parameters reflect the possible changes in the vocal function during a working day. In addition, correlations between objective acoustic parameters and subjective voice symptoms were addressed. The subjects were 24 female and 8 male customer-service advisors, who mainly use telephone during their working hours. Speech samples were recorded from continuous speech four times during a working day and voice symptom questionnaires were completed simultaneously. Among the various objective parameters, only F0 resulted in a statistically significant increase for both genders. No correlations between the changes in objective and subjective parameters appeared. However, the results encourage researchers within the field of occupational voice use to apply versatile measurement techniques in studying occupational voice loading.     

基于神经网络客观测量MRTD的方法探讨

从分析测试热像仪性能参数MRTD的主观方法入手,提出了一种基于神经网络用面阵CCD测量MRTD的客观方法.介绍客观测量系统的理论框架、设计方案和测试过程,并对其技术难点进行了讨论.     

Effects on the glottal voice source of vocal loudness variation in untrained female and male voices

Subglottal pressure is one of the main voice control factors, controlling vocal loudness. In this investigation the effects of subglottal pressure variation on the voice source in untrained female and male voices phonating at a low, a middle, and a high fundamental frequency are analyzed. The subjects produced a series of /pae/ syllables at varied degrees of vocal loudness, attempting to keep pitch constant. Subglottal pressure was estimated from the oral pressure during the /p/ occlusion. Ten subglottal pressure values, approximately equidistantly spaced within the pressure range used, were identified, and the voice source of the vowels following these pressure values was analyzed by inverse filtering the airflow signal as captured by a Rothenberg mask. The maximum flow declination rate (MFDR) was found to increase linearly with subglottal pressure, but a given subglottal pressure produced lower values for female than for male voices. The closed quotient increased quickly with subglottal pressure at low pressures and slowly at high pressures, such that the relationship can be approximated by a power function. For a given subglottal pressure value, female voices reached lower values of closed quotient than male voices.     

Development of an algorithm for automatic detection and rating of squeak and rattle events

A new algorithm for automatic detection and rating of squeak and rattle (S&R) events was developed. The algorithm utilizes the perceived transient loudness (PTL) that approximates the human perception of a transient noise. At first, instantaneous specific loudness time histories are calculated over 1-24 bark range by applying the analytic wavelet transform and Zwicker loudness transform to the recorded noise. Transient specific loudness time histories are then obtained by removing estimated contributions of the background noise from instantaneous specific loudness time histories. These transient specific loudness time histories are summed to obtain the transient loudness time history. Finally, the PTL time history is obtained by applying Glasberg and Moore temporal integration to the transient loudness time history. Detection of S&R events utilizes the PTL time history obtained by summing only 18-24 barks components to take advantage of high signal-to-noise ratio in the high frequency range. A S&R event is identified when the value of the PTL time history exceeds the detection threshold pre-determined by a jury test. The maximum value of the PTL time history is used for rating of S&R events. Another jury test showed that the method performs much better if the PTL time history obtained by summing all frequency components is used. Therefore, rating of S&R events utilizes this modified PTL time history. Two additional jury tests were conducted to validate the developed detection and rating methods. The algorithm developed in this work will enable automatic detection and rating of S&R events with good accuracy and minimum possibility of false alarm.     

Voice changes in women treated for endometriosis and related conditions: The need for comprehensive vocal assessment

Hormonal treatments which have an androgenic effect have the potential to cause vocal changes. The changes in vocal fold structure and voice quality are considered to be irreversible. To date, studies have documented subjective vocal changes or documented single cases without detailed, baseline voice assessments. The impact on laryngeal function of women taking these androgenic treatments requires further detailed, objective assessment. The need for increased awareness of the actions of androgenic hormones on womns' voices, and the benefits of a thorough voice assessment are discussed.     

The effect of task on determination of habitual loudness

The purpose of this study was to investigate if there is an effect of task on determination of habitual loudness. Four tasks commonly used to elicit habitual loudness were compared (automatic speech, elicited speech, spontaneous speech, and reading aloud). Participants were adult female speakers (N=30) with normal voice. A one-way analysis of variance (ANOVA) revealed a statistically significant (p < 0.05) effect of task, with post-hoc analyses indicating that there was a statistically significant difference in habitual loudness elicited via automatic versus spontaneous speech (p < 0.05), and automatic speech versus reading aloud (p < 0.001). The issue of how habitual loudness is defined is considered. Implications of the use of one task for determination of habitual loudness are discussed, as is the possibility of a task effect on determination of other clinically useful vocal parameters.     

Effect of listening level and background noise on the subjective decay rate of room impulse responses: Using time-varying loudness to model reverberance

Room impulse responses (RIRs) are used very widely to characterize the acoustic conditions of rooms, such as in the derivation of reverberation time, early decay time and clarity index. This study investigates the subjective decay rate (or reverberance) of RIRs when directly listened to (rather than convolved with a dry signal such as speech or music). Through a subjective experiment, it investigates the effects of gain (or listening level) and background noise level on the reverberance of RIRs that had been measured in three concert auditoria. The task of the experiment was to match the decay rate of RIRs to that of a reference RIR by ear, by adjusting the RIRs’ exponential decay rate. Based on objective loudness modeling, gain should have a positive effect on reverberance, and background noise has a negative effect. This is confirmed in the results of the experiment. Furthermore, the objectively calculated loudness decay function provides an effective predictor of subjective decay rate, which performs better than conventional early decay time or reverberation time for the RIRs tested.     

Effects of Professional Singing Education on Vocal Vibrato—A Longitudinal Study

Vocal vibrato is regarded as one of the essential characteristics of voice quality in classical singing. Professional singers seem to develop vibrato automatically, without actively striving to acquire it. In this longitudinal investigation, the vocal vibrato of 22 singing students was examined at the beginning of and after 3 years of professional singing education. Subjects sang an ascending-descending triad pattern in slow tempo on vowel [a:] at a comfortable pitch level twice at soft (piano) and twice at medium (mezzoforte) loudness. The top note of the triad pattern was sustained for approximately 5s. The mean and the standard deviation (SD) of the vibrato rate were measured for this note. Results revealed that after 3 years of training, voices with vibrato slower than 5.2 Hz were found to have a faster vibrato, and voices with vibrato faster than 5.8 Hz were found to have a slower vibrato. Standard deviation of vibrato rate was higher in soft than in medium loudness, particularly before the education. Also high values of SD of vibrato rate, exceeding 0.65 Hz, had decreased after the education. These findings confirm that vibrato characteristics can be affected by singing education.