Temporal overshoot in simultaneous-masked psychophysical tuning curves from normal and hearing-impaired listeners

Simultaneous-masked psychophysical tuning curves (PTCs) were obtained from normal-hearing and sensorineural hearing-impaired listeners. The 20-ms signal was presented at the onset or at the temporal center of the 400-ms masker. For the normal-hearing listeners, as shown previously [S. P. Bacon and B. C. J. Moore, J. Acoust. Soc. Am. 80, 1638-1645 (1986)], the PTCs were sharper on the high-frequency side for a signal in the temporal center of the masker. For the hearing-impaired listeners, however, the shape of the PTC was virtually independent of the temporal position of the signal. These data suggest that the mechanisms responsible for sharpening the PTC with time in normal-hearing listeners are ineffective in listeners with moderate-to-severe sensorineural hearing loss.     

Temporal effects in masking and their influence on psychophysical tuning curves

Psychophysical tuning curves (PTCs) were obtained in simultaneous and forward masking for a 20-ms, 1000-Hz signal presented at 10 dB SL. The signal was presented at the beginning of, at the temporal center of, at the end of, or immediately following a 400-ms masker. The first experiment was done in quiet; the second experiment was done in the presence of two bands of noise on either side of 1000 Hz. The results were similar in quiet and in noise. In simultaneous masking, the PTCs were broadest for the signal at masker onset, and generally sharpest for the signal at temporal center; the differences were largest on the high-frequency side. In most cases, there was virtually no difference in Q10 between the forward-masking PTC and the simultaneous-masking PTC with the signal temporally centered, although the high-frequency slope was always steeper in forward masking. These results indicate that, at least for brief signals, frequency selectivity measured with simultaneous-masking PTCs and the degree of sharpening revealed in forward-masking PTCs depend upon the temporal position of the signal within the simultaneous masker.     

Pure-tone pitch anomalies. II. Pitch-intensity effects and diplacusis in impaired ears

Pitch-intensity functions and psychophysical tuning curves (PTC's) were measured in ten listeners with sensorineural impairments of presumed cochlear origin. Masking patterns, frequency jnd's, diplacusis measurements, and octave adjustments were also obtained for selected conditions in selected listeners. The results showed a tendency for increased frequency jnd's and increased pitch-matching variability in frequency regions where frequency resolution, as determined by PTC Q10 estimates, was degraded. The results also showed exaggerated pitch-level effects, both in regions where frequency resolution was degraded and, in many cases, in regions where thresholds and frequency resolution were apparently normal. The usual manifestation of exaggerated pitch-level effect was an abnormally large negative pitch shift with increasing level, particularly at low frequencies. The limited data from diplacusis measurements and octave adjustments suggest that the exaggerated negative pitch shifts are the consequence of a large increase in pitch at low stimulus levels which "recruits" at higher levels. These results are difficult to explain with simple tonotopic models, or presently formulated temporal models, of pure-tone pitch encoding.     

Effects of stimulus level on forward-masked psychophysical tuning curves in quiet and in noise

Forward-masked psychophysical tuning curves were obtained from normal-hearing listeners at different probe levels in quiet and in a broadband background noise. In quiet, tuning-curve shape changed with probe level. For six listeners, tuning curves became broader with increasing probe level, primarily due to a decrease in the low-frequency slopes. For one listener, tuning curves became narrower with increasing probe level. The addition of a background noise, which was presented continuously at a level 10 dB below the noise level required to mask the probe tone, reduced the masker levels required to mask the probe tone. The reduction was greater near the tip of the tuning curve than on the tail, so that tuning curves in background noise were narrower than those obtained in quiet. Tuning curves with comparable masker levels near the tip of the tuning curve (Lmtip) were similar in shape, regardless of probe level or whether tuning curves were obtained in quiet or noise. Comparisons of tuning-curve characteristics derived by fitting tuning curves with least-squares procedures, indicated that low-frequency slopes decreased with Lmtip. As a consequence, Q10 dB values decreased with Lmtip. These results are consistent with the interpretation that tuning-curve shapes are determined by the intensities of the maskers required to mask the probe tone. The addition of a background noise restricted (partially masked) the excitation pattern of the probe so that lower masker intensities were required to "forward mask" the probe tone, and narrower tuning curves resulted from less intense markers. The results are well described by a two-process model of auditory excitation patterns.     

The temporal evolution of masking and frequency selectivity in the goldfish (Carassius auratus)

The temporal evolution of masking and frequency selectivity was studied in the goldfish using classical respiratory conditioning and a tracking psychophysical procedure. The temporal position of a brief tonal signal within a longer duration, tonal masker has little or no effect on signal detectability when the frequency of the masker is less than or equal to that of the signal. For masker frequencies above that of the signal, signal detectability improves as the signal onset is delayed relative to that of the masker. These patterns of tone-on-tone masking are quite similar to those observed for humans. These temporal masking patterns are qualitatively similar in shape to the peristimulus-time histogram profiles of the low-frequency saccular fibers thought to be used in this task. Frequency- and time-dependent changes in signal detectability result in specific changes in the sharpness of psychophysical tuning curves (PTC). In general, PTCs determined for signals occurring at masker onset are the most broadly tuned, and PTCs determined in forward masking are the most sharply tuned. The PTCs for signals temporally centered in the masker are intermediate. These results suggest that temporal tone-on-tone masking patterns and the temporal evolution of psychophysical tuning curves result from the response properties of peripheral auditory-nerve fibers.     

Spatial unmasking of birdsong in human listeners: energetic and informational factors

Spatial unmasking describes the improvement in the detection or identification of a target sound afforded by separating it spatially from simultaneous masking sounds. This effect has been studied extensively for speech intelligibility in the presence of interfering sounds. In the current study, listeners identified zebra finch song, which shares many acoustic properties with speech but lacks semantic and linguistic content. Three maskers with the same long-term spectral content but different short-term statistics were used: (1) chorus (combinations of unfamiliar zebra finch songs), (2) song-shaped noise (broadband noise with the average spectrum of chorus), and (3) chorus-modulated noise (song-shaped noise multiplied by the broadband envelope from a chorus masker). The amount of masking and spatial unmasking depended on the masker and there was evidence of release from both energetic and informational masking. Spatial unmasking was greatest for the statistically similar chorus masker. For the two noise maskers, there was less spatial unmasking and it was wholly accounted for by the relative target and masker levels at the acoustically better ear. The results share many features with analogous results using speech targets, suggesting that spatial separation aids in the segregation of complex natural sounds through mechanisms that are not specific to speech.     

Relative contribution of target and masker temporal fine structure to the unmasking of consonants in noise

The present study assessed the relative contribution of the "target" and "masker" temporal fine structure (TFS) when identifying consonants. Accordingly, the TFS of the target and that of the masker were manipulated simultaneously or independently. A 30 band vocoder was used to replace the original TFS of the stimuli with tones. Four masker types were used. They included a speech-shaped noise, a speech-shaped noise modulated by a speech envelope, a sentence, or a sentence played backward. When the TFS of the target and that of the masker were disrupted simultaneously, consonant recognition dropped significantly compared to the unprocessed condition for all masker types, except the speech-shaped noise. Disruption of only the target TFS led to a significant drop in performance with all masker types. In contrast, disruption of only the masker TFS had no effect on recognition. Overall, the present data are consistent with previous work showing that TFS information plays a significant role in speech recognition in noise, especially when the noise fluctuates over time. However, the present study indicates that listeners rely primarily on TFS information in the target and that the nature of the masker TFS has a very limited influence on the outcome of the unmasking process.     

The danger of using narrow-band noise maskers to measure "suppression"

These experiments investigated whether perceptual cueing plays a role in the "unmasking" effects which have been observed in forward masking for narrow-band noise maskers and brief signals. The forward masking produced by a 100-Hz-wide noise masker at a level of 60 dB SPL was measured for a 1-kHz sinusoidal signal with a raised-cosine envelope and a duration of 10 ms at the 6-dB-down points, both for the masker alone, and with various components added to the masker (and gated synchronously with the masker). Unmasking was found to occur even for components which were extremely unlikely to produce a significant suppression of the masker: these included a 75-dB SPL 4-kHz sinusoid, a 50-dB SPL 1.4-kHz sinusoid, a noise low-pass filtered at 4 kHz with a spectrum level of 0 dB, and a noise low-pass filtered at 4 kHz with a spectrum level of 20 dB presented in the opposite ear to the masker-plus-signal. It is concluded that perceptual cueing can play a significant role in producing unmasking for brief signals following narrow-band noise maskers, and that it is unwise to interpret the unmasking solely in terms of suppression.     

Effects of signal delay on auditory filter shapes derived from psychophysical tuning curves and notched-noise data obtained in simultaneous masking

Psychophysical tuning curves (PTCs) measured in simultaneous masking usually sharpen as a short duration signal is moved from the onset to the temporal center of a longer duration masker. Filter shapes derived from notched-noise maskers have not consistently shown this effect. One possible explanation for this difference is that the signal level is fixed in the PTC paradigm, whereas the masker level is usually fixed in the notched-noise paradigm. In the present study, the signal level was fixed at 10 dB SL in both paradigms. The signal was 20 ms in duration, and presented at the onset or temporal center of the 400-ms masker. The masker was a pure tone presented in quiet (PTC) or in the presence of a pure-tone "restrictor" intended to limit off-frequency listening (PTCr), or it was a noise with a spectral notch placed symmetrically or asymmetrically about the 2-kHz signal frequency. Filter shapes were derived from the PTC, PTCr, and notched-noise data using the roex (p, w, t) model. The effects of signal delay and masking paradigm on filter bandwidth were analyzed with a two-factor repeated-measures ANOVA. There was a significant effect of signal delay (the filters sharpened with time) and masking paradigm (the filters derived from the notched-noise data were significantly wider than those derived from either of the PTC measurements, which did not differ from one another). Although the interaction between delay and paradigm was not significant, the filter derived from the notched-noise data sharpened more with time than did the other filters, and thus the bandwidth of the filters from the three paradigms were more similar at the longer delay than at the shorter delay. It is likely that the tuning-curve and notched-noise paradigms measure the same underlying filtering, but that various other factors contribute differentially to the derived filter shapes.     

Effects of fluctuating noise and interfering speech on the speech-reception threshold for impaired and normal hearing

The speech-reception threshold (SRT) for sentences presented in a fluctuating interfering background sound of 80 dBA SPL is measured for 20 normal-hearing listeners and 20 listeners with sensorineural hearing impairment. The interfering sounds range from steady-state noise, via modulated noise, to a single competing voice. Two voices are used, one male and one female, and the spectrum of the masker is shaped according to these voices. For both voices, the SRT is measured as well in noise spectrally shaped according to the target voice as shaped according to the other voice. The results show that, for normal-hearing listeners, the SRT for sentences in modulated noise is 4-6 dB lower than for steady-state noise; for sentences masked by a competing voice, this difference is 6-8 dB. For listeners with moderate sensorineural hearing loss, elevated thresholds are obtained without an appreciable effect of masker fluctuations. The implications of these results for estimating a hearing handicap in everyday conditions are discussed. By using the articulation index (AI), it is shown that hearing-impaired individuals perform poorer than suggested by the loss of audibility for some parts of the speech signal. Finally, three mechanisms are discussed that contribute to the absence of unmasking by masker fluctuations in hearing-impaired listeners. The low sensation level at which the impaired listeners receive the masker seems a major determinant. The second and third factors are: reduced temporal resolution and a reduction in comodulation masking release, respectively.     

The spatial unmasking of speech: evidence for within-channel processing of interaural time delay

Across-frequency processing by common interaural time delay (ITD) in spatial unmasking was investigated by measuring speech reception thresholds (SRTs) for high- and low-frequency bands of target speech presented against concurrent speech or a noise masker. Experiment 1 indicated that presenting one of these target bands with an ITD of +500 micros and the other with zero ITD (like the masker) provided some release from masking, but full binaural advantage was only measured when both target bands were given an ITD of + 500 micros. Experiment 2 showed that full binaural advantage could also be achieved when the high- and low-frequency bands were presented with ITDs of equal but opposite magnitude (+/- 500 micros). In experiment 3, the masker was also split into high- and low-frequency bands with ITDs of equal but opposite magnitude (+/-500 micros). The ITD of the low-frequency target band matched that of the high-frequency masking band and vice versa. SRTs indicated that, as long as the target and masker differed in ITD within each frequency band, full binaural advantage could be achieved. These results suggest that the mechanism underlying spatial unmasking exploits differences in ITD independently within each frequency channel.     

Speech perception ability and psychophysical tuning curves in hearing-impaired listeners

Performance-intensity functions for monosyllabic words were obtained as a function of signal-to-noise ratio for broadband and low-pass filtered noise. Subjects were 11 normal-hearing listeners and 13 hearing-impaired listeners with flat, moderate sensorineural hearing losses and good speech-discrimination ability (at least 86%) in quiet. In the broadband-noise condition, only small differences in speech perception were noted between the two groups. In low-pass noise, however, large differences in performance were observed. These findings were correlated with various aspects of psychophysical tuning curves (PTCs) obtained from the same individuals. Results of a multivariate analysis suggest that performance in broadband noise is correlated with filter bandwidth (Q10), while performance in low-pass noise is correlated with changes on the low-frequency side of the PTC.     

Frequency selectivity of single cochlear-nerve fibers based on the temporal response pattern to two-tone signals

The physiological basis of auditory frequency selectivity was investigated by recording the temporal response patterns of single cochlear-nerve fibers in the cat. The characteristic frequency and sharpness of tuning was determined for low-frequency cochlear-nerve fibers with two-tone signals whose frequency components were of equal amplitude and starting phase. The measures were compared with those obtained with sinusoidal signals. The two-tone characteristic frequency (2TCF) is defined as the arithmetic-center frequency at which the fiber is synchronized to both signal frequencies in equal measure. The 2TCF closely corresponds to the characteristic frequency as determined by the frequency threshold curve. Moreover, the 2TCF changes relatively little (2%-12%) over a 60-dB intensity range. The 2TCF generally shifts upward with increasing intensity for cochlear-nerve fibers tuned to frequencies below 1 kHz and shifts downward as a function of intensity for units with characteristic frequencies (CF's) above 1 kHz. The shifts in the 2TCF are considerably smaller than those observed with sinusoidal signals. Filter functions were derived from the synchronization pattern to the two-tone signal by varying the frequency of one of the components over the fiber's response area while maintaining the other component at the 2TCF. The frequency selectivity of the two-tone filter function was determined by dividing the vector strength to the variable frequency signal by the vector strength to the CF tone. The filter function was measured 10 dB down from the peak (2T Q 10 dB) and compared with the Q 10 dB of the frequency threshold curve. The correlation between the two measures of frequency selectivity was 0.72. The 2T Q 10 dB does change as a function of intensity. The magnitude and direction of the change is dependent on the sharpness of tuning at low and moderate sound-pressure levels (SPL's). The selectivity of the more sharply tuned fibers (2T Q 10 dB greater than 3) diminishes at intensities above 60 dB SPL. However, the broadening of selectivity is relatively small in comparison to discharge rate-based measures of selectivity. The selectivity of the more broadly tuned units remains unchanged or improves slightly at similar intensity levels. The present data indicate that the frequency selectivity and tuning of low-frequency cochlear-nerve fibers are relatively stable over a 60-dB range of SPL's when measured in terms of their temporal discharge properties.     

Across-critical-band processing of amplitude-modulated tones

Two experiments using two-tone sinusoidally amplitude-modulated stimuli were conducted to assess cross-channel effects in processing low-frequency amplitude modulation. In experiment I, listeners were asked to discriminate between two sets of two-tone amplitude-modulated complexes. In one set, the modulation phase of the lower frequency carrier tone was different from that of the upper frequency carrier tone. In the other stimulus set, both amplitude-modulated carriers had the same modulator phase. The amount of phase shift required to discriminate between the two stimulus sets was determined as a function of the separation between the two carriers, modulation depth, and modulation frequency. Listeners could discriminate a 50 degrees-60 degrees phase shift between the modulated envelopes for tones separated by more than a critical band. In experiment II, the modulation depth required to detect modulation of a probe carrier was measured in the presence of an amplitude-modulated masker. The threshold for detecting probe modulation was determined as a function of the separation between the masker and probe carriers, the phase difference between the masker and probe modulators, and masker modulation depth (in all conditions, the rate of probe and masker modulation was 10 Hz). The threshold for detecting probe modulation was raised substantially when the masker tone was also modulated. The results are consistent with theories suggesting that amplitude modulation helps form auditory objects from complex sound fields.     

Sinusoidal and noise maskers in simultaneous and forward masking

We compare psychophysical tuning curves obtained with sinusoidal and narrow-band (50-Hz wide) noise maskers in both simultaneous and forward masking. In one experiment, we examine the effects of different combinations of duration and intensity of the 1-kHz sinusoidal signal. In a second experiment, we compare tuning curves obtained with a sinusoidal signal to those obtained with a noise signal. In both experiments, a narrow-band noise is a more effective simultaneous masker than a sinusoid for masker frequencies near the signal frequency. We argue that this is probably due to the use of different detection cues in the presence of sinusoidal and noise maskers, and that the greater masking produced by the noise is not simply due to its greater variability. As observed in other studies, tuning curves are narrower in forward masking than in simultaneous masking.     

Role of attention in overshoot: frequency certainty versus uncertainty

Overshoot, the elevation in the threshold for a brief signal that comes on close to masker onset, was measured with signal frequency certain (same frequency on every trial) or uncertain (randomized over trials). In broadband noise, thresholds were higher 2 ms after masker onset than 200 ms later, by 9 dB with frequency certainty, by 6-7 dB with uncertainty. In narrowband noise centered on the signal frequency, thresholds at 2 ms were not elevated with certainty, but were elevated 4-5 dB with uncertainty. Thus, frequency uncertainty leads to less overshoot in broadband noise, to more overshoot in narrowband noise. Reduced overshoot in broadband noise may come about because the masker, given its many frequencies, disrupts focusing at onset as much under certainty as uncertainty. Once the initial disruption dissipates, threshold is lower with certainty so overshoot is greater. In contrast, a narrowband noise with frequencies only near the signal does not disrupt focusing when the signal frequency is known beforehand, so overshoot is absent. When frequency is uncertain, the narrowband noise serves to focus attention on the signal frequency; as this requires time, detection near noise onset is poorer than later on, so overshoot is present.     

Comparing behavioral and physiological measures of combination tones: Sex and race differences

Both distortion-product otoacoustic emissions (DPOAEs) and performance in an auditory-masking task involving combination tones were measured in the same frequency region in the same ears. In the behavioral task, a signal of 3.6?kHz (duration 300?ms, rise/fall time 20?ms) was masked by a 3.0-kHz tone (62?dB SPL, continuously presented). These two frequencies can produce a combination tone at 2.4?kHz. When a narrowband noise (2.0-2.8?kHz, 17?dB spectrum level) was added as a second masker, detection of the 3.6-kHz signal worsened by 6-9?dB (the Greenwood effect), revealing that listeners had been using the combination tone at 2.4?kHz as a cue for detection at 3.6?kHz. Several outcomes differed markedly by sex and racial background. The Greenwood effect was substantially larger in females than in males, but only for the White group. When the magnitude of the Greenwood effect was compared with the magnitude of the DPOAE measured in the 2.4?kHz region, the correlations typically were modest, but were high for Non-White males. For many subjects, then, most of the DPOAE measured in the ear canal apparently is not related to the combination-tone cue that is masked by the narrowband noise.     

Frequency resolution for diotic and dichotic listening conditions compared using the bandlimiting measure and a modified bandlimiting measure

Two experiments were performed that examined the relation between frequency selectivity for diotic and dichotic stimuli. Subjects were eight normal-hearing listeners. In each experiment, a 500-Hz pure tone of 400-ms duration was presented in continuous noise. In the diotic listening conditions, a signal and noise were presented binaurally with no interaural differences (So and No, respectively). In the dichotic listening conditions, the signal or noise at one ear was 180 degrees out-of-phase relative to the respective stimulus at the other ear (S pi and N pi, respectively). The first experiment examined frequency selectivity using the bandlimiting measure. Here, signal thresholds were determined as a function of masker bandwidth (50, 100, 250, 500, and 1000 Hz) for SoNo, S pi No, and SoN pi listening conditions. The second experiment used a modified bandlimiting measure. Here, signal thresholds (So and S pi) were determined with a relatively narrow No band of masker energy (50 Hz wide) centered about the signal. Then, a second No narrow-band masker (30 Hz wide) was added at another frequency region, and signal thresholds were reestablished. The results of the two experiments indicated that listeners process a wider band of frequencies when resolving dichotic stimuli than when resolving diotic or monotic stimuli. The results also indicated that the bandlimiting measure may underestimate the spectral band processed upon dichotic stimulation. Results are interpreted in terms of an across-ear and across-frequency processing of waveform amplitude envelope.     

Psychophysical tuning curves measured in simultaneous and forward masking

The level of a masker necessary to mask a probe fixed in frequency and level was determined as a function of masker frequency using a two-interval forced-choice technique. Both simultaneous- and forward- masking techniques were used. Parameters investigated include the level of the probe tone and the frequency of the probe tone. The general form of the psychophysical tuning curves obtained in this way is quite similar to that of single-neurone tuning curves, when low-level probe tones are used. However, the curves obtained to forward masking generally show sharper tips and steeper slopes than those found in simultaneous masking, and they are also generally sharper than neurophysiological tuning curves. For frequencies of the masker close to that of the probe a simultaneous masker was sometimes less effective than a forward masker. The results are discussed in relation to possible lateral suppression effects in simultaneous masking, and in relation to the observer's use of pitch cues in forward masking. It is concluded that neither the simultaneous-masking curves nor the forward-masking curves are likely to give an accurate representation of human neural tuning curves.     

Human cochlear tuning estimates from stimulus-frequency otoacoustic emissions

Two objective measures of human cochlear tuning, using stimulus-frequency otoacoustic emissions (SFOAE), have been proposed. One measure used SFOAE phase-gradient delay and the other two-tone suppression (2TS) tuning curves. Here, it is hypothesized that the two measures lead to different frequency functions in the same listener. Two experiments were conducted in ten young adult normal-hearing listeners in three frequency bands (1-2 kHz, 3-4 kHz and 5-6 kHz). Experiment 1 recorded SFOAE latency as a function of stimulus frequency, and experiment 2 recorded 2TS iso-input tuning curves. In both cases, the output was converted into a sharpness-of-tuning factor based on the equivalent rectangular bandwidth. In both experiments, sharpness-of-tuning curves were shown to be frequency dependent, yielding sharper relative tuning with increasing frequency. Only a weak frequency dependence of the sharpness-of-tuning curves was observed for experiment 2, consistent with objective and behavioural estimates from the literature. Most importantly, the absolute difference between the two tuning estimates was very large and statistically significant. It is argued that the 2TS estimates of cochlear tuning likely represents the underlying properties of the suppression mechanism, and not necessarily cochlear tuning. Thus the phase-gradient delay estimate is the most likely one to reflect cochlear tuning.