Individual differences in the perception of dichotic chords.

A new method was employed to measure the changes in the strength of ear dominance in the perception of dichotic chords as a function of stimulus intensity. The results of the first experiment, where the right and left tones were of equal intensity, revealed striking individual differences in the way the ear dominance of five subjects changed as the intensity of the chords was varied over a 60-dB range--no two subjects exhibiting the same pattern of behavior. Since, within the context of the model of Yund and Efron [J. Acoust. Soc. Am. 62, 607-617 (1977)] these individual differences could result from right-left asymmetries in the subject's intensity-response (I-R) transduction mechanisms, a second experiment was performed in which the two tones had different intensities. From the results of the second experiment the shape of the I-R function for each ear could be computed. Using these I-R functions as parameters, the model accurately predicted the idiosyncratic changes of ear dominance observed in the first experiment. The right-left asymmetries in the I-R functions also a-count for previously reported idiosyneratic changes in ear dominance as a function of the frequency difference between the two tones of the dichotic chord.     

The effect of bone conduction on the intensity independence of dichotic chords.

The relative salience of the pitch components of a two-tone dichotic chord is invariant with respect to the relative intensity of the two tones over a wide range of interaural intensity differences [R. Efron and E. W. Yund, J. Acoust, Soc. Am. 889--898 (1976)]. According to a recently developed model, the range of intensity independence is limited by the bone-conducted energy from the more intense tone [E. W. Yund and R. Efron, J. Acoust. Soc. Am. 62, 607--617 (1977)]. The model predicts that a decrease in bone conduction such as the one achieved by using insertion earphones, must increase the range of intensity independence. This prediction is confirmed.     

Temporal summation of pure tones in birds.

Two parakeets and two field sparrows were trained by a method of avoidance conditioning to respond to pure tones. Absolute thresholds were obtained for 10 durations of a 2.86-kHz tone. The temporal integration function for these four birds can best be described by a time constant pi of 230 ms. These data are similar to those reported for a number of other species.     

Role of distinctive features in dichotic perception of 21 English consonants.

The role distinctive features played in the identification of 21 dichotically presented syllable initial English consonants was evaluated. Results were analyzed for the entire stimulus set and for various intra- and inter-manner class comparisons. Consistent with previous dichotic studies of stops alone, stops as a subgroup showed a large right ear advantage, a high incidence of blend errors, and greater accuracy in identification when the competing stimuli contrasted on one (rather than two) distinctive features. Results for manner classes other than stops, for inter-manner comparisons and for the total stimulus set indicated increased correct identification with increasing numbers of distinctive feature differences between the two syllables. Analysis of error patterns revealed that, in addition to the stops, continuants, and stop-continuant, stop-affricate, and stop-nasal pairs revealed significant numbers of blend errors. Error responses also showed a tendency for unmarked feature specifications to predominate significantly over marked feature specifications. Finally, the magnitude of the right ear advantage varied significantly as a function of manner class, but not as a function of number of feature contrasts.     

Accuracy of pitch matching for pure tones and for complex tones with overlapping or nonoverlapping harmonics.

The discrimination of the fundamental frequency (fo) of pairs of complex tones with no common harmonics is worse than the discrimination of fo for tones with all harmonics in common. These experiments were conducted to assess whether this effect is a result of pitch shifts between pairs of tones without common harmonics or whether it reflects influences of spectral differences (timbre) on the accuracy of pitch perception. In experiment 1, pitch matches were obtained between sounds drawn from the following types: (1) pure tones (P) with frequencies 100, 200, or 400 Hz; (2) a multiple-component complex tone, designated A, with harmonics 3, 4, 8, 9, 10, 14, 15, and fo = 100, 200, or 400 Hz; (3) A multiple-component complex tone, designated B, with harmonics 5, 6, 7, 11, 12, 13, 16, and with fo = 100, 200 or 400 Hz. The following matches were made; A vs A, B vs B, A vs P, B vs P and P vs P. Pitch shifts were found between the pure tones and the complex tones (A vs P and B vs P), but not between the A and B tones (A vs B). However, the variability of the A vs B matches was significantly greater than that of the A vs A or B vs B matches. Also, the variability of the A vs P and B vs P matches was greater than that for the A vs B matches. In a second experiment, frequency difference limens (DLCs) were measured for the A vs A, B vs B, and A vs B pairs of sounds. The DLCs were larger for the A vs B pair than for A vs A or B vs B. The results suggest that the poor frequency discrimination of tones with no common harmonics does not result from pitch shifts between the tones. Rather, it seems that spectral differences between tones interfere with judgements of their relative pitch.     

An auditory basis for the stimulus-length effect in the perception of stops and glides

To investigate possible auditory factors in the perception of stops and glides (e.g., /b/ vs /w/), a two-category labeling performance was compared on several series of /ba/-/wa/ stimuli and on corresponding nonspeech stimulus series that modeled the first-formant trajectories and amplitude rise times of the speech items. In most respects, performance on the speech and nonspeech stimuli was closely parallel. Transition duration proved to be an effective cue for both the stop/glide distinction and the nonspeech distinction between abrupt and gradual onsets, and the category boundaries along the transition-duration dimension did not differ significantly in the two cases. When the stop/glide distinction was signaled by variation in transition duration, there was a reliable stimulus-length effect: A longer vowel shifted the category boundary toward greater transition durations. A similar effect was observed for the corresponding nonspeech stimuli. Variation in rise time had only a small effect in signaling both the stop/glide distinction and the nonspeech distinction between abrupt and gradual onsets. There was, however, one discrepancy between the speech and nonspeech performance. When the stop/glide distinction was cued by rise-time variation, there was a stimulus-length effect, but no such effect occurred for the corresponding nonspeech stimuli. On balance, the results suggest that there are significant auditory commonalities between the perception of stops and glides and the perception of acoustically analogous nonspeech stimuli.     

Loudness perception of low tones undergoing partial masking by higher tones in orchestral music in concert halls

Objective acoustical parameters for halls are often measured in 1-octave bands with mid-frequencies from 125 to 4000 Hz. In reality, the frequency range of musical instruments is much wider than that, and the fundamentals of the lower notes of bass instruments are contained in 31.5 or 63?Hz bands. Overtones of fundamentals in these bands fall in 125?Hz band. This report presents subjective experiments designed to determine to what extent the overtones in 125?Hz band and higher bands influence the loudness sensation of the components in 63?Hz band. In the experiments, the 125?Hz and higher components of the musical tone are used to act as a masker against the lower component used as a maskee. The threshold of the difference between G(125?Hz) and G(lower band) that just enables one to hear the fundamental tones in the lower band is determined. Masked loudness of 63?Hz sinusoidal tone caused by partial masking noise with higher frequencies was determined based on a similar procedure to the masked loudness-matching function. The result indicates that the difference in loudness of low tone will not be noticeable even if G changed by ±2.5 to ±3?dB, at least when there are other accompanying instruments.     

A comparison of monotic and dichotic complex-tone pitch perception in listeners with hearing loss.

The perception of fundamental pitch for two-harmonic complex tones was examined in musically experienced listeners with cochlear-based high-frequency hearing loss. Performance in a musical interval identification task was measured as a function of the average rank of the lowest harmonic for both monotic and dichotic presentation of the harmonics at 14 dB Sensation Level. Listeners with hearing loss demonstrated excellent musical interval identification at low fundamental frequencies and low harmonic numbers, but abnormally poor identification at higher fundamental frequencies and higher average ranks. The upper frequency limit of performance in the listeners with hearing loss was similar in both monotic and dichotic conditions. These results suggest that something other than frequency resolution per se limits complex-tone pitch perception in listeners with hearing loss.     

Stimulus presentation order and the perception of lexical tones in Cantonese

Listeners' auditory discrimination of vowel sounds depends in part on the order in which stimuli are presented. Such presentation order effects have been argued to be language independent, and to result from psychophysical (not speech- or language-specific) factors such as the decay of memory traces over time or increased weighting of later-occurring stimuli. In the present study, native Cantonese speakers' discrimination of a linguistic tone continuum is shown to exhibit order of presentation effects similar to those shown for vowels in previous studies. When presented with two successive syllables differing in fundamental frequency by approximately 4 Hz, listeners were significantly more sensitive to this difference when the first syllable was higher in frequency than the second. However, American English-speaking listeners with no experience listening to Cantonese showed no such contrast effect when tested in the same manner using the same stimuli. Neither English nor Cantonese listeners showed any order of presentation effects in the discrimination of a nonspeech continuum in which tokens had the same fundamental frequencies as the Cantonese speech tokens but had a qualitatively non-speech-like timbre. These results suggest that tone presentation order effects, unlike vowel effects, may be language specific, possibly resulting from the need to compensate for utterance-related pitch declination when evaluating fundamental frequency for tone identification.     

A population study of auditory-nerve fibers in unanesthetized decerebrate cats: response to pure tones

Population responses of single auditory-nerve (AN) fibers to 1-kHz pure tones were investigated in unanesthetized decerebrate cats. Driven rate (spikes/s), Fourier component amplitude (spikes/s), and d'e = (driven rate)/(standard deviation) were examined. These results extend the presently available information. First, the AN population responses, previously observed only in anesthetized animals, are now observed in unanesthetized animals. The anesthetized and unanesthetized animal responses are qualitatively similar. Second, a detectability measure d'e was applied, à la signal detection theory, to populations of AN fibers. A previously unknown behavior of the low-spontaneous-rate (SR) (less than 15 spikes/s) fibers was observed: the d'e increased to large values at moderate and high stimulus levels, giving rise to a large, sharply tuned peak in the d'e-place profile, even when the driven rate was saturated. This behavior was absent in the high-SR (greater than 15 spikes/s) fibers. This observation suggests that the d'e of the low-SR fibers is the best code for stimulus intensity among the different response measures examined, and that the d'e-place profile may be a more precise spatial code for stimulus frequency than the commonly considered rate-place code.     

A. A. Ukhtomskii's dominance principle of brain activity in the perception of electromagnetic fields

Preliminary instruction of the subject plays an important role in the perception of weak electromagnetic fields acting on the hand. Active attention to a potential effect amplifies a brain state that can be called caution dominance and arises spontaneously with a placebo or an electromagnetic field. The radar principle of brain operation is discussed among the physiological mechanisms through which electromagnetic fields act on an organism.Institute of Higher Nervous Activity and Neurophysiology, Russian Academy of Sciences. Translated from Izvestiya Vysshikh Uchebnykh Zavedenii, Radiofizika, Vol. 37, No. 1, pp. 85–92, January, 1994.     

Detection versus discrimination of brief tones by cats with auditory cortex lesions.

In recent years, a number of investigators have provided evidence that the auditory cortex has a critical role in both the detection and discrimination of brief sounds. Dogs and humans with lesions of the neocortical auditory centers have been reported to exhibit significantly elevated detection thresholds for signals shorter than 16 ms in duration. In tests of frequency discrimination, the same subjects also exhibited severe deficits whenever tonal signals were less than 20--40 mn in lengths. In the present report, we present evidence brief tones. Operated cats, while exhibiting normal difference limens for 1-kHz tones of 100-ms duration, have significantly elevated limens for discriminating tones of 8- and 2-ms duration. With further testing, the same operated cats can be shown to have normal absolute thresholds for detecting brief tones.     

Auditory intensity perception: successive versus simultaneous, across-channel discriminations.

This study measures the ability of observers to compare the intensities of two stimuli occupying different frequency regions. It includes three experiments, each experiment having two conditions. In one condition, the two stimuli to be compared were presented simultaneously within each interval; this condition has been called profile analysis. In the other condition, the two stimuli were presented successively within each interval. Because the overall level of the stimuli was randomized between intervals, the observers were encouraged to compare the intensities of the two stimuli within each observation interval rather than between intervals. The stimuli were two simple tones in experiment 1 and two tonal complexes in both experiments 2 and 3. The stimuli used in experiments 2 and 3 differed in frequency. The results show that simultaneous comparisons are superior to successive comparisons. For simple tones, the difference in threshold is about 8 dB; for complexes with 10 to 11 components, the difference in threshold is about 15 dB. These differences can be explained by assuming that internal noises in different channels were partially correlated when stimuli in those channels were presented simultaneously and were independent when the stimuli were presented successively. Cancellation of the correlated noise is therefore possible with simultaneous comparisons, making such discrimination better than that achievable with successive comparisons.     

An experiment on the existence region of dominance in pitch perception

An experiment with a certain random signal reveals that the dominant region for pitch perception is somewhat larger than previously reported.     

Binaural sluggishness in the perception of tone sequences and speech in noise

The binaural system is well-known for its sluggish response to changes in the interaural parameters to which it is sensitive. Theories of binaural unmasking have suggested that detection of signals in noise is mediated by detection of differences in interaural correlation. If these theories are correct, improvements in the intelligibility of speech in favorable binaural conditions is most likely mediated by spectro-temporal variations in interaural correlation of the stimulus which mirror the spectro-temporal amplitude modulations of the speech. However, binaural sluggishness should limit the temporal resolution of the representation of speech recovered by this means. The present study tested this prediction in two ways. First, listeners' masked discrimination thresholds for ascending vs descending pure-tone arpeggios were measured as a function of rate of frequency change in the NoSo and NoSpi binaural configurations. Three-tone arpeggios were presented repeatedly and continuously for 1.6 s, masked by a 1.6-s burst of noise. In a two-interval task, listeners determined the interval in which the arpeggios were ascending. The results showed a binaural advantage of 12-14 dB for NoSpi at 3.3 arpeggios per s (arp/s), which reduced to 3-5 dB at 10.4 arp/s. This outcome confirmed that the discrimination of spectro-temporal patterns in noise is susceptible to the effects of binaural sluggishness. Second, listeners' masked speech-reception thresholds were measured in speech-shaped noise using speech which was 1, 1.5, and 2 times the original articulation rate. The articulation rate was increased using a phase-vocoder technique which increased all the modulation frequencies in the speech without altering its pitch. Speech-reception thresholds were, on average, 5.2 dB lower for the NoSpi than for the NoSo configuration, at the original articulation rate. This binaural masking release was reduced to 2.8 dB when the articulation rate was doubled, but the most notable effect was a 6-8 dB increase in thresholds with articulation rate for both configurations. These results suggest that higher modulation frequencies in masked signals cannot be temporally resolved by the binaural system, but that the useful modulation frequencies in speech are sufficiently low (<5 Hz) that they are invulnerable to the effects of binaural sluggishness, even at elevated articulation rates.     

The influence of duration on the perception of pitch in single and simultaneous complex tones

The influence of duration on the virtual pitch of complex tones was measured using an absolute identification paradigm. If performance with two-tone complexes is expressed in terms of a single central frequency-coding noise function, this function is found to depend on duration in about the same way as the pure-tone difference limen function. The function is further found to be a reasonably good predictor of pitch identification performance with multitone complexes. Another experimental finding was that subjects tend to switch to the analytic mode of pitch perception when complex tones are shortened (i.e., they tend to hear the spectral pitches instead of the virtual ones). A third finding was that with simultaneous complex tones the degradation of each pitch percept depends not only on duration and harmonic order of the tone but also on the harmonic order of the other tone.     

Reprint of : Single-electron coherence: Finite temperature versus pure dephasing

We analyze a coherent injection of single electrons on top of the Fermi sea in two situations, at finite-temperature and in the presence of pure dephasing. Both finite-temperature and pure dephasing change the property of the injected quantum states from pure to mixed. However, we show that the temperature-induced mixedness does not alter the coherence properties of these single-electron states. In particular two such mixed states exhibit perfect antibunching while colliding at an electronic wave splitter. This is in striking difference with the dephasing-induced mixedness which suppresses antibunching. On the contrary, a single-particle shot noise is suppressed at finite temperatures but is not affected by pure dephasing. This work therefore extends the investigation of the coherence properties of single-electron states to the case of mixed states and clarifies the difference between different types of mixedness.     

Binaural versus monaural loudness: supersummation of tone partially masked by noise

A series of three experiments used the method of magnitude estimation to examine binaural summation of the loudness of a 1000-Hz tone heard in the quiet and against various backgrounds of masking noise. In the quiet, binaural loudness as measured in sones, is twice monaural loudness. Two conditions of noise masking acted to increase the ratio of binaural/monaural loudness in sones above 2:1--that is, to produce supersummation. (1) When tone was presented to both ears, but masking noise to just one ear (dichotic stimulation), the loudness of the binaural tone was 30%-35% greater than the sum of the loudness of the monaural components. This increase in summation provides a suprathreshold analog to increases in threshold sensitivity observed with dichotic stimulation (masking-level differences). (2) Supersummation was also evident when tone and noise alike were presented to both ears (diotic stimulation); here, the binaural tone's loudness was 10%-25% greater than the sum of the monaural components. The increase in summation with diotic stimulation may be related to the characteristics of binaural summation of the noise masker itself.