Nonlinear phenomena in the natural howling of a dog-wolf mix

It was reported to the first author that a female dog-wolf mix showed anomalously rough-sounding vocalization. Spectral analysis of recordings of the vocalization revealed frequency occurrences of subharmonics, biphonation (two independent pitches) and chaos. Since these nonlinear phenomena are currently widely discussed as integral to mammalian vocalization [Wilden et al., Bioacoustics 9, 171-196 (1988)] or as indicators of vocal pathologies [Herzel et al., J. Speech Hearing Res. 37, 1008-1019 (1994); Riede et al., Z. Sgtkde 62 Suppl: 198-203 (1997)], we sought to understand the production mechanism of the observed vocal instabilities. First the frequency of nonlinear phenomena in the calls was determined for the female and four additional individuals. It turned out that these phenomena appear, but much less frequently in the repertoire of the four other animals. The larynges of the female and two other individuals were dissected post mortem. There was no apparent asymmetry of the vocal folds but a slight asymmetry of the arytenoid cartilages. The most pronounced difference, however, was an upward extension of both vocal folds of the female. This feature is reminiscent of "vocal lips" (syn. "vocal membranes") in some primates and bats. Spectral analysis of the female's voice showed clear similarities with an intensively studied voice of a human who produces biphonation intentionally. Finally, the possible communicative relevance of nonlinear phenomena is discussed.     

Spatio-temporal analysis of irregular vocal fold oscillations: biphonation due to desynchronization of spatial modes.

This report is on direct observation and modal analysis of irregular spatio-temporal vibration patterns of vocal fold pathologies in vivo. The observed oscillation patterns are described quantitatively with multiline kymograms, spectral analysis, and spatio-temporal plots. The complex spatio-temporal vibration patterns are decomposed by empirical orthogonal functions into independent vibratory modes. It is shown quantitatively that biphonation can be induced either by left-right asymmetry or by desynchronized anterior-posterior vibratory modes, and the term "AP (anterior-posterior) biphonation" is introduced. The presented phonation examples show that for normal phonation the first two modes sufficiently explain the glottal dynamics. The spatio-temporal oscillation pattern associated with biphonation due to left-right asymmetry can be explained by the first three modes. Higher-order modes are required to describe the pattern for biphonation induced by anterior-posterior vibrations. Spatial irregularity is quantified by an entropy measure, which is significantly higher for irregular phonation than for normal phonation. Two asymmetry measures are introduced: the left-right asymmetry and the anterior-posterior asymmetry, as the ratios of the fundamental frequencies of left and right vocal fold and of anterior-posterior modes, respectively. These quantities clearly differentiate between left-right biphonation and anterior-posterior biphonation. This paper proposes methods to analyze quantitatively irregular vocal fold contour patterns in vivo and complements previous findings of desynchronization of vibration modes in computer modes and in in vitro experiments.     

Anterior-posterior biphonation in a finite element model of vocal fold vibration

In this paper, a finite-element model is used to simulate anterior-posterior biphonation [Neubauer et al., J. Acoust. Soc. Am. 110(6), 3179-3192 (2001)]. The anterior-posterior stiffness asymmetric factor and the anterior-posterior shape asymmetric factor describe the asymmetry properties of vocal folds. Spatiotemporal plot, spectral analysis, anterior-posterior fundamental frequency ratio, cross covariation function, and correlation length quantitatively estimate the spatial asymmetry of vocal fold oscillations. Calculation results show that the anterior-posterior stiffness asymmetry decreases the spatial coherence of vocal fold vibration. When the stiffness asymmetry reaches a certain level, the drop in spatial coherence desynchronizes the vibration modes. The anterior and posterior sides of the vocal fold oscillate with two independent fundamental frequencies (f(a) and f(p)). The complex spectral characteristics of vocal fold vibration under biphonation conditions can be explained by the linear combination of f(a) and f(p). Empirical orthogonal eigenfunctions prove the existence of higher-order anterior-posterior modes when anterior-posterior biphonation occurs. Then, it is found that the anterior-posterior shape asymmetry also decreases the spatial coherence of vocal fold vibration, and shape asymmetry is a possible reason for anterior-posterior biphonation.     

Mechanisms of irregular vibration in a physical model of the vocal folds

Previous investigations have shown that one mechanism of irregular vocal fold vibration may be a desynchronization of two or more vibratory modes of the vocal fold tissues. In the current investigation, mechanisms of irregular vibration were further examined using a self-oscillating, physical model of vocal fold vibration, a hemi-model methodology, and high-speed, stereoscopic, digital imaging. Using the method of empirical eigen-functions, a spatiotemporal analysis revealed mechanisms of irregular vibration in subharmonic phonation and biphonation, which were not disclosed in a standard acoustic spectrum.     

Nonlinear analysis of irregular animal vocalizations

Animal vocalizations range from almost periodic vocal-fold vibration to completely atonal turbulent noise. Between these two extremes, a variety of nonlinear dynamics such as limit cycles, subharmonics, biphonation, and chaotic episodes have been recently observed. These observations imply possible functional roles of nonlinear dynamics in animal acoustic communication. Nonlinear dynamics may also provide insight into the degree to which detailed features of vocalizations are under close neural control, as opposed to more directly reflecting biomechanical properties of the vibrating vocal folds themselves. So far, nonlinear dynamical structures of animal voices have been mainly studied with spectrograms. In this study, the deterministic versus stochastic (DVS) prediction technique was used to quantify the amount of nonlinearity in three animal vocalizations: macaque screams, piglet screams, and dog barks. Results showed that in vocalizations with pronounced harmonic components (adult macaque screams, certain piglet screams, and dog barks), deterministic nonlinear prediction was clearly more powerful than stochastic linear prediction. The difference, termed low-dimensional nonlinearity measure (LNM), indicates the presence of a low-dimensional attractor. In highly irregular signals such as juvenile macaque screams, piglet screams, and some dog barks, the detectable amount of nonlinearity was comparatively small. Analyzing 120 samples of dog barks, it was further shown that the harmonic-to-noise ratio (HNR) was positively correlated with LNM. It is concluded that nonlinear analysis is primarily useful in animal vocalizations with strong harmonic components (including subharmonics and biphonation) or low-dimensional chaos.     

Laryngostroboscopic, Acoustic, and Environmental Characteristics of High-Risk Vocal Performers

Vocal performance often requires excessively high vocal demand. In particular “high-risk” performers, a group of individuals who use their voices at their maximum effort level, are often exposed to unique vocal abuse characteristics which include high environmental and performance demands and inconsistencies of cast performance. Three categories of high-risk performers were studied: musical theater, choral ensemble, and street theater. Musical theater performers produce a Broadway, West End “belting” style voice. Street theater performers use a high-energy pitch varying dialogue in order to imitate a desired character voice. Choral ensemble performance requires group cohesion and blending of four-part harmony. The melodies require sustained vocal durations within each of the respective registers. For each of these studied groups vocal tasks of sustained production of /i/ and /a/ were subjected to analysis. Acoustic measures included fundamental frequency, standard deviation of fundamental frequency, jitter percent, shimmer percent, and noise-to-harmonic ratio. Laryngostroboscopic parameters were assessed during sustained /i/. Environmental acoustic sound field measurements were made using an A weighting and linear weighting sound pressure level. These weightings were used to describe noise levels and vocal output, respectively, within the performance environments. Results of the analysis suggest that high-risk performers are a unique performance type defined by distinctive, acoustic, laryngostroboscopic, and environmental characteristics.     

The influence of subglottal acoustics on laboratory models of phonation

Many previous laboratory investigations of phonation involving physical models, excised larynges, and in vivo canine larynges have failed to fully specify the subglottal system. Many of these same studies have reported a variety of nonlinear phenomena, including bifurcations (e.g., various classes of phonation onset and offset, register changes, frequency jumps), subharmonics, and chaos, and attributed such phenomena to the biomechanical properties of the larynx. However, such nonlinear phenomena may also be indicative of strong coupling between the voice source and the subglottal tract. Consequently, in such studies, it has not been clear whether the underlying mechanisms of such nonlinear phenomena were acoustical, biomechanical, or a coupling of the acoustical and biomechanical systems. Using a physical model of vocal fold vibration, and tracheal tube lengths which have been commonly reported in the literature, it is hypothesized and subsequently shown that such nonlinear phenomena may be replicated solely on the basis of laryngeal interactions with the acoustical resonances of the subglottal system. Recommendations are given for ruling out acoustical resonances as the source of nonlinear phenomena in future laboratory studies of phonation.     

Exercise physiology principles applied to vocal performance: The improvement of postural alignment

Postural alignment is not an inherent trait. Proper alignment is acquiredthrough training postural muscle groups. This training is based on scientific principles associated with improving the physiological parameters of muscle mechanics. The purpose of this report is to describe and demonstrate the application of exercise physiology training principles to the improvement of postural alignment, which may enhance vocal performance. Specific exercise principles are explained and key concepts highlighted. Selected exercises for training postural muscles are presented to assist in establishing techniques that result in the expected adaptations. The application of training principles to postural muscles has been shown to improve postural alignment by strengthening synergistic muscles and establishing a balance between the agonistic and antagonistic activity of these muscles. Since posture has been well established as an important component of vocal performance, the application of these principles to vocal training seems to warrant the attention of vocal trainers and performers.     

Nonlinear behavior of vocal fold vibration: The role of coupling between the vocal folds

Coupling between the vocal folds is one of the nonlinear mechanisms allowing regulation and synchronization of mucosal vibration. The purpose of this study was to establish that modulations such as diplophonia and abnormalities observed in vocal signals that may be observed in some cases of laryngeal pathology can be considered as nonlinear behavior due to the persistence of some physical interaction (coupling). An experimental model using excised porcine larynx was designed to create tension asymmetry between the vocal folds and to obtain vocal signals with modulations. Signals were analyzed by spectral analysis and the phase portrait method. Results were compared with computer-generated synthetic signals corresponding to nonlinear combinations of sinusoid signals. Under these conditions, evidence of nonlinear behavior was detected in 85% of experimental signals. These findings were interpreted as a demonstration of vocal fold interaction. Based on these findings, the authors conclude that (1) coupling must be taken into account in physical models of laryngeal physiology, and that (2) methods of nonlinear dynamics may be used for objective voice analysis.     

Pulse register phonation in Diana monkey alarm calls

The adult male Diana monkeys (Cercopithecus diana) produce predator-specific alarm calls in response to two of their predators, the crowned eagles and the leopards. The acoustic structure of these alarm calls is remarkable for a number of theoretical and empirical reasons. First, although pulsed phonation has been described in a variety of mammalian vocalizations, very little is known about the underlying production mechanism. Second, Diana monkey alarm calls are based almost exclusively on this vocal production mechanism to an extent that has never been documented in mammalian vocal behavior. Finally, the Diana monkeys' pulsed phonation strongly resembles the pulse register in human speech, where fundamental frequency is mainly controlled by subglottal pressure. Here, we report the results of a detailed acoustic analysis to investigate the production mechanism of Diana monkey alarm calls. Within calls, we found a positive correlation between the fundamental frequency and the pulse amplitude, suggesting that both humans and monkeys control fundamental frequency by subglottal pressure. While in humans pulsed phonation is usually considered pathological or artificial, male Diana monkeys rely exclusively on pulsed phonation, suggesting a functional adaptation. Moreover, we were unable to document any nonlinear phenomena, despite the fact that they occur frequently in the vocal repertoire of humans and nonhumans, further suggesting that the very robust Diana monkey pulse production mechanism has evolved for a particular functional purpose. We discuss the implications of these findings for the structural evolution of Diana monkey alarm calls and suggest that the restricted variability in fundamental frequency and robustness of the source signal gave rise to the formant patterns observed in Diana monkey alarm calls, used to convey predator information.     

Investigating acoustic correlates of human vocal fold vibratory phase asymmetry through modeling and laryngeal high-speed videoendoscopy

Vocal fold vibratory asymmetry is often associated with inefficient sound production through its impact on source spectral tilt. This association is investigated in both a computational voice production model and a group of 47 human subjects. The model provides indirect control over the degree of left-right phase asymmetry within a nonlinear source-filter framework, and high-speed videoendoscopy provides in vivo measures of vocal fold vibratory asymmetry. Source spectral tilt measures are estimated from the inverse-filtered spectrum of the simulated and recorded radiated acoustic pressure. As expected, model simulations indicate that increasing left-right phase asymmetry induces steeper spectral tilt. Subject data, however, reveal that none of the vibratory asymmetry measures correlates with spectral tilt measures. Probing further into physiological correlates of spectral tilt that might be affected by asymmetry, the glottal area waveform is parameterized to obtain measures of the open phase (open/plateau quotient) and closing phase (speed/closing quotient). Subjects' left-right phase asymmetry exhibits low, but statistically significant, correlations with speed quotient (r=0.45) and closing quotient (r=-0.39). Results call for future studies into the effect of asymmetric vocal fold vibration on glottal airflow and the associated impact on voice source spectral properties and vocal efficiency.     

Bifurcations and chaos in register transitions of excised larynx experiments

Experimental data from an excised larynx are analyzed in the light of nonlinear dynamics. The excised larynx provides an experimental framework that enables artificial control and direct observation of the vocal fold vibrations. Of particular interest in this experiment is the coexistence of two distinct vibration patterns, which closely resemble chest and falsetto registers of the human voice. Abrupt transitions between the two registers are typically accompanied by irregular vibrations. Two approaches are presented for the modeling of the excised larynx experiment; one is the nonlinear predictive modeling of the experimental time series and the other is the biomechanical modeling (three-mass model) that takes into account basic mechanisms of the vocal fold vibrations. The two approaches show that the chest and falsetto vibrations correspond to two coexisting limit cycles, which jump to each other with a change in the bifurcation parameter. Irregular vibrations observed at the register jumps are due to chaos that exists near the two limit cycles. This provides an alternative mechanism to generate chaotic vibrations in excised larynx experiment, which is different from the conventionally known mechanisms such as strong asymmetry between the left and right vocal folds or excessively high subglottal pressure.     

奇妙的空间光孤子

空间光孤子是当今非线性光学前沿的热点之一,在介绍稳态光孤子的形成机理之后,文章重点评述了空间光孤子奇特的相互作用行为以及它们在光控制光诸方面的应用前景。此外,文章还介绍了非相干光空间光孤子方面的最新动态。     

Nonlinear acoustics in the pant hoots of common chimpanzees (Pan troglodytes): vocalizing at the edge

Common chimpanzee (Pan troglodytes) "pant hoots" are multi-call events that build from quiet, consistently harmonic introductory sounds to loud, screamlike "climax" calls with acoustic irregularities known as "nonlinear phenomena" (NLP). Two possible functions of NLP in climax calls are to increase direct auditory impact on listeners and to signal physical condition. These possibilities were addressed by comparing climax calls from 12 wild chimpanzee males with "screams" and pant hoot "introduction" calls from the same individuals. Climax calls that included NLP were found to have higher fundamental frequencies (F0s) than introduction or climax calls that were purely harmonic. NLP onsets within climax calls were also specifically associated with local F0 maxima, suggesting vocalizers are vibrating their vocal folds at the upper limits of stability. Furthermore, climax calls showed far fewer NLP than did screams recorded from the same individuals, while showing equivalent or higher F0 values. Overall, the results are consistent with the hypothesis that the relative prevalence of NLP is a signal of physical condition, with callers "vocalizing at the edge" of regular, stable production while producing few NLP. The results are discussed in light of the initial hypotheses.     

The relationship between acoustic structure and semantic information in Diana monkey alarm vocalization

Mammalian vocal production mechanisms are still poorly understood despite their significance for theories of human speech evolution. Particularly, it is still unclear to what degree mammals are capable of actively controlling vocal-tract filtering, a defining feature of human speech production. To address this issue, a detailed acoustic analysis on the alarm vocalization of free-ranging Diana monkeys was conducted. These vocalizations are especially interesting because they convey semantic information about two of the monkeys' natural predators, the leopard and the crowned eagle. Here, vocal tract and sound source parameter in Diana monkey alarm vocalizations are described. It is found that a vocalization-initial formant downward transition distinguishes most reliably between eagle and leopard alarm vocalization. This finding is discussed as an indication of articulation and alternatively as the result of a strong nasalization effect. It is suggested that the formant modulation is the result of active vocal filtering used by the monkeys to encode semantic information, an ability previously thought to be restricted to human speech.     

Towards the Automatic Study of the Vocal Tract From Magnetic Resonance Images

Over the last few decades, researchers have been investigating the mechanisms involved in speech production. Image analysis can be a valuable aid in the understanding of the morphology of the vocal tract. The application of magnetic resonance imaging to study these mechanisms has been proven to be reliable and safe. We have applied deformable models in magnetic resonance images to conduct an automatic study of the vocal tract; mainly, to evaluate the shape of the vocal tract in the articulation of some European Portuguese sounds, and then to successfully automatically segment the vocal tract's shape in new images. Thus, a point distribution model has been built from a set of magnetic resonance images acquired during artificially sustained articulations of 21 sounds, which successfully extracts the main characteristics of the movements of the vocal tract. The combination of that statistical shape model with the gray levels of its points is subsequently used to build active shape models and active appearance models. Those models have then been used to segment the modeled vocal tract into new images in a successful and automatic manner. The computational models have thus been revealed to be useful for the specific area of speech simulation and rehabilitation, namely to simulate and recognize the compensatory movements of the articulators during speech production.     

Laryngeal movements in saxophone playing: Video-endoscopic investigations with saxophone players: A pilot study

In a pilot study, motions of the larynx and hypopharynx and diaphragm during saxophone playing of two wind instrumentalists were documented by fiberoptic video-endoscopy and fluoroscopy. Velopharyngeal closure is sufficient, even under conditions of flexible transnasal laryngoscopy. During blowing to play the saxophone the larynx is kept in a constant low position, equivalent to that in singing. The laryngeal vestibule is slightly narrowed. After abduction in inspiration, vocal folds are partly adducted during the entire duration of the tone produced. Piano-forte-glissando maneuvers are performed with vocal folds in the paramedian position. The larynx seems to participate actively in saxophone playing by regulating the airflow. We also performed fluoroscopy of diaphragm movements. The overlapping competencies of woodwind playing and singing are discussed with regard to breathing technique of students and performers.     

Aerodynamic Analysis of Male-to-Female Transgender Voice

The attainment of a feminine-sounding voice is a highly desirable goal among male-to-female transgender (MFT) persons, but this goal may be difficult for many to accomplish. The characteristics associated with a feminine vocal quality include increases in fundamental frequency and in vocal breathiness. In this study, we used inverse-filtering of the airflow signal to indirectly assess vocal fold function in 13 MFT persons. Each participant was asked to sustain the vowel /a/ first in her biological male voice and then again in her female voice. In addition, these vowel productions were compared with vowels produced by age-matched biologic women and men. The results of the study revealed a significant increase in maximum flow declination rate during female voice production. Perceptual ratings of a feminine voice were associated with a fundamental frequency (F0) of 180 Hz or greater, although F0 did not differ significantly between male and female voice production. These results are discussed relative to the mechanisms that obtained a feminine-sounding voice.