Perception of amplitude modulation by hearing-impaired listeners: the audibility of component modulation and detection of phase change in three-component modulators

Two experiments were conducted to assess whether hearing-impaired listeners have a reduced ability to process suprathreshold complex patterns of modulation applied to a 4-kHz sinusoidal carrier. Experiment 1 examined the ability to "hear out" the modulation frequency of the central component of a three-component modulator, using the method described by Sek and Moore [J. Acoust. Soc. Am. 113, 2801-2811 (2003)]. Scores were around 70-80% correct when the components in the three-component modulator were widely spaced and when the frequencies of the target and comparison different sufficiently, but decreased when the components in the modulator were closely spaced. Experiment 2 examined the ability to hear a change in the relative phase of the components in a three-component modulator with harmonically spaced components. The frequency of the central component, f, was either 50 or 100 Hz. Scores were about 70% correct when the component spacing was < or = 0.5fc, but decreased markedly for greater spacings. Performance was only slightly impaired by randomizing the overall modulation depth from one stimulus to the next. For both experiments, performance was only slightly worse than for normally hearing listeners, indicating that cochlear hearing loss does not markedly affect the ability to process suprathreshold complex patterns of modulation.     

Integration of auditory and vibrotactile stimuli: effects of frequency

Perceptual integration of vibrotactile and auditory sinusoidal tone pulses was studied in detection experiments as a function of stimulation frequency. Vibrotactile stimuli were delivered through a single channel vibrator to the left middle fingertip. Auditory stimuli were presented diotically through headphones in a background of 50 dB sound pressure level broadband noise. Detection performance for combined auditory-tactile presentations was measured using stimulus levels that yielded 63% to 77% correct unimodal performance. In Experiment 1, the vibrotactile stimulus was 250 Hz and the auditory stimulus varied between 125 and 2000 Hz. In Experiment 2, the auditory stimulus was 250 Hz and the tactile stimulus varied between 50 and 400 Hz. In Experiment 3, the auditory and tactile stimuli were always equal in frequency and ranged from 50 to 400 Hz. The highest rates of detection for the combined-modality stimulus were obtained when stimulating frequencies in the two modalities were equal or closely spaced (and within the Pacinian range). Combined-modality detection for closely spaced frequencies was generally consistent with an algebraic sum model of perceptual integration; wider-frequency spacings were generally better fit by a Pythagorean sum model. Thus, perceptual integration of auditory and tactile stimuli at near-threshold levels appears to depend both on absolute frequency and relative frequency of stimulation within each modality.     

Discriminating between coherent and incoherent frequency modulation of complex tones

A series of experiments measured the discrimination by human listeners of frequency-modulated complex tones which differed only in the coherence of frequency modulation (FM). For the coherently modulated tones all components were modulated by the same 5-Hz sinusoid, and by the same percentage of their starting frequencies, whereas for the incoherently modulated tones the modulation of one (target) component differed from that of the rest. When the 400-ms complex was composed of consecutive harmonics of a common fundamental, performance improved monotonically with increases in modulator delay, and was nearly perfect at the longest delays. When the complex was inharmonic, performance was near chance at all modular delays, both for component frequencies between 1500 and 2500 Hz, and for component frequencies between 400 and 800 Hz. It is argued that listeners detected incoherence in harmonic complexes by detecting the resulting mistuning of the target component. This conclusion was supported by the finding that listeners were usually at least as good at detecting a fixed mistuning of the center component of a harmonic complex as they were at detecting a modulator phase delay imposed on it. A final experiment, with a stimulus duration of 1 s and slower modulation rates, showed that listeners could detect incoherence for some inharmonic complexes. However, detection was worse than for harmonic complexes and was, it is argued, based on weak harmonicity cues. The results of all experiments point to the absence of an across-frequency mechanism specific to the detection of FM incoherence.     

Modulation gap detection: effects of modulation rate, carrier separation, and mode of presentation.

Modulation gap detection (MGD) is a procedure that measures the sensitivity to an interruption in the modulation pattern imposed upon one or more carrier frequencies. The MGD task was developed to test conditions where a temporal event traverses frequency, but without a concomitant interruption in the spectral continuity of the stimulus. This contrasts with across-frequency gap detection where there is an inherent spectral discontinuity associated with the temporal gap, and where there is a marked decline in performance when the markers of the temporal gap are widely separated in frequency. The purpose of this study was to test the hypothesis that a wideband temporal analysis will be facilitated if there exists a spectral continuity throughout the temporal event. Experiment 1 established the procedure of MGD and indicated that a modulation rate of 8 Hz was optimal for the task. Experiment 2 showed that performance declined markedly when the carrier frequencies of the modulation markers were widely separated in frequency. This finding indicates that spectral continuity across the temporal event is not a sufficient prerequisite for the auditory system to undertake a wideband temporal analysis. Experiment 3 revealed that dichotic MGD also results in poor performance, similar to that seen for widely separated carrier frequencies in the monaural case. This supports the hypothesis that the "channels" across which temporal events are poorly processed do not necessarily correspond to peripheral frequency channels.     

Mechanisms of modulation gap detection

It has been postulated that the central auditory system contains an array of modulation filters, each responsive to a different range of modulation frequencies present at the outputs of the (peripheral) auditory filters. In the present experiments, we tested what we call the "dip hypothesis," that a gap in modulation is detected using the "dip" in the output of the modulation filter tuned to the modulator frequency. In experiment 1, the task was to detect a gap in the sinusoidal amplitude modulation imposed on a 4-kHz carrier. The modulator preceding the gap ended with a positive-going zero-crossing. There were three conditions, differing in the phase at which the modulator started at the end of the gap; zero-phase, at a positive-going zero-crossing; pi-phase, at a negative-going zero-crossing; and "preserved" phase, at the phase the modulator would have had if it had continued without interruption. Modulation frequencies were 5, 10, 20, and 40 Hz. Psychometric functions for detection of the gap were measured using a two-alternative forced-choice task. For the zero-phase and preserved-phase conditions, the detectability index, d', increased monotonically with increasing gap duration. For the pi-phase condition, performance was good (d' > 1) for small gap durations, and initially worsened with increasing gap duration, before improving again for longer gap durations. This is the pattern of results expected from the dip hypothesis, provided that the modulation filters have Q values of 2 or more. However, it is also possible that a rhythm cue was used to improve performance in the pi-phase condition for short gap durations; the introduction of the gap markedly disrupted the regular rhythm produced by the modulator peaks. In experiment 2, the rhythm cue was disrupted by varying the modulator period randomly around its nominal value, except for the modulator periods immediately before and after the gap. This markedly impaired performance, and resulted in psychometric functions that were very similar for the zero-phase and pi-phase conditions. This pattern of results is inconsistent with the dip hypothesis. For both experiments, modulation gap "thresholds" (d' approximately 1) were roughly constant when expressed as a proportion of the modulator period. Possible mechanisms of modulation gap detection are discussed and evaluated.     

Segregation of concurrent sounds. II: Effects of spectral envelope tracing, frequency modulation coherence, and frequency modulation width

The research presented here concerns the simultaneous grouping of the components of a vocal sound source. McAdams [J. Acoust. Soc. Am. 86, 2148-2159 (1989)] found that when three simultaneous vowels at different pitches were presented with subaudio frequency modulation, subjects judged them as being more prominent than when no vibrato was present. In a normal voice, when the harmonics of a vowel undergo frequency modulation they also undergo an amplitude modulation that traces the spectral envelope. Hypothetically, this spectral tracing could be one of the criteria used by the ear to group components of each vowel, which may help explain the lack of effect of frequency modulation coherence among different vowels in the previous study. In this experiment, two types of vowel synthesis were used in which the component amplitudes of each vowel either remained constant with frequency modulation or traced the spectral envelope. The stimuli for the experiment were chords of three different vowels at pitch intervals of five semitones (ratio 1.33). All the vowels of a given stimulus were produced by the same synthesis method. The subjects' task involved rating the prominence of each vowel in the stimulus. It was assumed that subjects would judge this prominence to be lower when they were not able to distinguish the vowel from the background sound. Also included as stimulus parameters were the different permutations of the three vowels at three pitches and a number of modulation conditions in which vowels were unmodulated, modulated alone, and modulated either coherently with, or independently of, the other vowels. Spectral tracing did not result in increased ratings of vowel prominence compared to stimuli where no spectral tracing was present. It would therefore seem that it has no effect on grouping components of sound sources. Modulated vowels received higher prominence ratings than unmodulated vowels. Vowels modulated alone were judged to be more prominent than vowels modulated with other vowels. There was, however, no significant difference between coherent and independent modulation of the three vowels. Differences among modulation conditions were more marked when the modulation width was 6% than when it was 3%.     

Multicomponent stimulus interactions observed in basilar-membrane vibration in the basal region of the chinchilla cochlea.

Multicomponent stimuli consisting of two to seven tones were used to study suppression of basilar-membrane vibration at the 3-4-mm region of the chinchilla cochlea with a characteristic frequency between 6.5 and 8.5 kHz. Three-component stimuli were amplitude-modulated sinusoids (AM) with modulation depth varied between 0.25 and 2 and modulation frequency varied between 100 and 2000 Hz. For five-component stimuli of equal amplitude, frequency separation between adjacent components was the same as that used for AM stimuli. An additional manipulation was to position either the first, third, or fifth component at the characteristic frequency (CF). This allowed the study of the basilar-membrane response to off-CF stimuli. CF suppression was as high as 35 dB for two-tone combinations, while for equal-amplitude stimulus components CF suppression never exceeded 20 dB. This latter case occurred for both two-tone stimuli where the suppressor was below CF and for multitone stimuli with the third component=CF. Suppression was least for the AM stimuli, including when the three AM components were equal. Maximum suppression was both level- and frequency dependent, and occurred for component frequency separations of 500 to 600 Hz. Suppression decreased for multicomponent stimuli with component frequency spacing greater than 600 Hz. Mutual suppression occurred whenever stimulus components were within the compressive region of the basilar membrane.     

Bottlenose dolphin (Tursiops truncatus) steady-state evoked responses to multiple simultaneous sinusoidal amplitude modulated tones

Auditory steady-state evoked potentials were measured in a bottlenose dolphin (Tursiops truncatus) in response to single and multiple sinusoidal amplitude modulated (SAM) tones. Tests were conducted in air using a "jawphone" sound projector. Evoked potentials were recorded noninvasively using surface electrodes embedded in suction cups. Sound stimuli consisted of SAM tones with 1, 2, 3, or 4 carrier frequencies (10, 20, 30, 40 kHz), each with a unique modulation frequency. Stimulus sound pressure levels were varied in 5-dB steps from approximately 120 to 60-75 dB re 1 microPa, depending on frequency. Evoked potentials followed the temporal envelope of each stimulus, resulting in spectral components at each unique modulation frequency. Spectral analysis was used to evaluate the response amplitude for each carrier as a function of stimulus level. There were no significant differences between thresholds obtained with single and multiple stimuli at 10, 30, and 40 kHz. At 20 kHz, thresholds obtained with three components were higher than those obtained with four components, possibly revealing interactions between stimuli with less than one octave frequency separation. The use of multiple SAM stimuli may offer substantial advantages for studies of marine mammal hearing, where testing time and access to subjects are typically limited.     

Neuronal responses to amplitude-modulated and pure-tone stimuli in the guinea pig inferior colliculus, and their modification by broadband noise

Neuronal responses were recorded to pure and to sinusoidally amplitude-modulated (AM) tones at the characteristic frequency (CF) in the central nucleus of the inferior colliculus of anesthetized guinea pigs. Temporal (synchronized) and mean-rate measures were derived from period histograms locked to the stimulus modulation waveform to characterize the modulation response. For stimuli presented in quiet, the modulation gain at low frequencies of modulation (approx less than 50 Hz) was inversely proportional to the neuron's mean firing rate in response to both the modulated stimulus and to a pure tone at an equivalent level. In 43% of units the mean discharge rates in response to the AM stimuli were greatest for those modulation frequencies that generated the largest temporal responses. These discharge-rate maxima occurred at signal intensities corresponding to the steeply sloping part of the neuron's pure-tone rate-intensity function (RIF). The change in mean-rate response to modulated stimuli, as a function of intensity, was qualitatively similar to the pure-tone RIF. Adding broadband noise to the modulated stimulus increased the neuron's temporal response to low modulation frequencies. This increase in modulation gain was correlated with mean firing rate in response to the modulation but did not bear a simple relationship to the noise-induced shift in the RIF measured for a pure tone.     

Detection of modulation in spectral envelopes and linear-rippled noises by budgerigars (Melopsittacus undulatus)

Budgerigars were trained to discriminate complex sounds with two different types of spectral profiles from flat-spectrum, wideband noise. In one case, complex sounds with a sinusoidal ripple in (log) amplitude across (log) frequency bandwidth were generated by combining 201 logarithmically spaced tones covering the frequency region from 500 Hz to 10 kHz. A second type of rippled stimulus was generated by delaying broadband noise and adding it to the original noise in an iterative fashion. In each case, thresholds for modulation depth (i.e., peak-to-valley in dB) were measured at several different ripple frequencies (i.e., cycles/octave for logarithmic profiles) or different repetition pitches (i.e., delay for ripple noises). Budgerigars were similar to humans in detecting ripple at low spatial frequencies, but were considerably more sensitive than humans in detecting ripples in log ripple spectra at high spatial frequencies. Budgerigars were also similar to humans in detecting linear ripple in broadband noise over a wide range of repetition pitches. Taken together, these data show that the avian auditory system is at least as good, if not better, than the human auditory system at detecting spectral ripples in noise despite gross anatomical differences in both the peripheral and central auditory nervous systems.     

Selectivity of modulation interference for consonant identification in normal-hearing listeners

The present study sought to establish whether speech recognition can be disrupted by the presence of amplitude modulation (AM) at a remote spectral region, and whether that disruption depends upon the rate of AM. The goal was to determine whether this paradigm could be used to examine which modulation frequencies in the speech envelope are most important for speech recognition. Consonant identification for a band of speech located in either the low- or high-frequency region was measured in the presence of a band of noise located in the opposite frequency region. The noise was either unmodulated or amplitude modulated by a sinusoid, a band of noise with a fixed absolute bandwidth, or a band of noise with a fixed relative bandwidth. The frequency of the modulator was 4, 16, 32, or 64 Hz. Small amounts of modulation interference were observed for all modulator types, irrespective of the location of the speech band. More important, the interference depended on modulation frequency, clearly supporting the existence of selectivity of modulation interference with speech stimuli. Overall, the results suggest a primary role of envelope fluctuations around 4 and 16 Hz without excluding the possibility of a contribution by faster rates.     

Frequency-octupled phase-coded signal generation based on carrier-suppressed high-order double sideband modulation

An approach for photonic generation of a frequency-octupled phase-coded signal based on carrier-suppressed high-order double sideband modulation is proposed and experimentally demonstrated. The key component of the scheme is an integrated dual-polarization quadrature phase shift keying modulator, which is used to achieve the carrier-suppressed high-order double sideband modulation. At the output of the modulator, two fourth-order optical sidebands are generated with the optical carrier suppressed. After that, a Sagnac loop incorporating a fiber Bragg grating and a phase modulator is employed to separate the two optical sidebands and phase modulate one sideband with a binary coding signal. The approach features large carrier frequency tuning range for the generated phase-coded signal from several megahertz to beyond the W-band. A proof-of-concept experiment is carried out. The 2 Gbit/s phase-coded signals with frequencies of 16.48, 21.92, and 29.76 GHz are generated.     

Critical modulation frequency based on detection of AM versus FM tones

The ratios between the modulation index (eta) for just noticeable FM of a sinusoidally modulated pure tone and the degree of modulation (m) for just noticeable AM at the same carrier and the same modulation frequency were measured at carrier frequencies of 0.125, 0.25, 0.5, 1, 2, 4, and 8 kHz. Signal levels were 20 dB SL and 50 dB SPL or 80 dB SPL. At low modulation frequencies, for example, 8 Hz, AM and FM elicit very different auditory sensations (i.e., a fluctuation in loudness or pitch, respectively). In this case, eta and m show different values for just noticeable modulation. Since both stimuli have almost equal amplitude spectra if eta equals m (m less than 0.3), the difference in detection thresholds reflects differences in the phase relation between carrier and sidebands in AM and FM. With increasing modulation frequency, the eta-m ratio decreases and reaches unity at a modulation frequency called the "critical modulation frequency" (CMF). At modulation frequencies above the CMF, the same modulation thresholds are obtained for AM and FM. Therefore, it can be concluded that the difference in phase between the two types of stimuli is not perceived in this range. At center frequencies below 1 kHz, where phase errors caused by headphones and ear canal presumably are small, the CMF is useful in estimating critical bandwidth.     

On the mechanisms involved in the recovery of envelope information from temporal fine structure

Three experiments were designed to provide psychophysical evidence for the existence of envelope information in the temporal fine structure (TFS) of stimuli that were originally amplitude modulated (AM). The original stimuli typically consisted of the sum of a sinusoidally AM tone and two unmodulated tones so that the envelope and TFS could be determined a priori. Experiment 1 showed that normal-hearing listeners not only perceive AM when presented with the Hilbert fine structure alone but AM detection thresholds are lower than those observed when presenting the original stimuli. Based on our analysis, envelope recovery resulted from the failure of the decomposition process to remove the spectral components related to the original envelope from the TFS and the introduction of spectral components related to the original envelope, suggesting that frequency- to amplitude-modulation conversion is not necessary to recover envelope information from TFS. Experiment 2 suggested that these spectral components interact in such a way that envelope fluctuations are minimized in the broadband TFS. Experiment 3 demonstrated that the modulation depth at the original carrier frequency is only slightly reduced compared to the depth of the original modulator. It also indicated that envelope recovery is not specific to the Hilbert decomposition.     

Effect of modulator asynchrony of sinusoidal and noise modulators on frequency and amplitude modulation detection interference

The effect on modulation detection interference (MDI) of timing of gating of the modulation of target and interferer, with synchronously gated carriers, was investigated in three experiments. In a two-interval, two-alternative forced choice adaptive procedure, listeners had to detect 15 Hz sinusoidal amplitude modulation (AM) or frequency modulation (FM) imposed for 200 ms in the temporal center of a 600 ms target sinusoidal carrier. In the first experiment, 15 Hz sinusoidal FM was imposed in phase on both target and interferer carriers. Thresholds were lower for nonoverlapping than for synchronous modulation of target and interferer, but MDI still occurred for the former. Thresholds were significantly higher when the modulators were gated synchronously than when the interferer modulator was gated on before and off after that of the target. This contrasts with the findings of Oxenham and Dau [J. Acoust. Soc. Am. 110, 402-408 (2001)], who reported no effect of modulation asynchrony on AM detection thresholds, using a narrowband noise modulator. Using FM, experiment 2 showed that for temporally overlapping modulation of target and interferer, modulator asynchrony had no significant effect when the interferer was modulated by a narrowband noise. Experiment 3 showed that, for AM, synchronous gating of modulation of the target and interferer produced lower thresholds than asynchronous gating, especially for sinusoidal modulation of the interferer. Results are discussed in terms of specific cues available for periodic modulation, and differences between perceptual grouping on the basis of common AM and FM.     

The influence of temporal cues on the strength of periodicity pitches

Three different waveforms were generated from the same component frequencies by setting the phase of the components so they were either homophasic (all component sinusoids start at 0 degree), diphasic (sinusoids alternate between -45 degrees and + 45 degrees), or heterophasic (starting phase randomly selected). Listeners were asked to rate the saliency of all periodicity pitches they could detect in stimuli which contained 12 or more components at frequencies above the region where pitches were perceived . A major finding was that the highest ratings of fundamental frequency (f1) pitch "strength" were always obtained for homophasic waveforms, which among the test stimuli have the most abrupt envelope fluctuations. In contrast, diphasic and heterophasic waveforms, which have smoother envelopes, yielded lower pitch strength estimates at f1 and higher ratings two octaves above the fundamental. These data indicate that information concerning the stimulus waveform envelope influences the relative prominence of competing pitches evoked by periodicity pitch stimuli. However, no one-to-one correspondence between pitch and waveform periodicity is apparent.     

Effects of level and frequency on the audibility of partials in inharmonic complex tones

The effect of level and frequency on the audibility of partials was measured for complex tones with partials uniformly spaced on an equivalent rectangular bandwidth (ERB(N)) number scale. On each trial, subjects heard a sinusoidal "probe" followed by a complex tone. The probe was mistuned downwards or upwards (at random) by 4.5% from the frequency of one randomly selected partial in the complex. The subject indicated whether the probe was higher or lower in frequency than the nearest partial in the complex. The frequencies were roved from trial to trial, keeping frequency ratios fixed. In experiment 1, the level per partial, L, was 40 or 70 dB SPL and the mean frequency of the central partial, f(c), was 1201 Hz. Scores for the highest and lowest partials in the complexes were generally high for all spacings. Scores for the inner partials were close to chance at 0.75-ERB(N) spacing, and improved as the spacing was increased up to 2 ERB(N). For intermediate spacings, performance was better for the lower level used. In experiment 2, L was 70 dB SPL and f(c) was 3544 Hz. Performance worsened markedly for partial frequencies above 3544 Hz, consistent with a role of phase locking.     

The effect of hearing loss on the resolution of partials and fundamental frequency discrimination

The relationship between the ability to hear out partials in complex tones, discrimination of the fundamental frequency (F0) of complex tones, and frequency selectivity was examined for subjects with mild-to-moderate cochlear hearing loss. The ability to hear out partials was measured using a two-interval task. Each interval included a sinusoid followed by a complex tone; one complex contained a partial with the same frequency as the sinusoid, whereas in the other complex that partial was missing. Subjects had to indicate the interval in which the partial was present in the complex. The components in the complex were uniformly spaced on the ERB(N)-number scale. Performance was generally good for the two "edge" partials, but poorer for the inner partials. Performance for the latter improved with increasing spacing. F0 discrimination was measured for a bandpass-filtered complex tone containing low harmonics. The equivalent rectangular bandwidth (ERB) of the auditory filter was estimated using the notched-noise method for center frequencies of 0.5, 1, and 2 kHz. Significant correlations were found between the ability to hear out inner partials, F0 discrimination, and the ERB. The results support the idea that F0 discrimination of tones with low harmonics depends on the ability to resolve the harmonics.     

Some effects of auditory grouping factors on modulation detection interference (MDI).

The ability to detect the existence of amplitude modulation at a target frequency is reduced when amplitude modulation exists at a flanking frequency. This effect has been termed modulation detection interference (MDI) [Yost and Sheft, J. Acoust. Soc. Am. 85, 848-857 (1989)]. One explanation for MDI holds that the masking and target frequencies are grouped together by the auditory system such that it is difficult to analyze the modulation at each frequency separately. The present study investigated conditions where the asynchrony of temporal gating of the target and flanking frequencies was manipulated in order to make the frequencies more or less likely to be grouped together by the auditory system and perceived as originating from a single putative source. A second experimental manipulation attempted to perceptually segregate the masking and target frequencies on the basis of harmonicity or spectral proximity. The results of the experiments indicated that manipulations that were intended to enhance the segregation of the masking and target frequencies reduced the magnitude of MDI effects. This generally supported an interpretation that MDI is related in some way to auditory grouping. A final experiment was performed in which the subject had to detect the presence of amplitude modulation, but also had to identify which of two frequency components carried the modulation. Subjects were often poor in discriminating which of two frequencies was amplitude modulated, even when the modulation itself was clearly audible. It was concluded that part of the MDI effect might be due to the poor ability of the auditory system to associate modulation with the carrier of the modulation.(ABSTRACT TRUNCATED AT 250 WORDS)     

Coding of spectral fine structure in the auditory nerve. I. Fourier analysis of period and interspike interval histograms

The temporal fine structure of discharge patterns of single auditory-nerve fibers in adult cats was analyzed in response to signals consisting of a variable number of equal-intensity, in-phase harmonics of a common low-frequency fundamental. Two analytic methods were employed. The first method considered Fourier spectra of period histograms based on the period of the fundamental, and the second method considered Fourier spectra of interspike interval histograms (ISIH's). Both analyses provide information about fiber tuning properties, but Fourier spectra of ISIH's also allow estimates to be made of the degree of resolution of individual stimulus components. At low intensities (within 20-40 dB of threshold), indices of synchronization to individual components of complex tones were similar to those obtained for pure tones. This was true even when fibers were capable of responding to several signal components simultaneously. Response spectra obtained at low intensities resembled fibers' tuning curves, and fibers with low spontaneous discharge rates tended to provide better resolution of stimulus components than fibers with high spontaneous rates. Strongly nonlinear behavior existed at higher stimulus intensities. In this, information was transmitted about progressively fewer signal components and about frequencies not present in the acoustic stimulus, and the component eliciting the largest response shifted away from the fiber's characteristic frequency and toward the edges of the stimulus spectrum. This high-intensity "edge enhancement" can result from the combined effects of a compressive input-output nonlinearity, suppression, and the fortuitous addition of internally generated combination tones. The data indicate that sufficient information exists for the auditory system to determine the frequencies of narrowly spaced stimulus components from the temporal fine structure of nerve fiber's responses.