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1.
There are many things which can be made more useful and interesting through the application of creativity. Self-concept in mathematics and some school environmental factors such as resource adequacy, teachers’ support to the students, teachers’ classroom control, creative stimulation by the teachers, etc. were selected in the study. The sample of the study comprised 770 seventh grade students. Pearson correlation, multiple correlation, regression equation and multiple discriminant function analyses of variance were used to analyse the data. The result of the study showed that the relationship between mathematical creativity and each attitudinal and environmental characteristic was found to be positive and significant. Index of forecasting efficiency reveals that mathematical creativity may be best predicted by self-concept in mathematics. Environmental factors, resource adequacy and creative stimulation by the teachers’ are found to be the most important factors for predicting mathematical creativity, while social–intellectual involvement among students and educational administration of the schools are to be suppressive factors. The multiple correlation between mathematical creativity and attitudinal and school environmental characteristic suggests that the combined contribution of these variables plays a significant role in the development of mathematical creativity. Mahalanobis analysis indicates that self-concept in mathematics and total school environment were found to be contributing significantly to the development of mathematical creativity.  相似文献   

2.
Peter Liljedahl 《ZDM》2013,45(2):253-265
What is the nature of illumination in mathematics? That is, what is it that sets illumination apart from other mathematical experiences? In this article the answer to this question is pursued through a qualitative study that seeks to compare and contrast the AHA! experiences of preservice teachers with those of prominent research mathematicians. Using a methodology of analytic induction in conjunction with historical and contemporary theories of discovery, creativity, and invention along with theories of affect the anecdotal reflections of participants from these two populations are analysed. Results indicate that, although manifested differently in the two populations, what sets illumination apart from other mathematical experiences are the affective aspects of the experience.  相似文献   

3.
Katrina Piatek-Jimenez 《ZDM》2008,40(4):633-646
Though women earn nearly half of the mathematics baccalaureate degrees in the United States, they make up a much smaller percentage of those pursuing advanced degrees in mathematics and those entering mathematics-related careers. Through semi-structured interviews, this study took a qualitative look at the beliefs held by five undergraduate women mathematics students about themselves and about mathematicians. The findings of this study suggest that these women held stereotypical beliefs about mathematicians, describing them to be exceptionally intelligent, obsessed with mathematics, and socially inept. Furthermore, each of these women held the firm belief that they do not exhibit at least one of these traits, the first one being unattainable and the latter two being undesirable. The results of this study suggest that although many women are earning undergraduate degrees in mathematics, their beliefs about mathematicians may be preventing them from identifying as one and choosing to pursue mathematical careers.  相似文献   

4.
In this article, I report on a study of the nature of collective creativity in mathematics learning settings. Based on an extensive review of the literature on creativity, the study was initially framed by a number of themes to encompass a variety of visions of creativity. These themes were used in the analysis of data collected in a Grade 6 mathematics learning environment. The themes were then refined and (re)developed to distill four creative acts to describe the experience of creativity with(in) the collective. These collective creative acts are: summing forces, expanding possibilities, divergent thinking, and assembling things in new ways. Here, I present the findings of the study, then, I speculate on some of the logical implications of the four collective creative acts for teaching and learning.  相似文献   

5.
6.
Erkki Pehkonen 《ZDM》1997,29(3):63-67
Creativity is a topic which is often neglected within mathematics teaching. Usually teachers think that it is logic that is needed in mathematics in the first place, and that creativity is not important and learning mathematics. On the other hand, if we consider a mathematician who develops new results in mathematics. we cannot overlook his/her use of the creative potential. Thus, the main questions are as follows: What methods could be used to foster mathematical creativity within school situations? What scientific knowledge, i.e. research results, do we have on the meaning of mathematical creativity?  相似文献   

7.
Two separate studies, Jonsson et al. (J. Math Behav. 2014;36: 20–32) and Karlsson Wirebring et al. (Trends Neurosci Educ. 2015;4(1–2):6–14), showed that learning mathematics using creative mathematical reasoning and constructing their own solution methods can be more efficient than if students use algorithmic reasoning and are given the solution procedures. It was argued that effortful struggle was the key that explained this difference. It was also argued that the results could not be explained by the effects of transfer-appropriate processing, although this was not empirically investigated. This study evaluated the hypotheses of transfer-appropriate processing and effortful struggle in relation to the specific characteristics associated with algorithmic reasoning task and creative mathematical reasoning task. In a between-subjects design, upper-secondary students were matched according to their working memory capacity.

The main finding was that the superior performance associated with practicing creative mathematical reasoning was mainly supported by effortful struggle, however, there was also an effect of transfer-appropriate processing. It is argued that students need to struggle with important mathematics that in turn facilitates the construction of knowledge. It is further argued that the way we construct mathematical tasks have consequences for how much effort students allocate to their task-solving attempt.  相似文献   

8.
This study aims to investigate whether there is a relationship between mathematical ability and mathematical creativity, and to examine the structure of this relationship. Furthermore, in order to validate the relationship between the two constructs, we will trace groups of students that differ across mathematical ability and investigate the relationships amongst these students’ performance on a mathematical ability test and the components of mathematical creativity. Data were collected by administering two tests, a mathematical ability and a mathematical creativity test, to 359 elementary school students. Mathematical ability was considered as a multidimensional construct, including quantitative ability (number sense and pre-algebraic reasoning), causal ability (examination of cause–effect relations), spatial ability (paper folding, perspective and spatial rotation abilities), qualitative ability (processing of similarity and difference relations) and inductive/deductive ability. Mathematical creativity was defined as a domain-specific characteristic, enabling individuals to be characterized by fluency, flexibility and originality in the domain of mathematics. The data analysis revealed that there is a positive correlation between mathematical creativity and mathematical ability. Moreover, confirmatory factor analysis suggested that mathematical creativity is a subcomponent of mathematical ability. Further, latent class analysis showed that three different categories of students can be identified varying in mathematical ability. These groups of students varying in mathematical ability also reflected three categories of students varying in mathematical creativity.  相似文献   

9.
Although popular media often provides negative images of mathematicians, we contend that mathematics classroom practices can also contribute to students' images of mathematicians. In this study, we examined eight mathematics teachers' framings of mathematicians in their classrooms. Here, we analyze classroom observations to explore some of the characteristics of the teachers' framings of mathematicians in their classrooms. The findings suggest that there may be a relationship between a teachers' mathematics background and his/her references to mathematicians. We also argue that teachers need to be reflective about how they represent mathematicians to their students, and that preservice teachers should explore their beliefs about what mathematicians actually do.  相似文献   

10.
Edward A. Silver 《ZDM》1997,29(3):75-80
Although creativity is often viewed as being associated with the notions of “genius” or exceptional ability, it can be productive for mathematics educators to view creativity instead as an orientation or disposition toward mathematical activity that can be fostered broadly in the general school population. In this article, it is argued that inquiry-oriented mathematics instruction which includes problem-solving and problem-posing tasks and activities can assist students to develop more creative approaches to mathematics. Through the use of such tasks and activities, teachers can increase their students’ capacity with respect to the core dimensions of creativity, namely, fluency, flexibility, and novelty. Because the instructional techniques discussed in this article have been used successfully with students all over the world, there is little reason to believe that creativity-enriched mathematics instruction cannot be used with a broad range of students in order to increase their representational and strategic fluency and flexibility, and their appreciation for novel problems, solution methods, or solutions.  相似文献   

11.
Derek Haylock 《ZDM》1997,29(3):68-74
Examples of tasks designed to recognise creative thinking within mathematics, used with 11–12-year-old pupuls, are described. The first construct empoyed in the design of these tasks is the ability to overcome fixation. Sometimes pupils demonstrate content-universe fixation, by restricting their thinking about a problem to an insufficient or inappropriate range of elements. Other times they show algorithmic fixation by continuing to adhere to a routine procedure or stereotype response even when this becomes inefficient or inappropriate. The second construct employed is that of divergent production, indicated by flexibility and originality in mathematical tasks to which a large number of appropriate responses are possible. Examples of three categories of such tasks are described: (1) problem-solving, (2) problem-posing, and (3) redefinition. Examples of pupils’ responses to various tasks are used to argue that they do indeed reveal thinking that can justifiably be described as creative. The relationship to conventional mathematics attainment is discussed-mathematics attainment is seen to limit but not to determine mathematical creativity.  相似文献   

12.
As students progress through the college mathematics curriculum, enter graduate school and eventually become practicing mathematicians, reading mathematics textbooks and journal articles appears to become easier and leads to increased proficiency and understanding. This study was designed to begin to understand how mathematically more advanced readers read for understanding in mathematical exposition as it appears in textbooks compared to first-year undergraduate students. Three faculty members and three graduate students participated in this study and read from a first-year graduate textbook in an area of mathematics unfamiliar to each of them. The observed reading strategies of these more mathematically advanced readers are compared to observed reading strategies of first-year undergraduate students from an earlier study. The reading methods of the faculty level mathematicians were all quite similar and were markedly different from those that have been identified for undergraduate students, as well as from those used by the graduate students in this study. A Mathematics Reading Framework is proposed based on this study and previous research documenting the strategies that first-year undergraduate students use for reading exposition in their mathematics textbooks.  相似文献   

13.
Over the years, research in mathematical problem-solving has examined expert/novice problem-solving performance on various types of problems and subjects. In particular, DeFranco examined two groups of Ph.D. mathematicians as they solved four mathematics problems and found that although all were content experts, only one group were problem-solving experts. Based on this study, this article posits the notion that one distinguishing feature between experts and novices is that experts tend to look for special features of a problem and use algorithms only as a “fail-safe” system while novices act like “machines” relying on algorithms to solve the problems. Why? The article explores the idea that novice problem solvers learned to solve problems the way they learned proof, that is, in a formal, abstract and mechanizable way. Beliefs about proof and the culture in which it is practiced help frame a mathematician's view of the discipline and ultimately impacts classroom practice. The authors believe that current classroom instruction tends to create a culture that fosters algorithmic proficiency and a “machine-like” approach to the learning of mathematics and problem-solving. Further, they argue that mathematicians need to be aware of the distinction between knowing a proof is true and explaining why it is true. When these distinctions are appreciated and practiced during classroom instruction, then and only then will students begin to acquire the mathematical knowledge to become better problem solvers.  相似文献   

14.
The survey described in this paper was developed in order to gain an understanding of culturally-based aspects of creativity associated with secondary school mathematics across six participating countries. All participating countries acknowledge the importance of creativity in mathematics, yet the data show that they take very different approaches to teaching creatively and enhancing students’ creativity. Approximately 1,100 teachers from six countries (Cyprus, India, Israel, Latvia, Mexico, and Romania) participated in a 100-item questionnaire addressing teachers’ conceptions about: (1) Who is a creative student in mathematics, (2) Who is a creative mathematics teacher, (3) In what way is creativity in mathematics related to culture, and (4) Who is a creative person. We present responses to each conception focusing on differences between teachers from different countries. We also analyze relationships among teachers’ conceptions of creativity and their experience, and educational level. Based on factor analysis of the collected data we discuss relevant relationships among different components of teachers’ conceptions of creativity as they emerge in countries with different cultures.  相似文献   

15.
In this commentary we synthesize and critique three papers in this special issue of ZDM (Leikin and Lev; Kattou, Kontoyianni, Pitta-Pantazi, and Christou; Pitta-Pantazi, Sophocleous, and Christou). In particular we address the theory that bridges the constructs of “mathematical creativity” and “mathematical giftedness” by reviewing the related literature. Finally, we discuss the need for a reliable metric to assess problem difficulty and problem sequencing in instruments that purport to measure mathematical creativity, as well as the need to situate mathematics education research within an existing canon of work in mainstream psychology.  相似文献   

16.
This paper investigates the relationship between the creative process in mathematical tasks and spatial, object and verbal cognitive styles. A group of 96 prospective primary school teachers completed the Object-Spatial Imagery and Verbal Questionnaire and took a mathematical creativity test. The results of a multiple regression analysis demonstrated that whereas visual cognitive styles (spatial and object imagery) were statistically significant predictors of participants’ creative abilities in mathematics, verbal cognitive style did not predict these abilities. Further analysis of the data indicated that spatial imagery cognitive style was related to mathematical fluency, flexibility and originality. On the other hand, object imagery cognitive style was negatively related to mathematical originality and verbal cognitive style was negatively related to mathematical flexibility. The study also revealed that individuals with a tendency towards different cognitive styles employed different strategies in the creative mathematical tasks.  相似文献   

17.
In this work, we study the mathematical practice of defining by mathematics researchers. Since research is an important part of many professional mathematicians, understanding how they do research is a necessary step before thinking about future researchers’ undergraduate and postgraduate education. We focus on the defining process associated with the generalization of existing definitions as a way of constructing new ones. Data of this qualitative study come from a case study whose subject is a mathematics researcher in the area of differential geometry. We have interviewed this researcher and collected her research documents. From our analysis of the data, we have identified four phases in the defining process (Finding an opportunity to generalize an existing concept, Proposing a new definition, Justifying that the new definition is valid and Continuing the chain of definitions), which we will describe in detail in Section 4.  相似文献   

18.
Engineering mathematics is traditionally conceived as a set of unambiguous mathematical tools applied to solving engineering problems, and it would seem that modern mathematical software is making the toolbox metaphor ever more appropriate. The validity of this metaphor is questioned and the case is made that engineers do in fact use mathematics as more than a set of passive tools— that mathematical models for phenomena depend critically on the settings in which they are used and the tools with which they are expressed. The perennial debate over whether mathematics should be taught by mathematicians or by engineers looks increasingly anachronistic in the light of technological change, and the authors suggest that it is more instructive to examine the potential of technology for changing the relationships between mathematicians and engineers, and for connecting their respective knowledge domains in new ways.  相似文献   

19.
《Historia Mathematica》1999,26(2):107-124
During the 1920s, Soviet Marxist theorists paid less attention to developments in mathematics in their own country than to various manifestations of “mathematical idealism” in the West. Their criticism concentrated on set-theoretical studies, the theory of probability, mathematical logic, and the foundations of mathematics. Because of their disunity, the Marxist scholars did not present an obstacle to the work of mathematicians, dominated by the much-heralded Moscow school of mathematics, strong in the theory of functions of a real variable and its applications to topology and several other branches of mathematics. The end of the decade was marked by the beginning of Stalinist pressure to establish full ideological control over all branches of mathematics.Copyright 1999 Academic Press.MSC 1991 subject classifications: 01A60; 01A72; 01A74; 01A80.  相似文献   

20.
Based on Châtelet’s insights into the nature of mathematical inventiveness, drawn from historical analyses, we propose a new way of framing creativity in the mathematics classroom. The approach we develop emphasizes the social and material nature of creative acts. Our analysis of creative acts in two case studies involving primary school classrooms also reveals the characteristic ways in which digital technologies can occasion such acts.  相似文献   

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