A release from masking by continuous, random, notched noise

Thresholds for 10-ms sinusoids simultaneously masked by bursts of bandpass noise centered on the signal frequency were measured for a wide range of signal frequencies and noise levels. Thresholds were defined as the signal power relative to the masker power at the output of an auditory filter centered on the signal frequency. It was found that the presentation of a continuous random noise, with a spectral notch centered on the signal frequency, produced a reduction in signal thresholds of up to 11 dB. A notched noise spectrum level of 0-5 dB above that of the masker proved most effective in producing a masking release, as measured by a reduction in masked threshold. A release from masking of up to 7 dB could be obtained with a continuous bandpass noise. The most effective spectrum level of this noise was 5 dB below that of the masker. The effect of the continuous notched noise was to reduce signal-to-masker ratios at threshold to about 0 dB, regardless of the threshold in the absence of continuous noise. Thus the greatest release from masking occurred when "unreleased" thresholds were highest. The release from masking is almost complete within 320 ms of notched noise onset, and persists for about 160 ms after notched noise offset, regardless of notched noise level. The phenomenon is similar in many ways to the "overshoot" effect reported by Zwicker [J. Acoust. Soc. Am. 37, 653-663 (1965)]. It is argued that both effects can be largely attributed to peripheral short-term adaptation, a mechanism which is also believed to be involved in forward masking.     

Blue whale (Balaenoptera musculus) sounds from the North Atlantic

Sounds of blue whales were recorded from U.S. Navy hydrophone arrays in the North Atlantic. The most common signals were long, patterned sequences of very-low-frequency sounds in the 15-20 Hz band. Sounds within a sequence were hierarchically organized into phrases consisting of one or two different sound types. Sequences were typically composed of two-part phrases repeated every 73 s: a constant-frequency tonal "A" part lasting approximately 8 s, followed 5 s later by a frequency-modulated "B" part lasting approximately 11 s. A common sequence variant consisted only of repetitions of part A. Sequences were separated by silent periods averaging just over four minutes. Two other sound types are described: a 2-5 s tone at 9 Hz, and a 5-7 s inflected tone that swept up in frequency to ca. 70 Hz and then rapidly down to 25 Hz. The general characteristics of repeated sequences of simple combinations of long-duration, very-low-frequency sound units repeated every 1-2 min are typical of blue whale sounds recorded in other parts of the world. However, the specific frequency, duration, and repetition interval features of these North Atlantic sounds are different than those reported from other regions, lending further support to the notion that geographically separate blue whale populations have distinctive acoustic displays.     

Zwicker tone illusion and noise reduction in the auditory system

The Zwicker tone is an auditory aftereffect. For instance, after switching off a broadband noise with a spectral gap, one perceives it as a lingering pure tone with the pitch in the gap. It is a unique illusion in that it cannot be explained by known properties of the auditory periphery alone. Here we introduce a neuronal model explaining the Zwicker tone. We show that a neuronal noise-reduction mechanism in conjunction with dominantly unilateral inhibition explains the effect. A pure tone's "hole burning" in noisy surroundings is given as an illustration.     

Abnormal resting-state cortical coupling in chronic tinnitus

Background  

Subjective tinnitus is characterized by an auditory phantom perception in the absence of any physical sound source. Consequently, in a quiet environment, tinnitus patients differ from control participants because they constantly perceive a sound whereas controls do not. We hypothesized that this difference is expressed by differential activation of distributed cortical networks.     

Adaptation and recovery from adaptation in single fiber responses of the cat auditory nerve.

This study examined the time course of adaptation and recovery from adaptation of single auditory-nerve fiber responses. The conditions studied were: (1) adaptation response using low level, 800 Hz or characteristic frequency (CF) stimuli; and (2) onset recovery and whole tone response recovery of a probe tone following a masker of equal frequency with variable silent intervals between the masker offset and probe onset. Single unit responses to 290 ms long, 800 Hz or CF tones presented at 10-30 dB SL were recorded from the auditory nerve of the cat. Adaptation properties were determined and fit to the equation: A(tp) = Yre(-tp/tau Rr) + Yse(-tp/tau Rs) + Ass. Recovery from adaptation was determined by recording the response of a probe tone following a 100-ms masker tone equal in frequency to the probe, and with amplitudes ranging from 20- to 30-dB relative to the probe amplitude. Both the onset recovery and the whole tone recovery were determined for the single unit responses. The onset data were analyzed and fit to either the equation: A (delta xt,tp) = Ass - Yre(-tp/tau Rr) - Yse(- delta t/tau Rs) or A (delta t,tp) = Ass - Yre(- delta t/tau R). The whole tone response showed two distinctive time patterns that could be fit to either an adaptation equation or to the two-time-constant recovery equation, depending on the relative amplitude of the masker and the length of the silent interval between masker offset and probe onset. The results of this study indicate that single fiber time constants are comparable to those measured in previous studies using the auditory-nerve neurophonic (ANN). Likewise, the pattern of recovery of the whole tone response for single fiber responses is comparable to the ANN. Possible sites and mechanisms for adaptation and recovery from adaptation taking into account recent data from electrical stimulation studies and receptor channel morphology and kinetics are discussed.     

几类典型环境声的主观评价及感知特性分析

近年来,通过“注入”调控声以降低交通噪声烦恼感的声频注入法受到广泛关注。以交通噪声调控研究为背景,通过成对比较评价了4类典型声音(实验一)和4类典型交通噪声(实验二)的烦恼感。结果表明,有调声(纯音和复音)烦恼度最高,自然声最低(海潮声最佳),蓝色噪声是仅次于海潮声令人感觉舒适的声音;被试对交通噪声和白噪声的评价存在明显的分类偏好。分析心理声学特征发现人对声音的感知依赖于多方面因素,但声刺激的某一因素(如粗糙度或音调特别高)特别突出则会引起极大的反感。构建不相似度二维感知空间,维度1反映了声音类型间的差异,维度2表征了被试对不同类型声音的烦恼度评价;并且通过相关分析发现它们与谱结构参量相关性较强。接下来的研究中,可以通过调整交通噪声的谱下降值和时域上升时间等参量使其谱结构更接近于自然声,从而降低噪声烦恼度。     

A binaural beat constructed from a noise (L)

The binaural beat has been used for over 100 years as a stimulus for generating the percept of motion. Classically the beat consists of a pure tone at one ear (e.g., 500 Hz) and the same pure tone at the other ear but shifted upward or downward in frequency (e.g., 501 Hz). An experiment and binaural computational analysis are reported which demonstrate that a more powerful motion percept can be obtained by applying the concept of the frequency shift to a noise, via an upward or downward shift in the frequency of the Fourier components of its spectrum.     

Ear and pitch segregation in Deutsch's octave illusion persist following switch from stimulus alternation to repetition

Deutsch's octave illusion occurs when two tones that are spaced an octave apart are repeatedly presented in alternation; the sequence is presented to both ears simultaneously but offset by one tone, so that two dichotic chords are repeatedly presented in alternation. The most common illusory percept consists of an intermittent high tone in one ear alternating with an intermittent low tone in the other ear. The aim of this study was to investigate whether, once the illusory percept has emerged, the illusion will persist when the original sequence is followed by another sequence consisting of the repeated presentation of one of the two dichotic chords. Forty nai?ve subjects were tested with stimuli consisting first of a priming sequence containing dichotic octaves alternating between ears followed immediately by a test sequence consisting of a single dichotic octave presented repeatedly. The durations of the priming and test sequences were manipulated. The findings showed that the illusory percept is maintained after the switch from alternation to repetition and that the relative length of the priming and test sequences has a negligible influence on the persistence of the illusory percept.     

Discrimination of spectral density

Experiments were performed to determine the ability of human listeners to discriminate between a sound with a large number of spectral components in a band, of given characteristic frequency and bandwidth, and a sound with a smaller number of components in that band. A pseudorandom placement of the components within the band ensured that no two sounds were identical. The data suggested that discrimination is primarily based upon the perception of temporal fluctuations in the intensity of the sound and secondarily upon resolved structure in the spectrum, perceived as tone color. Experiments using clusters of complex harmonic sounds showed that listeners are able to use the information in upper harmonic bands to discriminate spectral density.     

Distortion product otoacoustic emission (DPOAE) in tinnitus patients

The aim of this study was to determine the effect of tinnitus (experiment I) and the combined effect of tinnitus and sensorineural hearing loss (experiment II) on the distortion product otoacoustic emission (DPOAE) for two age groups of tinnitus patients. Tinnitus patients with normal earing, along with normal-hearing control subjects, participated in experiment I. They were divided into two age groups, below 50 and above 50 years. Experiment I showed that the DPOAE levels in the tinnitus patients were lower than those in the normal-hearing (nontinnitus) subjects. The differences depended on the frequency and the age of the patients, suggesting the confounding influence of presbyacusis. The second group of tinnitus patients with increasing and notch-like hearing loss participated in experiment II. They were also divided into two age groups, below 50 and above 50 years. The data from experiment II showed that DPOAE activity well reflects the increasing and notch-like hearing loss functions up to about 40 dB HL. The effect of age on the DPOAE level was clearly noted only for the tinnitus patients with clinically normal-hearing thresholds and was ambiguous for the tinnitus patients with hearing loss.     

Cats exhibit the Franssen Effect illusion

The Franssen Effect (FE) is a striking auditory illusion previously demonstrated only in humans. To elicit the FE, subjects are presented with two spatially-separated sounds; one a transient tone with an abrupt onset and immediate ramped offset and the other a sustained tone of the same frequency with a ramped onset which remains on for several hundred ms. The FE illusion occurs when listeners localize the tones at the location of the transient signal, even though that sound has ended and the sustained one is still present. The FE illusion occurs most readily in reverberant environments and with pure tones of approximately 1-2.5 kHz in humans, conditions where sound localization is difficult in humans. Here, we demonstrate this illusion in domestic cats using, for the first time, localization procedures. Previous studies in humans employed discrimination procedures, making it difficult to link the FE to sound localization mechanisms. The frequencies for eliciting the FE in cats were higher than in humans, corresponding to frequencies where cats have difficulty localizing pure tones. These findings strengthen the hypothesis that difficulty in accurately localizing sounds is the basis for the FE.     

Reduced contribution of a nonsimultaneous mistuned harmonic to residue pitch

Ciocca and Darwin [V. Ciocca and C. J. Darwin, J. Acoust. Soc. Am. 105, 2421-2430 (1999)] reported that the shift in residue pitch caused by mistuning a single harmonic (the fourth out of the first 12) was the same when the mistuned harmonic was presented after the remainder of the complex as when it was simultaneous, even though subjects were asked to ignore the pure-tone percept. The present study tried to replicate this result, and investigated the role of the presence of the nominally mistuned harmonic in the matching sound. Subjects adjusted a "matching" sound so that its pitch equaled that of a subsequent 90-ms complex tone (12 harmonics of a 155-Hz F0), whose mistuned (+/-3%) third harmonic was presented either simultaneously with or after the remaining harmonics. In experiment 1, the matching sound was a harmonic complex whose third harmonic was either present or absent. In experiments 2A and 2B, the target and matching sound had nonoverlapping spectra. Pitch shifts were reduced both when the mistuned component was nonsimultaneous, and when the third harmonic was absent in the matching sound. The results indicate a shorter than originally estimated time window for obligatory integration of nonsimultaneous components into a virtual pitch.     

Adaptation, saturation, and physiological masking in single auditory-nerve fibers.

Results are reviewed concerning some effects, at a units's characteristic frequency, of a short-term conditioning stimulus on the responses to perstimulatory and poststimulatory test tones. A phenomenological equation is developed from the poststimulatory results and shown to be consistent with the perstimulatory results. According to the results and equation, the response to a test tone equals the unconditioned or unadapted response minus the decrement produced by adaptation to the conditioning tone. Furthermore, the decrement is proportional to the driven response to the conditioning tone and does not depend on sound intensity per se. The equation has a simple interpretation in terms of two processes in cascade--a static saturating nonlinearity followed by additive adaptation. Results are presented to show that this functional model is sufficient to account for the "physiological masking" produced by wide-band backgrounds. According to this interpretation, a sufficiently intense background produces saturation. Consequently, a superimposed test tone cause no change in response. In addition, when the onset of the background precedes the onset of the test tone, the total firing rate is reduced by adaptation. Evidence is reviewed concerning the possible correspondence between the variables in the model and intracellular events in the auditory periphery.     

Loudness reduction and adaptation induced by a contralateral tone

An intermittent tone in one ear may induce a large decline in the loudness of a continuous tone in the contralateral ear [Botte et al., J. Acoust. Soc. Am. 72, 727-739 (1982)]. To uncover the basis for this induced loudness adaptation, the method of successive magnitude estimations was used to measure the loudness of a test tone in one ear during and after a single presentation of a brief inducer tone in the contralateral ear. Duration and frequency of the inducer were varied. The frequency of the test tone was set at 500, 1000, or 3000 Hz. Both inducer and test tones were at 60 dB SPL. When the inducer lasted 5 s or more and was at the same frequency as the test tone, the loudness of the test tone was reduced by 80% to 100% while the inducer was on. As the inducer frequency moved away from the test tone, the loudness reduction declined gradually except for a more marked drop at the point where the frequency separation exceeded the critical bandwidth. Loudness remained depressed after the inducer went off. Additional measurements showed that the amount of loudness reduction corresponded closely to the measured movement of the inducer's sound image away from the center of the listener's head (decentralization).     

The integration of nonsimultaneous frequency components into a single virtual pitch

The integration of nonsimultaneous frequency components into a single virtual pitch was investigated by using a pitch matching task in which a mistuned 4th harmonic (mistuned component) produced pitch shifts in a harmonic series (12 equal-amplitude harmonics of a 155-Hz F0). In experiment 1, the mistuned component could either be simultaneous, stop as the target started (pre-target component), or start as the target stopped (post-target component). Pitch shifts produced by the pre-target components were significantly smaller than those obtained with simultaneous components; in the post-target condition, the size of pitch shifts did not decrease relative to the simultaneous condition. In experiment 2, a silent gap of 20, 40, 80, or 160 ms was introduced between the nonsimultaneous components and the target sound. In the pre-target condition, pitch shifts were reduced to zero for silent gaps of 80 ms or longer; by contrast, a gap of 160 ms was required to eliminate pitch shifts in the post-target condition. The third experiment tested the hypothesis that, when post-target components were presented, the processing of the pitch of the target tone started at the onset of the target, and ended at the gap duration at which pitch shifts decreased to zero. This hypothesis was confirmed by the finding that pitch shifts could not be observed when the target tone had a duration of 410 ms. Taken together, the results of these experiments show that nonsimultaneous components that occur after the onset of the target sound make a larger contribution to the virtual pitch of the target, and over a longer period, than components that precede the onset of the target sound.     

Propagation of acoustic waves in a fluid-filled pipe with periodic elastic Helmholtz resonators

Helmholtz resonators are widely used to reduce noise in a fluid-filled pipe system. It is a challenge to obtain lowfrequency and broadband attenuation with a small sized cavity. In this paper, the propagation of acoustic waves in a fluid-filled pipe system with periodic elastic Helmholtz resonators is studied theoretically. The resonance frequency and sound transmission loss of one unit are analyzed to validate the correctness of simplified acoustic impedance. The band structure of infinite periodic cells and sound transmission loss of finite periodic cells are calculated by the transfer matrix method and finite element software. The effects of several parameters on band gap and sound transmission loss are probed.Further, the negative bulk modulus of periodic cells with elastic Helmholtz resonators is analyzed. Numerical results show that the acoustic propagation properties in the periodic pipe, such as low frequency, broadband sound transmission, can be improved.     

Effective attenuation of signals in noise under focused attention

When attending to a tone at a given frequency, listeners are most sensitive to that tone and others within a restricted band of frequencies surrounding it. This region of enhanced sensitivity defines the attention band that was measured in two experiments using a modified version of the probe-signal method of Greenberg and Larkin [J. Acoust. Soc. Am. 44, 1513-1523 (1968)]. Experiment 1 showed that at five center frequencies, from 0.25 to 4.0 kHz, the shape of the attention band resembles that of the auditory filter as inferred from notched-noise masking experiments by other investigators. The width of the attention band is close to the critical band at higher frequencies, but only half as wide at 0.25 and 0.5 kHz. Experiment 2 produced psychometric functions for unattended probe tones at least 0.23 kHz away from a fully attended, 1-kHz target tone. From these functions, the effective attenuation, measured as the threshold difference between the 1-kHz target and the probes, was estimated to be 7 dB; the amount of attenuation appeared to be about the same regardless of how far the probe frequency was from the attended band. One interpretation of these results is that bands centered on the unattended tones contribute to the decision process with some small but measurable weight and are not entirely ignored.     

Suppression of distortion product otoacoustic emissions and hearing threshold

A distortion product otoacoustic emission (DPOAE) suppression tuning curve (STC) shows the minimum level of suppressor tone that is required to reduce DPOAE level by a fixed amount, as a function of suppressor frequency. Several years ago, Mills [J. Acoust. Soc. Am. 103, 507-523 (1998)] derived, theoretically, an approximately linear relationship between the tip-to-tail suppressor level difference on a DPOAE STC, and the gain of the cochlear amplifier, defined as the maximum increase in the active over the passive basilar membrane (BM) response. In this paper, preliminary data from adult human subjects are presented that establish a correlation between this tip-to-tail DPOAE STC difference and the threshold of hearing, the latter measured at the frequency of the f2 primary tone. Assuming that both suppression and the DPOAE are by-products of active, nonlinear BM dynamics, the above result suggests that threshold elevation in mild levels of hearing loss may be attributed, in part, to a reduction of cochlear amplifier gain, which is detectable with the suppression paradigm.     

Spectro-temporal envelope changes caused by temporal fine structure modification

The study of speech from which the temporal fine structure (TFS) has been removed has become an important research area. Common procedures for removing TFS include noise and tone vocoders. In the noise vocoder, bands of noise are modulated by the envelope of the speech within each band, and in the tone vocoder the carrier is a sinusoid at the center of each frequency band. Five different procedures for removing TFS are evaluated in this paper: the noise vocoder, a low-noise noise approach in which the noise envelope is replaced by the speech envelope in each frequency band, phase randomization within each band, the tone vocoder, and sinusoidal modeling with random phase. The effects of TFS modification on the speech envelope are evaluated using an index based on the envelope time-frequency modulation. The results show that for all of the TFS techniques implemented in this study, there is a substantial loss in the accuracy of reproduction of the envelope time-frequency modulation. The tone vocoder gives the best accuracy, followed by the procedure that replaces the noise envelope with the speech envelope in each band.     

Equal autophonic level curves under different room acoustics conditions

The indirect auditory feedback from one's own voice arises from sound reflections at the room boundaries or from sound reinforcement systems. The relative variations of indirect auditory feedback are quantified through room acoustic parameters such as the room gain and the voice support, rather than the reverberation time. Fourteen subjects matched the loudness level of their own voice (the autophonic level) to that of a constant and external reference sound, under different synthesized room acoustics conditions. The matching voice levels are used to build a set of equal autophonic level curves. These curves give an indication of the amount of variation in voice level induced by the acoustic environment as a consequence of the sidetone compensation or Lombard effect. In the range of typical rooms for speech, the variations in overall voice level that result in a constant autophonic level are on the order of 2 dB, and more than 3 dB in the 4 kHz octave band. By comparison of these curves with previous studies, it is shown that talkers use acoustic cues other than loudness to adjust their voices when speaking in different rooms.