Effect of vocal effort on spectral properties of vowels.

The effects of variations in vocal effort corresponding to common conversation situations on spectral properties of vowels were investigated. A database in which three degrees of vocal effort were suggested to the speakers by varying the distance to their interlocutor in three steps (close--0.4 m, normal--1.5 m, and far--6 m) was recorded. The speech materials consisted of isolated French vowels, uttered by ten naive speakers in a quiet furnished room. Manual measurements of fundamental frequency F0, frequencies, and amplitudes of the first three formants (F1, F2, F3, A1, A2, and A3), and on total amplitude were carried out. The speech materials were perceptually validated in three respects: identity of the vowel, gender of the speaker, and vocal effort. Results indicated that the speech materials were appropriate for the study. Acoustic analysis showed that F0 and F1 were highly correlated with vocal effort and varied at rates close to 5 Hz/dB for F0 and 3.5 Hz/dB for F1. Statistically F2 and F3 did not vary significantly with vocal effort. Formant amplitudes A1, A2, and A3 increased significantly; The amplitudes in the high-frequency range increased more than those in the lower part of the spectrum, revealing a change in spectral tilt. On the average, when the overall amplitude is increased by 10 dB, A1, A2, and A3 are increased by 11, 12.4, and 13 dB, respectively. Using "auditory" dimensions, such as the F1-F0 difference, and a "spectral center of gravity" between adjacent formants for representing vowel features did not reveal a better constancy of these parameters with respect to the variations of vocal effort and speaker. Thus a global view is evoked, in which all of the aspects of the signal should be processed simultaneously.     

Effects of head extension and tongue protrusion on voice perturbation measures

Head extension with protruded tongue is the position for video-laryngoscopy and simultaneous glottographic recordings including photoglottographic signals. This study investigated the effect of head extension and tongue protrusion on the measures of fundamental frequency, frequency perturbation (jitter), and amplitude perturbation (shimmer). Acoustic signals recorded during sustained vowels were obtained from 49 women and 66 men with no speech or voice disorders in different head-tongue positions. Head extension was associated with increased fundamental frequency and decreased shimmer. In men, head extension did not appear to affect jitter. When the tongue was protruded, head extension tended to lower jitter. For both genders, tongue protrusion was associated with decreased fundamental frequency with head extension. In the men, tongue protrusion tended to increase shimmer when the head was in the neutral position. In the women, tongue protrusion was associated with increased jitter and increased shimmer and was most evident in the head-neutral position. These findings supported a physical linkage hypothesis of the relationship between vocal tract configuration and vocal fold vibration, suggesting that head-tongue position must be taken into account when comparing voice measures.     

Laryngeal adduction in trillo

Acoustic, glottographic, and videolaryngoscopic analyses were made of trillo, a vocal ornament described as the rapid repetition of a single note. This vocal gesture, performed by a trained singer, was studied for variations in laryngeal adduction, fundamental frequency, and acoustic amplitude characteristics. Results suggested that trillo was produced with alternating abduction/adduction of the vocal folds, and fundamental frequency tended to be lower during the relatively more abducted portions of the utterance.     

Sex hormones and the female voice

In the following, the authors examine the relationship between hormonal climate and the female voice through discussion of hormonal biochemistry and physiology and informal reporting on a study of 197 women with either premenstrual or menopausal voice syndrome. These facts are placed in a larger historical and cultural context, which is inextricably bound to the understanding of the female voice. The female voice evolves from childhood to menopause, under the varied influences of estrogens, progesterone, and testosterone. These hormones are the dominant factor in determining voice changes throughout life. For example, a woman's voice always develops masculine characteristics after an injection of testosterone. Such a change is irreversible. Conversely, male castrati had feminine voices because they lacked the physiologic changes associated with testosterone. The vocal instrument is comprised of the vibratory body, the respiratory power source and the oropharyngeal resonating chambers. Voice is characterized by its intensity, frequency, and harmonics. The harmonics are hormonally dependent. This is illustrated by the changes that occur during male and female puberty: In the female, the impact of estrogens at puberty, in concert with progesterone, produces the characteristics of the female voice, with a fundamental frequency one third lower than that of a child. In the male, androgens released at puberty are responsible for the male vocal frequency, an octave lower than that of a child. Premenstrual vocal syndrome is characterized by vocal fatigue, decreased range, a loss of power and loss of certain harmonics. The syndrome usually starts some 4-5 days before menstruation in some 33% of women. Vocal professionals are particularly affected. Dynamic vocal exploration by televideoendoscopy shows congestion, microvarices, edema of the posterior third of the vocal folds and a loss of its vibratory amplitude. The authors studied 97 premenstrual women who were prescribed a treatment of multivitamins, venous tone stimulants (phlebotonics), and anti-edematous drugs. We obtained symptomatic improvement in 84 patients. The menopausal vocal syndrome is characterized by lowered vocal intensity, vocal fatigue, a decreased range with loss of the high tones and a loss of vocal quality. In a study of 100 menopausal women, 17 presented with a menopausal vocal syndrome. To rehabilitate their voices, and thus their professional lives, patients were prescribed hormone replacement therapy and multi-vitamins. All 97 women showed signs of vocal muscle atrophy, reduction in the thickness of the mucosa and reduced mobility in the cricoarytenoid joint. Multi-factorial therapy (hormone replacement therapy and multi-vitamins) has to be individually adjusted to each case depending on body type, vocal needs, and other factors.     

Effect of Pregnancy on the Speaking Voice

The study aims to investigate the vocal symptoms and acoustic changes in pregnant women pre- and postpartum in comparison to the controls. A total of 25 pregnant women who presented for delivery were enrolled in this study. Twenty-one nonpregnant women were matched as controls. Vocal symptoms such as hoarseness, vocal fatigue, and aphonia were assessed. Acoustic analysis included fundamental frequency (F₀), habitual pitch, relative average perturbation (RAP), shimmer, noise-to-harmony ratio (NHR), and maximum phonation time (MPT). There were no significant differences in the incidence of vocal symptoms in pregnant women versus controls. However, vocal fatigue was more prevalent in the pregnant group. With respect to the acoustic parameters, there was a significant decrease in the MPT at term. The rest of the variables were comparable. Postpartum, the MPT significantly increased and there was an increase in F₀ and a significant decrease in the voice turbulence index (VTI). Pregnant women have more vocal fatigue and a reduction in MPT compared to the controls. Immediately after delivery, there is a significant increase in MPT.     

Sex differences in the acoustic structure of vowel-like grunt vocalizations in baboons and their perceptual discrimination by baboon listeners

This study quantifies sex differences in the acoustic structure of vowel-like grunt vocalizations in baboons (Papio spp.) and tests the basic perceptual discriminability of these differences to baboon listeners. Acoustic analyses were performed on 1028 grunts recorded from 27 adult baboons (11 males and 16 females) in southern Africa, focusing specifically on the fundamental frequency (F0) and formant frequencies. The mean F0 and the mean frequencies of the first three formants were all significantly lower in males than they were in females, more dramatically so for F0. Experiments using standard psychophysical procedures subsequently tested the discriminability of adult male and adult female grunts. After learning to discriminate the grunt of one male from that of one female, five baboon subjects subsequently generalized this discrimination both to new call tokens from the same individuals and to grunts from novel males and females. These results are discussed in the context of both the possible vocal anatomical basis for sex differences in call structure and the potential perceptual mechanisms involved in their processing by listeners, particularly as these relate to analogous issues in human speech production and perception.     

Effect of combined source (F0) and filter (formant) variation on red deer hind responses to male roars

Studying female response to variation in single acoustic components has provided important insights into how sexual selection operates on male acoustic signals. However, since vocal signals are typically composed of independent components, it is important to account for possible interactions between the studied parameter and other relevant acoustic features of vocal signals. Here, two key components of the male red deer roar, the fundamental frequency and the formant frequencies (an acoustic cue to body size), are independently manipulated in order to examine female response to calls characterized by different combinations of these acoustic components. The results revealed that red deer hinds showed greater overall attention and had lower response latencies to playbacks of roars where lower formants simulated larger males. Furthermore, female response to male roars simulating different size callers was unaffected by the fundamental frequency of the male roar when it was varied within the natural range. Finally, the fundamental frequency of the male roar had no significant separate effect on any of the female behavioral response categories. Taken together these findings indicate that directional intersexual selection pressures have contributed to the evolution of the highly mobile and descended larynx of red deer stags and suggest that the fundamental frequency of the male roar does not affect female perception of size-related formant information.     

A critical view of the yawn-sigh as a voice therapy technique

The purpose of this study was to take a critical look at a voice therapy technique known as the yawn-sigh. The voiced sigh as an approach in voice therapy has had increased use in recent years, particularly with problems of vocal hyperfunction. In this study, the physiology of the yawn-sigh was studied with video nasoendoscopy in eight normal subjects; their taped voices were also studied acoustically for possible fundamental frequency and formant changes in producing selected vowels under normal and sigh conditions. Although each subject was given a model by the examiner of a yawn-sigh, one of the eight subjects could not produce a true yawn-sigh. Endoscopic findings for seven of the eight subjects performing the yawn-sigh demonstrated retracted elevation of the tongue, a lower positioning of the larynx, and a widened pharynx. Acoustic analyses for the seven subjects producing the sigh found a marked lowering of the second and third formants. Implications for using the yawn-sigh in voice therapy are given, such as using a modified “silent” yawn-sigh, as an easy method for producing greater vocal tract relaxation.     

Comfortable effort level revisited

The purpose of this study was to measure the variability of frequency and intensity of speech, using multiple voice samples obtained over a period of time at a speaker's “comfortable effort level.” Variability in vocal output within and across several experimental sessions was assessed from measures of speaking fundamental frequency (SFF) and vocal intensity for utterances repeated three times a day over a 3-day period. Three distinct age groups of men and women—young, middle-aged and elderly—repeated the vowel /a/, read a standard passage, and spoke extemporaneously during each experimental session. Results indicated that variability in SFF and intensity were present across experimental sessions, age groups, gender, and speaking samples. Generally, group means indicated that ±1 semitone of variability for SFF and 2 db sound pressure level (SPL) variation in vocal intensity from any one experimental session to the next could be expected; individual variations within any group may reach two semitones and 6 db SPL.     

Acoustic correlates of talker sex and individual talker identity are present in a short vowel segment produced in running speech.

Although listeners routinely perceive both the sex and individual identity of talkers from their speech, explanations of these abilities are incomplete. Here, variation in vocal production-related anatomy was assumed to affect vowel acoustics thought to be critical for indexical cueing. Integrating this approach with source-filter theory, patterns of acoustic parameters that should represent sex and identity were identified. Due to sexual dimorphism, the combination of fundamental frequency (F0, reflecting larynx size) and vocal tract length cues (VTL, reflecting body size) was predicted to provide the strongest acoustic correlates of talker sex. Acoustic measures associated with presumed variations in supralaryngeal vocal tract-related anatomy occurring within sex were expected to be prominent in individual talker identity. These predictions were supported by results of analyses of 2500 tokens of the /epsilon/ phoneme, extracted from the naturally produced speech of 125 subjects. Classification by talker sex was virtually perfect when F0 and VTL were used together, whereas talker classification depended primarily on the various acoustic parameters associated with vocal-tract filtering.     

A theoretical study of the effects of various laryngeal configurations on the acoustics of phonation.

Simulation of glottal volume flow and vocal fold tissue movement was accomplished by numerical solution of a time-dependent boundary value problem, in which nonuniform, orthotropic, linear, incompressible vocal fold tissue media were surrounded by irregularly shaped boundaries, which were either fixed or subject to aerodynamic stresses. Spatial nonuniformity of the tissues was of the layered type, including a mucosal layer, a ligamental layer, and muscular layers. Orthotropy was required to stabilized the vocal folds longitudinally and to accomodate large variations in muscular stress. Incompressibility and vertical motions at the golttis played an important role in producing and sustaining phonation. A nominal configuration for male fundamental speaking pitches was selected, and the regulation of fundamental frequency, intensity, average volume flow, and vocal efficiency was investigated in terms of variations around this nominal configuration. Parameters which were varied consisted of geometrical factors such as length, thickness, and depth, factors for shaping the glottis, as well as tissue elasticities, tissue viscosities, and subglottal pressure. Since nonlinear stress-strain properties were not included, subglottal pressure did not produce a pronounced effect upon fundamental frequency under these somewhat edealized conditions F0 rasing correlated strongly with increased tension in the ligament, and somewhat with increasing tension in the vocalis. F0 lowering correlated with increase in vocal fold length when the tensions were held constant, but not with increase in vocal fold thickness. Vocal intensity and efficiency are shown to have local maxima as the configurational parameters are varied one at a time. It appears that oral acoustic power output and vocal efficiency can be maximized by proper adjustments of longitudinal tension of nonmuscular (mucosal and ligamental) tissue layers in relation to muscular layers. Quantitative verification of the "body-cover" theory is therefore suggested, and several further implications with regard to control of the human larynx are considered.     

Elicitation of Minimum and Maximum Fundamental Frequency and Vocal Intensity: Discrete Half Steps Versus Glissando

PurposeTo investigate the effect of elicitation method, either discrete half steps or glissando, on the minimum fundamental frequency, maximum fundamental frequency, minimum vocal intensity, and maximum vocal intensity.MethodFifty-six healthy-voice participants (28 males and 28 females) ranging from 18 to 25 years of age participated in the study. Each participant performed both the discrete half steps and the glissando procedure. The minimum frequency, maximum frequency, minimum intensity, and maximum intensity values elicited by each task were analyzed. A portion of participants (five males and five females) returned within 3 weeks to repeat the whole procedure to determine test-retest reliability.ResultThe results of Pearson's correlation demonstrated all measures were positively significantly correlated. However, the results of paired t tests showed significant difference between elicitation methods, where discrete half steps could elicit maximal vocal performance better than glissando in terms of minimum frequency, maximum frequency, and minimum intensity. Discrete half steps could elicit higher maximum intensity than glissando in males to a greater extent than in females.ConclusionThe difference in performance elicited by the two procedures may be considered acceptable under some situations (eg, time constraint, patient fatigue). In the clinical setting, the clinician should select the appropriate procedure with the consideration of time and assessment purpose.     

The Relationship Between VHI Scores and Specific Acoustic Measures of Mildly Disordered Voice Production

This study was designed to examine the relationship between the Voice Handicap Index (VHI) and acoustic measures of voice samples common in clinical practice. Fifty participants, 38 women and 12 men, ranging in age from 19 to 80 years, with a mean age of 49 years, served as participants. Of these 50 participants, 17 participants could be included in the acoustic analysis of voice based on measures of error calculated with the TF32 software. All participants completed the VHI and provided voice samples including three trials of the sustained vowel /A/ at a comfortable loudness level as well as a connected speech sample consisting of the Zoo Passage. Acoustic measures were made with TF32 and Cool Edit software and included fundamental frequency, jitter %, shimmer %, signal-to-noise ratio, mean root-mean-square intensity, fundamental frequency standard deviation, aphonic periods, and breath groups. Results indicate that these measures were not predictive of overall VHI score, and no cohesive or predictable pattern was identified when comparing individual measures with overall VHI or with each subscale item. Likely contributions to this lack of correlation and subsequent clinical implications are discussed, as well as the direction for further research.     

Perceptual and acoustic study of professionally trained versus untrained voices

Acoustic and perceptual analyses were completed to determine the effect of vocal training on professional singers when speaking and singing. Twenty professional singers and 20 nonsingers, acting as the control, were recorded while sustaining a vowel, reading a modified Rainbow Passage, and singing "America the Beautiful." Acoustic measures included fundamental frequency, duration, percent jitter, percent shimmer, noise-to-harmonic ratio, and determination of the presence or absence of both vibrato and the singer's formant. Results indicated that, whereas certain acoustic parameters differentiated singers from nonsingers within sex, no consistently significant trends were found across males and females for either speaking or singing. The most consistent differences were the presence or absence of the singer's vibrato and formant in the singers versus the nonsingers, respectively. Perceptual analysis indicated that singers could be correctly identified with greater frequency than by chance alone from their singing, but not their speaking utterances.     

Normative Standards for Vocal Tract Dimensions by Race as Measured by Acoustic Pharyngometry

SUMMARY: Acoustic pharyngometry evaluates the geometry of the vocal tract with acoustic reflections and provides information about vocal tract cross-sectional area and volume from lip to the glottis. Variations in vocal tract diameters are needed for speech scientists to validate various acoustic models and for medical professionals since the advent of endoscopic surgical techniques. Race is known to be one of the most important factors affecting the oral and nasal structures. This study compared vocal tract dimensions of White American, African American, and Chinese male and female speakers. One hundred and twenty healthy adult subjects with equal numbers of men and women were divided among three races. Subjects were controlled for age, gender, height, and weight. Six dimensional parameters of the speakers' vocal tract cavities were measured with acoustic reflection technology (AR). Significant gender and race main effects were found in certain vocal tract dimensions. The findings of this study now provide speech scientists, speech-language pathologists, and other health professionals with a new anatomical database of vocal tract variations for adult speakers from three different races.     

Vocal Intensity Characteristics inNormal and Elderly Speakers

The relationship of lung pressure, fundamental frequency, peak airflow, open quotient, and maximal flow declination rate to vocal intensity for a normal speaking, young male control group and an elderly male group was investigated. The control group consisted of 17 healthy male subjects with a mean age of 30 years and the elderly group consisted of 11 healthy male subjects with a mean age of 77 years. Data were collected at three levels of vocal intensity: soft, comfortable, and loud, corresponding to 25%, 50%, and 75% of dynamic range, respectively. Phonational threshold pressure and lung pressure were obtained using the intraoral technique. The oral airflow waveform was inverse filtered to provide an approximation to the glottal airflow waveform from which measures of fundamental frequency, peak airflow, open quotient, and maximal flow declination rate were determined. Excess lung pressure was calculated as lung pressure minus estimated phonational threshold pressure. The results show for both groups an increase in sound pressure level across the conditions, with corresponding increases in lung pressure, excess lung pressure, fundamental frequency, peak airflow, and maximal flow declination rate. Open quotient decreased with increasing vocal intensity. Lung pressure, sound pressure level, and peak airflow were all found to be significantly greater for the control group than for the elderly group at each condition. Open quotient was found to be significantly lower in the control group than in the elderly group at each condition. No significant difference was observed for excess lung pressure, phonational threshold pressure, fundamental frequency, or maximal flow declination rate between the two groups. These results show that a difference in vocal intensity does exist between young and elderly voices and that this difference is the result of differences in lung pressure, peak airflow, and open quotient.     

Human listeners attend to size information in domestic dog growls

The acoustic features of vocalizations have the potential to transmit information about the size of callers. Most acoustic studies have focused on intraspecific perceptual abilities, but here, the ability of humans to use growls to assess the size of adult domestic dogs was tested. In a first experiment, the formants of growls were shifted to create playback stimuli with different formant dispersions (Deltaf), simulating different vocal tract lengths within the natural range of variation. Mean fundamental frequency (F0) was left unchanged and treated as a covariate. In a second experiment, F0 was resynthesized and Deltaf was left unchanged. In both experiments Deltaf and F0 influenced how participants rated the size of stimuli. Lower formant and fundamental frequencies were rated as belonging to larger dogs. Crucially, when F0 was manipulated and Deltaf was natural, ratings were strongly correlated with the actual weight of the dogs, while when Deltaf was varied and F0 was natural, ratings were not related to the actual weight. Taken together, this suggests that participants relied more heavily on Deltaf, in accordance with the fact that formants are better predictors of body size than F0.     

Acoustic and perceptual effects of changes in vocal tract constrictions for vowels.

The purpose of this study was to use vocal tract simulation and synthesis as means to determine the acoustic and perceptual effects of changing both the cross-sectional area and location of vocal tract constrictions for six different vowels: Area functions at and near vocal tract constrictions are considered critical to the acoustic output and are also the central point of hypotheses concerning speech targets. Area functions for the six vowels, [symbol: see text] were perturbed by changing the cross-sectional area of the constriction (Ac) and the location of the constriction (Xc). Perturbations for Ac were performed for different values of Xc, producing several series of acoustic continua for the different vowels. Acoustic simulations for the different area functions were made using a frequency domain model of the vocal tract. Each simulated vowel was then synthesized as a 1-s duration steady-state segment. The phoneme boundaries of the perturbed synthesized vowels were determined by formal perception tests. Results of the perturbation analyses showed that formants for each of the vowels were more sensitive to changes in constriction cross-sectional area than changes in constriction location. Vowel perception, however, was highly resistant to both types of changes. Results are discussed in terms of articulatory precision and constriction-related speech production strategies.     

Glottal configuration associated withfundamental frequency and vocal register

Simultaneous measurements of mean airflow rate, vocal intensityand fundamental frequency were made during flexible video endoscopic recording of the vowel /i/ sustained in two vocal registers, modal and falsetto. The glottal closure patterns of four males and four females were evaluated by visually inspecting the video images. Acoustic signals were recorded and analyzed to verify the frequency and intensity criteria. Aerodynamic analysis of mean airflow rate was done via Rothenberg mask and commercial software. Incomplete glottic closure was common in both males and females. The degree of closure was significantly higher for modal samples than for falsetto samples with frequency and intensity held constant. The shape of the glottal closure did not vary with changes in the mode of phonation. As expected, the mean airflow rate increased with decreased glottal closure. The results suggest that incomplete glottic closure should be considered as a normal glottal configuration in high frequency modal and falsetto phonation. Moreover, hourglass and spindle glottal configurations may also be found in both the modal and falsetto registers of normal subjects. These results also confirm the positive relationships between degree of glottal gap and mean airflow rate. Thus, mean airflow rate may be regarded as a criterion for judging degree of glottal closure.     

Acoustic properties of straight tone, vibrato, trill, and trillo

Recordings were made of four internationally acclaimed early music singers (two women, two men) as they sustained phonation at target frequencies while producing the vocal ornaments straight tone, vibrato, trill, and trillo. Recordings were analyzed for the presence and amount of fundamental frequency oscillation and the frequency location of the vocal ornament performed with respect to the target tone. Results showed great variability between singers in all measured parameters.