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1.
《Ambix》2013,60(3):202-225
Abstract

This article explores the strategies of and the reasons behind the reworking of pseudo-Albertus Magnus's Semita recta into the Mirror of Lights. I argue that the redactor sought to provide a more comprehensive defence of the legitimacy of alchemy than found in the Semita recta. In the process of doing so, he reshaped the original text so as to present three units that addressed different parts of the alchemical opus: first, theory and justification of alchemy; second, basic information on substances and procedures; and, third, practice. The redactor employed sophisticated textual tools identical to those seen in scholastic texts. These strategies, I argue, constitute part of the redactor's attempt to bring authority and credibility to his project and to alchemy in general. Certainly, much more attention needs to be paid to these experiments of textual alchemy in order to understand the practice of alchemy in the late medieval period.  相似文献   

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none 《Ambix》2013,60(3):189-208
Abstract

George Ripley, Canon of Bridlington (ca. 1415 to ca. 1490) was one of England's most famous alchemists, whose alchemical opera attracted study and commentary throughout the sixteenth and seventeenth centuries, and were printed and translated both in England and abroad. Yet Ripley's frequently baffling texts have proved resistant to scholarly interpretation. This paper attempts to unravel some of Ripley's alchemical theories and practice, firstly by identifying his major sources, and secondly by gauging his response to these texts. For instance, although Ripley's interest in the corpus of alchemical texts pseudonymously attributed to Ramon Lull is well documented, it transpires that his best known work, the Compound of Alchemy, or Twelve Gates, is actually based not on a Lullian work, but on a Latin treatise that Ripley attributed to the little-known alchemist, Guido de Montanor. Further clues to Ripley's alchemical thought can be obtained by considering his handling of a potential conflict between his two authorities, Lull and Guido. The resulting insights into Ripley's alchemy provide an instrument for assessing which of Ripley's pseudoepigraphic works can be truly called "canonical".  相似文献   

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Peter Murray Jones 《Ambix》2018,65(3):232-249
This essay reinserts friars into the story of alchemy and medicine in late medieval England. Much of the evidence for the activity of friars, mostly Franciscans, is to be found in a Latin text compiled in 1416–1425, the Tabula medicine. Here friars appear as sources for remedies, and a significant number of these remedies are alchemical. The quintessence found in the writings of John of Rupescissa is used for a variety of medical complaints. Some of the alchemical remedies are selected for closer examination here. These include distillations of human blood which are recommended by brother Robert Winstanton for use in surgery, either to knit flesh together or to cut through it. Natural balsam was in very short supply in Western Europe, though it served as a panacea for multiple ailments. The friars offer a number of different recipes to make artificial balsam, ranging from comparatively simple distillations through to the use of multiple fractional distillations to produce the finest of all balsams. The friars found that distilled waters made with herbs were more effective than herbal simples without distillation in the treatment of many different complaints.  相似文献   

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Athanasios Rinotas 《Ambix》2017,64(3):203-219
At the beginning of the twentieth century, historians associated the alchemy of the third-century alchemist Zosimus of Panopolis with Platonism and Aristotelianism, explicating his theory of alchemical transmutation under the intellectual umbrella of these philosophical traditions. More recently, scholars of alchemy such as Christina Viano and William Newman have suggested a connection between Zosimean alchemy and Stoicism. Through a close reading of texts in Zosimus’s corpus, this paper posits a Stoic interpretation of several aspects of Zosimean alchemy, focusing on the concepts of pneuma and tension. For Zosimus, I argue, pneuma played a vital role in colouring metals, while tension conferred stability and cohesion upon metallic compounds. This interpretation suggests that Zosimus applied Stoic concepts to describe the alchemical process of tincturing metals.  相似文献   

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Nicola Polloni 《Ambix》2020,67(2):135-152
The article examines the two Latin versions of Artephius's Clavis sapientiae (Key of Wisdom) that have been preserved in early modern collections of alchemical texts. A comparative analysis of the two versions shows that one of them has undergone a process of textual manipulation. In particular, an interpolation of short philosophical passages concerning the doctrine of prime matter has relevant interpretative implications. These additions appear to be grounded in the early thirteenth-century philosophical debate on cosmology and the first Latinate reception of Aristotle’s metaphysics.  相似文献   

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In the early modern period Naples was a European centre of learning where a number of scholars engaged with alchemy. Variously perceived as a legitimate scientific practice or as a mendacious trick for gullible minds, alchemy engaged Neapolitan scholars in an ongoing dispute that involved members of the clergy. In this article I consider convents as research centres mainly engaged with medical alchemy. Specifically, I reconstruct the activity of the Dominican friar Tommaso d’Eremita. Upon his arrival at the Neapolitan convent of Santa Caterina a Formello in 1609, d’Eremita set up a laboratory where he spent years working on alchemical procedures in order to produce an elixir of life for the benefit of all. Beyond this charitable mission, I argue that members of religious orders in Naples engaged with alchemy for different purposes. In so doing, I discuss the cases of some members of religious orders in Naples who practised chrysopoeia with the aim of producing artificial noble metals.  相似文献   

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Hilde Norrgrén 《Ambix》2020,67(2):153-173
The article explores the practical and social circumstances of the alchemical experiments performed by the Norwegian priest and missionary Hans Egede (1686–1758) in the Colony of Hope in Greenland. Sources not previously used in connection with Egede’s alchemy are used to investigate in which ways his situation in the colony affected alchemical practice. A lack of fuel is found to have been a main obstacle which may have limited the number of experiments that Egede was able to perform in Greenland. At the same time, the area had natural resources that were useful to the alchemist, and Egede’s position as head of the colony gave access to resources that facilitated alchemical practice.  相似文献   

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《Ambix》2013,60(3):232-254
Abstract

Historians have assumed that alchemy had a close association with mining, but exactly how and why miners were interested in alchemy remains unclear. This paper argues that alchemical theory began to be synthesised with classical and Christian theories of the earth in mining books after 1500, and served an important practical function. The theory of metals that mining officials addressed spoke of mineral vapours (Witterungen) that left visible markings on the earth's surface. The prospector searched for mineral ore in part by studying these indications. Mineral vapours also explained the functioning of the dowsing rod, which prospectors applied to the discovery of ore. Historians of early chemistry and mining have claimed that mining had a modernising influence by stripping alchemy of its theoretical component, but this paper shows something quite to the contrary: mining officials may have been sceptical of the possibility of artificial transmutation, but they were interested in a theory of the earth that could translate into prospecting knowledge.  相似文献   

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Andrew Sparling 《Ambix》2020,67(1):62-87
A scholarly consensus has long held that in redefining alchemy, Paracelsus rejected metallic transmutation. I show here, however, that for most of his career Paracelsus believed that it was possible to change one metal into another, and even late in his short life he did not break with that view. Furthermore, in certain places in his works he also represented himself, occasionally directly and more often obliquely, as a practical transmutationist. Because Paracelsus not only acknowledged that metallic transmutations were theoretically possible but also claimed to have carried them out in practice, we must regard him as (among other things) a transmutational alchemist. As such, he had more in common than historians have generally admitted with both his medieval predecessors and his posthumous followers. The Paracelsian alchemists of the late-sixteenth and seventeenth centuries were not wrong to situate Paracelsus within the alchemical tradition, nor to connect their own goldmaking interests to his.  相似文献   

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《Ambix》2013,60(3):247-269
Abstract

Brian Vickers once described John Dee's Monas Hieroglyphica as "possibly the most obscure work ever written by an Englishman," asking whether there were even ten references to it in the seventeenth century. This article considers Dee's reputation as an alchemist, in particular the reception of his Monas Hieroglyphica, in Latin, French, and German texts published in the late sixteenth and seventeenth centuries, and examines two themes: first, discussion of the Monas Hieroglyphica in the context of cabbalistic calculations and Pythagorean symbolic numbers; and second, references to, and appropriations of, the hieroglyphic monad in the context of chemical notation. It shows how Dee's work was read by alchemists influenced by Trithemius's exposition of the Emerald Tablet, including major promulgators of Paracelsian thought such as Gerard Dorn, Oswald Croll, Joseph Duchesne, and Heinrich Khunrath. The article also notes how the Monas Hieroglyphica appealed to purveyors of both physical and more theosophical forms of alchemy, such as the Rosicrucian Chemical Wedding of Christian Rosencreutz. It concludes with a discussion of the somewhat surprising approval of Dee's enigmatic work from one who was utterly antagonistic to Paracelsian and Rosicrucian philosophy, the chemist Andreas Libavius, who openly admitted to using the hieroglyphic monad as the basis for the ground plan for his ideal laboratory.  相似文献   

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