Raman spectroscopic study of medieval Indian art of 17th century

We report the first Raman spectroscopic investigations of medieval Indian art of 17th century. Three miniature paintings, belonging to Mogul and Rajput schools from the collections of the Madras Museum, were investigated by micro‐Raman spectroscopy using different excitation wavelengths. Many areas in the paintings exhibited rich spectra containing several intense Raman bands. The Raman bands were assigned on the basis of the reported reference spectra of the pigments. Evidences for the presence of massicot, red‐lead, lead‐white, vermilion, litharge, Indian yellow and anatase are found. In addition, tentative assignments of some of the Raman bands to atacamite and orpiment are also made. The present studies suggest that several mineral‐based unique pigments were popular among the Indian artists of this period. Copyright © 2010 John Wiley & Sons, Ltd.     

Synthetic organic pigments in contemporary Balinese painting: a Raman microscopy study

The colour palette from two 20th century and one 21st century Indonesian paintings from the island of Bali was determined by Raman microscopy. There is very little information concerning the artistic techniques from this region of the world and the influences in materials introduced by western artists. The most interesting finding of our study was the increasing substitution of natural pigments by modern synthetic organic pigments. The findings were also compared with samples of representative pigments commonly used by Bali artists, donated by a renowned Balinese painter. Raman microscopy, combined with Fourier transform infrared spectroscopy, high‐performance liquid chromatography and μ‐EDXRF, was able to separate the different components on several colours, and to identify both synthetic organic pigments and inorganic components. Three azo pigments from the diarylide subclass, PY 83, PY 55 and PO 16, were identified on the yellow, brown, red and orange colours. A copper phthalocyanine blue PB 15:x and a basic dye BB 26 were responsible for the blue colours, the former admixed with ultramarine blue. Goethite was sometimes introduced to create the green colour. Two other basic dyes, BY2 and PG 4, were the main chromophores of the yellow and green samples of local pigments. The inorganic pigments comprised bone white, bone black, carbon‐based black pigment, haematite, goethite, vermilion, ultramarine blue and anatase. Finally, the ground layer of all the paintings was identified as rice starch, with a double function of a white pigment. Copyright © 2012 John Wiley & Sons, Ltd.     

The use of Raman microscopy and laser desorption ionization mass spectrometry in the examination of synthetic organic pigments in modern works of art

Synthetic organic pigments are widely used in modern and contemporary works of art. They have been examined by a variety of techniques including spectroscopic methods such as Fourier transform infrared spectroscopy, Raman, and X‐ray powder diffraction as well as chromatographic or mass spectrometric techniques such as pyrolysis‐gas chromatography/mass spectrometry and laser desorption ionization mass spectrometry (LDI–MS). Often, a combination of techniques has been used to examine these pigments. This paper describes use of Raman spectroscopy to create a database of colorants including two pigments not previously reported, PO1 and PO2. Then, using Raman spectroscopy in combination with LDI–MS, samples from modern works of art by artists including Mark Rothko, Barnett Newman, and José de Rivera were examined in order to identify the pigments present. One finding was that Rothko used a variety of red pigments over the course of his career including PR11 which has not been previously reported in artwork, and PO2 found with its positional isomer PR1. Knowledge of the colorants serves to inform conservators about display and treatment decisions. Published 2014. This article is a U.S. Government work and is in the public domain in the USA.     

In situ chemical analysis of modern organic tattooing inks and pigments by micro‐Raman spectroscopy

The chemical composition of tattooing pigments has varied greatly over time according to available technologies and materials. Beginning with naturally derived plant and animal extracts, to coloured inorganic oxides and salts, through to the modern industrial organic pigments favoured in today's tattooing studios. The demand for tattooing is steadily growing as it gains cultural popularity and acceptance in today's society, but ironically, increasing numbers of individuals are seeking laser removal of their tattoos for a variety of reasons. Organic pigments are favoured for tattooing because of their high tinting strength, light fastness, enzymatic resistance, dispersion and relatively inexpensive production costs. Adverse reactions have been reported for some organic inks, as well as potential complications, during laser removal procedures stemming from the unintentional creation of toxic by‐products. Currently, regulatory bodies such as the US Food and Drug Administration have not approved any coloured inks to be injected into the skin, and tattoo ink manufacturers often do not disclose the ingredients in their products to maintain proprietary knowledge of their creations. A methodology was established using micro‐Raman spectroscopy on an animal model to correctly identify the constituents of a selection of modern, organic tattoo inks in situ or post procedure, within the skin. This may serve as a preliminary tool prior to engaging in Q‐switched laser removals to assess the risks of producing potentially hazardous compounds. Likewise, the pigments responsible for causing adverse reactions in some patients may be quickly identified to hasten any corresponding treatment. Copyright © 2008 John Wiley & Sons, Ltd.     

Micro‐Raman spectroscopy analysis of 16th century Portuguese Ferreirim Masters oil paintings

In the present work a set of eight altarpieces of the 16th century (1532–1534), attributed to the Ferreirim Masters (Gregório Lopes, Garcia Fernandes and Cristóvão de Figueiredo), from the Santo António de Ferreirim Monastery (North of Portugal), were analysed by micro‐Raman spectroscopy. For this purpose some samples were taken from the paintings to characterise its artist's ‘school’. It was found that the preparation was made with chalk and gypsum and the palette composed mainly of lamp black, azurite, lead white (mixed with other pigments), lead–tin yellow type I, goethite (the main constituent of yellow ochre), red lead (as under painting), haematite (the main constituent of red ochre) and vermilion. Indigo was detected in one sample. Some derivatives and degradation products were found mainly in the panels subjected to high temperatures during a fire occurred in 1954: a degradation product from massicot or red lead, lead carbonate (dehydrated derivative of lead white), bassanite and anhydrite (hemi‐ and dehydrated forms of gypsum). These results are compared with those of previous total reflection X‐ray fluorescence spectroscopy (TXRF) analyses. Copyright © 2009 John Wiley & Sons, Ltd.     

Raman spectroscopy of minerals and mineral pigments in archaeometry

Minerals, as raw structural materials or pigments, play a fundamental role in archaeometry, for the understanding of nature, structure and status of an artefact or object of interest for cultural heritage. A detailed knowledge of the mineral phases is crucial to solve archaeological problems: Raman spectroscopy is a powerful investigation technique and has been applied extensively in the last 30 years on mineral identification and on pigment degradation. Here we report an updated review, covering the last decade, of the applications of Raman techniques to issues in which raw minerals, including mineral pigments, are involved. Particular attention is devoted to cases where the Raman analysis of minerals is deeper than a simple identification of the phases present in an archaeological or artistic object. Copyright © 2016 John Wiley & Sons, Ltd.     

拉曼光谱法结合薄层层析分析红酵母色素

利用薄层层析色谱法分离红酵母色素,结果显示,红酵母细胞能合成至少三种色素,即β-胡萝卜素、红酵母红素、圆酵母红素;采集三种色素的拉曼光谱,光谱数据经过背景扣除、基线校正、三点平滑等方法预处理,统计不同色素的平均光谱,结果表明三种色素的CC拉曼位移不同,并且β-胡萝卜素的拉曼位移最多,红酵母红素和圆酵母红素的含量较多;定量分析色素特征峰高比值,各色素峰高比值差异不大,峰高比值能用作参数,为深入研究活体细胞内色素的相对含量提供参考。以上结果表明,拉曼光谱法结合薄层层析能够分析红酵母色素,可以提供红酵母色素的丰富信息,是研究色素的有效方法。     

Microanalysis of clay‐based pigments in painted artworks by the means of Raman spectroscopy

FT Raman spectroscopy and micro‐Raman spectroscopy with lasers of three different wavelengths (1064 nm, 785 nm and 532 nm) were used for analysis of reference samples of natural clay pigments including white clay minerals (kaolinite, illite, montmorillonite), green earths (glauconite and celadonite) and red earths (natural mixtures of white clay minerals with hematite). In addition, eight micro‐samples obtained from historical paintings containing clay pigments in ground and colour layers have been examined. Powder X‐ray diffraction and micro‐diffraction were used as supplementary methods. It was found that laser operating at 1064 nm provided the best quality Raman spectra for distinguishing different white clay minerals, but the spectra of green and red earths were affected by strong fluorescence caused by the presence of iron. Green earth minerals could be easily distinguished by 532 or 785 nm excitation lasers, even in small concentrations in the paint layers. On the other hand, when anatase (TiO₂) or iron oxides (such as hematite) were present as admixtures (both are quite common, particularly in red earths), the collection of characteristic spectra of clay minerals which form the main component of the layer was hindered or even prevented. Another complicating factor was the fluorescence produced by organic binders when analysing the micro‐samples of artworks. In those cases, it is always necessary to use powder X‐ray micro‐diffraction to avoid misleading interpretations of the pigment's composition. Copyright © 2013 John Wiley & Sons, Ltd.     

Raman identification of green and blue pigments in Etruscan polychromes on architectural terracotta panels

Micro‐Raman measurements were performed on two Etruscan polychromes on architectural terracotta panels now on display at the Villa Giulia Etruscan Museum in Rome. These painted panels, dated from 530 to 520 B .C ., are of particular interest because of the unusual presence of green and blue layers. Etruscans in the Archaic Age indeed mainly used white, red, and black colours for painted terracotta panels. Raman spectra allowed the analytical identification of green (malachite) and blue (Egyptian blue) pigments employed by Etruscans for this kind of artistic production. This finding provides evidence for a larger use of malachite and Egyptian blue, previously well documented only in Etruscan wall paintings. The use of different pigments to obtain different colour tones has been also observed. Egyptian blue is indeed mixed with malachite to obtain different green tones, and a black pigment seems to have been applied over the Egyptian blue layer to obtain a dark blue tone. Copyright © 2006 John Wiley & Sons, Ltd.     

Identification of reddish pigments in octocorals by Raman spectroscopy

The nature of the pigments in octocorals has been investigated by Raman spectroscopy, where laser excitation at 632.8 and 1064 nm were used to characterize the colored components present in the skeleton of the exotic pink‐yellow soft coral Chromonephthea braziliensis, the reddish purple sea fan Leptogorgia punicea and the endemic deep violet red Leptogorgia violacea from the southeastern coast of Brazil. The observed positions of two major Raman bands at ca 1500 cm⁻¹ [ν(CC)] and 1130 [ν(C C)] for all specimens strongly suggest the presence of a mixtureof conjugated polyenes belonging to a class of compounds named parrodienes. The hemiketal steroidal feeding deterrent, 23‐keto‐cladiellin‐A, isolated from C. braziliensis was identified in the crude extracts by the Raman analysis using 1064 nm excitation. The observation of the most important vibrational bands of this compound can be useful in future investigations to monitor its presence in crude extracts of C. braziliensis and or other species. Copyright © 2010 John Wiley & Sons, Ltd.     

Subtracted shifted Raman spectroscopy of organic dyes and lakes

Resonance Raman spectroscopy has been utilized to identify vegetal and animal dyes and lakes. These compounds have been used by artists since antiquity, and their identification has important implications in art history and conservation. The resonance condition is useful when working with real ancient objects so as to enhance the Raman scattering of chromophores with respect to the strong signal of the matrix, such as the textile or parchment over which the colorant is supported. The strong fluorescence that generally characterizes the resonance Raman spectra was eliminated by using subtracted shifted Raman spectroscopy (SSRS). A systematic study on reference organic dyes was primarily carried out to evaluate the suitability of the method and to estimate the strengths and limitations of the spectrum reconstruction process. The method was then applied to the noninvasive identification of madder on ancient dyed silk textiles such as an altar table cloth and a manutergium attributed to the Egyptian artistic textile production of the 10th–11th Century A.D. Copyright © 2009 John Wiley & Sons, Ltd.     

Identification of pigments from the Shrine of Kaiping Diaolou by micro‐Raman spectroscopy

Shrines (or altars) are constructed in China for worshiping ancestors, Bodhisattva, and God of Wealth. In this work, pigments from the shrine of Kaiping Diaolou tower were analyzed by micro‐Raman spectroscopy, in conjunction with other analytical methods including scanning electron microscopy (SEM) with energy dispersive X‐ray spectroscopy (EDX) and X‐ray fluorescence (XRF). Paintings of the shrine were composed of 2–3 pigment layers and the total thickness was determined as about 200–300 µm by optical microscopy and SEM, indicating the fine painting skills applied in the construction of the shrine. The green pigments on the surface layer of the green fragment were identified as a mixture of lead phthalocyanine (PbPc) and cornwallite (Cu₅(AsO₄)₂(OH)₄) by XRF and micro‐Raman spectroscopy with two different excitation wavelengths (488 and 785 nm). Underneath the green layer, red and yellow ochre were found. The pigments on the surface layer of red and blue fragments were identified as hematite (Fe₂O₃) and lazurite or synthetic ultramarine [(Na₈(Al₆Si₆O₂₄)S₃)], respectively. Finally, the pigments under the two surface layers were identified by EDX and micro‐Raman spectroscopy as chromium oxide (Cr₂O₃), gypsum (CaSO₄·2H₂O) and calcite (CaCO₃). Copyright © 2011 John Wiley & Sons, Ltd.     

Raman spectroscopy and microscopy of individual cells and cellular components

Raman spectroscopy provides the unique opportunity to nondestructively analyze chemical concentrations in individual cells on the submicrometer length scale without the need for optical labels. This enables the rapid assessment of cellular biochemistry inside living cells, and it allows for their continued analysis. Here, we review recent developments in the analysis of single cells, subcellular compartments, and chemical imaging based on Raman spectroscopy. Spontaneous Raman spectroscopy provides for the full spectral assessment of cellular biochemistry, while coherent Raman techniques, such as coherent anti‐Stokes Raman scattering is primarily used as an imaging tool comparable to confocal fluorescence microscopy. These techniques are complemented by surface‐enhanced Raman spectroscopy, which provides higher sensitivity and local specificity, and also extends the techniques to chemical indicators, i.e. pH sensing. We review the strengths and weaknesses of each technique, demonstrate some of their applications and discuss their potential for future research in cell biology and biomedicine.     

Residual benzamide contamination in synthetic oligonucleotides observed using UV resonance Raman spectroscopy

Spectroscopic methods based on Raman scattering have for many years employed synthetic oligonucleotides in a broad range of applications, either as probes or as model analytes for biophysical investigations. Benzamide is commonly used as a protecting group in the phosphoramidite synthesis of oligonucleotides and, while standard desalting used after synthesis yields sufficiently pure reagents for most assay reactions or other routine uses of the oligomer, it does not completely remove benzamide. We show that the 1609 cm⁻¹ band of residual benzamide contamination can interfere with certain nucleic acid bands, particularly when using excitation wavelengths near 244 nm where the benzamide band is strongly enhanced. For example, the 1609 cm⁻¹ band of benzamide could obscure (or be mistaken as) a weak vibration attributed to an  NH₂ scissoring. The extent of benzamide contamination in desalted preparations varies considerably among different commercial sources, and hence caution is advised when making direct comparisons of ultraviolet Raman data of oligonucleotides from different sources. Copyright © 2010 John Wiley & Sons, Ltd.     

HERAS: A helium jet to prevent damage on works of art in Raman experiments

Raman spectroscopy is often used for non‐destructive analysis of works of art, polymers and biological materials, but in some cases, the laser beam can cause damages on the surface being studied due to the deposited beam energy. When possible, such damage can be prevented by minimizing laser intensity or acquisition time, but this is usually available only on high sensitivity bench‐top spectrometers. Portable Raman spectrometers are commonly not so flexible and an alternative is needed to ensure the safe study of sensitive works of art and other fragile materials. A helium jet aimed directly at the laser spot may prevent this damage from occurring and, in some cases, helps improving the Raman spectra. We designed a simple system (HERAS, Helium Raman System) consisting of a pinhole collimator, coupled to a helium line and a gas mass flux control and tested it on pyroxylin, vermilion and ochre paint references and pigment samples, using a 785 nm portable Raman spectrometer at various laser powers. Experimental conditions slightly differ for each sample, but small burns on the surface were avoided in all cases and only some ablation was observed on the most sensitive materials. The use of this coupled system allows the non‐destructive application of Raman to a wider variety of materials, while the technique remains portable. This setup may be used in bench‐top apparatus as well. Copyright © 2013 John Wiley & Sons, Ltd.     

Non‐destructive characterization of 17th century painted silk banner by the combined use of Raman and XRF portable systems

X‐ray fluorescence spectroscopy (XRF) and Raman spectroscopy analysis were performed to examine a 17th century painted silk banner in order to characterize the pigments and materials used. This complementary approach yields information on the elemental (XRF) and on the molecular composition (Raman) of the used compounds. The paint layer, ground layer under gilding, and gilding layer were investigated. For the studied object, vermilion (HgS), lead white (2PbCO₃ · Pb(OH)₂), red lead (Pb₃O₄), and aurichalcite ((Cu,Zn)₅(CO₃)₂(OH)₆) were found. The presence of silver and gold foils was confirmed. The techniques used in the analysis were portable, non‐destructive, and non‐invasive, which is very desirable when analyzing cultural heritage objects. The obtained results were used by the conservators to develop a showcase prototype for safe exhibition. Copyright © 2015 John Wiley & Sons, Ltd.     

Characterization of pottery from the Republic of Macedonia I: Raman analyses of Byzantine glazed pottery excavated from Prilep and Skopje (12th–14th century)

In order to gain some understanding of and to characterize the materials used in Byzantine glazed ceramic finds in the Republic of Macedonia, as well as to obtain information on their manufacturing technology, micro‐Raman spectra of 15 representative glazed shards, all dated from 12th to 14th century, were recorded. The elemental composition of the body and glaze of selected shards was obtained by scanning electron microscopy‐energy dispersive X‐ray spectrometry (SEM‐EDXS). At least 17 different minerals in the ceramic body were identified from the Raman spectra, among which were a variety of feldspars (microcline, albite and sanidine) as well as andradite, apatite and forsterite. According to the identified minerals, locations of the used raw materials in the vicinity of the archaeological sites are proposed. There is a good correlation between the polymerization index derived from the Raman spectra and the lead content obtained from the SEM‐EDXS analyses, therefore the firing temperature of the analyzed glazes could be assessed. The SEM‐EDXS analyses showed the presence of different coloring agents (Cu, Co, Cr, Sb) as well as opacifying (Sb) and fluxing (Pb) agents in the glaze matrix. The content of P₂O₅ in the glaze of one of the shards is also discussed. Copyright © 2009 John Wiley & Sons, Ltd.     

Applications of Raman spectroscopy in herbal medicine

Raman spectroscopic techniques are a group of chemical fingerprint detection methods based on molecular vibrational spectroscopy. They are compatible with aqueous solutions and are time saving, nondestructive, and highly informative. With complementary and alternative medicine (CAM) becoming increasingly popular, more people are consuming natural herbal medicines. Thus, chemical fingerprints of herbal medicines are investigated to determine the content of these products. In this study, I review the different types of Raman spectroscopic techniques used in fingerprinting herbal medicines, including dispersive Raman spectroscopy, resonance Raman spectroscopy, Fourier transform (FT)–Raman spectroscopy, surface-enhanced Raman scattering (SERS) spectroscopy, and confocal/microscopic Raman spectroscopy. Lab-grade Raman spectroscopy instruments help detect the chemical components of herbal medicines effectively and accurately without the need for complicated separation and extraction procedures. In addition, portable Raman spectroscopy instruments could be used to monitor the health and safety compliance of herbal products in the consumer market.