Byzantine wall paintings from Kastoria, northern Greece: spectroscopic study of pigments and efflorescing salts

This study concerns the investigation of pigments and efflorescence phenomena on the wall paintings of Kastoria, a rural, non-metropolitan Byzantine town. A large number of representative samples were collected from the murals of three churches, dated to post-Byzantine era (14th-17th c. AD). The identified pigments for the red colour were hematite (Fe2O3), cinnabar (HgS) and minium (Pb3O4), while brown and yellow colours were attributed to mixtures of ochres (Fe-oxides and hydroxides) and lime. The utilization of admixtures of iron, lead and mercury compounds was also attested in order to render specific tones on the painted surfaces. Black and dark blue hues were prepared using black carbon and Mn in some cases. Grey colours were assigned to a mixture of black carbon and lime. Green colour is rather attributed to admixtures of Fe-rich minerals and lime and not to the commonly used green earths. Baryte (BaSO4) was also evidenced as a filler or extender. Phosphorous was detected and connected to proteinaceous material and Mo and Sb were traced which are probably affiliated to Fe-oxides. Regarding efflorescing salts, the determined compounds are: calcite, dolomite, gypsum, halite, nitratine, natron and mirabilite, all of which are related to temperature and humidity changes and moisture fluctuations inside the wall paintings.     

Byzantine wall paintings from Mani (Greece): microanalytical investigation of pigments and plasters

The present case study concerns the technology of Byzantine wall paintings from the Mani Peninsula, Greece. An assemblage of 12 Byzantine churches, constructed in the tenth to fifteenth century, was included in an initial analytical survey. Two random samples of wall paintings were taken in each monument in order to study their micro stratigraphy and the composition of pigment and plaster layers. Polished sections were fabricated for examination with optical microscopy and scanning electron microscopy (SEM). Furthermore, selected samples were powdered and analysed with Fourier-transformed infrared spectroscopy (FTIR) and X-ray diffraction (XRD). The analytical results achieved in this case study provided general conclusions concerning painting techniques for wall paintings in a rather provincial area of the Byzantine Empire. The palette comprised mainly earthen pigments like ochres and carbon black but occasionally also other pigments like cinnabar, minium and ultramarine. In view of future studies, a portable X-ray fluorescence analysis (XRF) set-up was tested.     

Microscopic, mass spectrometric and spectroscopic characterisation of the mordants used for gilding on wall paintings from three post-Byzantine monasteries in Thessalia, Greece

The main churches of three monasteries in Thessalia, Central Greece are decorated with wall paintings from the post-Byzantine period. The main goal of the present study is to offer insights into the decorative technique of mordant gilding, especially the chemical composition of the mordants and the effects on them of ageing. Light microscopic (LM) examination was carried out on samples taken from the gilded areas of the paintings to view their layer build-up. Direct temperature resolved mass spectrometry (DTMS) under electron ionisation (EI) and chemical ionisation (CI) conditions led to the identification mainly of the organic, as well as some inorganic compounds. Scanning electron microscopy-energy dispersive X-ray spectroscopy (SEM-EDX) gave an account of the elemental composition on selected cases. The results from samples taken from different wall paintings were compared with each other to observe their differences and similarities. Furthermore, the three churches in question are believed to have been painted by the same painter, who has only been identified in one of them. Hence, the comparison of the wall paintings as far as the mordant gilding technique is concerned provided additional evidence on the identity of the painter in the other two churches.     

The degradation of wall paintings and stone: Specific ion effects

Salts are ubiquitous both on the surface and in the porous network of works of art such as wall paintings and stone. Cyclic solubilization and crystallization takes place with fluctuating environmental conditions, inducing mechanical stress in the pores and the flaking of the artistic surface. The preventive conservation of precious cultural heritage would thus benefit from models able to describe quantitatively the behavior of electrolyte solutions. Besides the pore size distribution of the wall, cyclic crystallization depends on relative humidity and temperature. Whereas the behavior of single salts' solutions is known, that of mixed solutions (commonly found on artifacts) is still an open issue, owing to the specific interactions of counterions and coions. Classical theories of electrolytes need many fitting parameters to provide predictive and quantitative information, and research focuses on matching phenomenological set of rules with models that take into account quantum mechanical dispersion forces. Classical models have been used so far to describe the behavior of some mixed salts' solutions commonly found on murals and stone, in terms of their RH_eq, which is the relative humidity of air in equilibrium with the saturated solution. Results indicate that environmental conditions deemed safe in the presence of single salts, represent indeed a threat to artifacts in the presence of mixed solutions, with other deviations due to the fact that the crystallization of salts takes place within mesoporous networks. We hope that the reviewed results might contribute a stimulus for further reanalysis of the degradation of works of art, where the synergistic effect of counterions and coions are taken into account. Such interpretation of the artifacts' degradation has been so far overlooked in preservation studies.     

Analysis of Roman age wall paintings found in Pordenone, Trieste and Montegrotto

The aim of the present work is the study of many fragments of wall painting from archaeological excavations in three different Roman age sites dating back to the I Century before Common Era: Pordenone (località Torre); Trieste (Crosada) and Padova (Montegrotto). The techniques used were optical microscopy, scanning electron microscopy (SEM), equipped with a EDS microanalysis detector, X-rays powder diffraction (XRD), Fourier transform infrared spectroscopy (FT-IR), Fourier transform Raman spectroscopy (FT-Raman) and electron paramagnetic resonance (EPR) spectroscopy. The identified pigments were: cinnabar, hematite, celadonite, glauconite, cuprorivaite (Egyptian blue), yellow and red ochre, calcite, limonite, coal black.In general, the mortar preparation did not correspond to the complex procedure suggested by Vitruvius (De Architectura), but generally showed a porous layer, with crushed grains under the pigment layer. In some cases, two superimposed pigment layers were found: yellow superimposed on both red and pink, black on pink, green on black.The slight differences we found in the use of the pigments in the three studied sites might show that the same technology, culture and taste spread all over the Roman Empire in North Eastern Italy (X^a Regio Venetia et Histria).     

TG,DTA and X-ray thermodiffraction study of wall paintings from the fifteenth century

Journal of Thermal Analysis and Calorimetry - In this work, it is reported that thermal analysis techniques such as TG, DTA and X-ray thermodiffraction, performed in air or nitrogen atmosphere, are...     

Analysis of bulk and inorganic degradation products of stones,mortars and wall paintings by portable Raman microprobe spectroscopy

This work reports the use of a portable Raman microprobe spectrometer for the analysis of bulk and decaying compounds in carbonaceous materials such as stones, mortars and wall paintings. The analysed stones include limestone, dolomite and carbonaceous sandstone, gypsum and calcium oxalate, both mono- and dihydrated, being the main inorganic degradation products detected. Mortars include bulk phases with pure gypsum, calcite and mixtures of both or with sand, soluble salts being the most important degradation products. The pigments detected in several wall paintings include Prussian blue, iron oxide red, iron oxide yellow, vermilion, carbon black and lead white. Three different decaying processes have been characterised in the mortars of the wall paintings: (a) a massive absorption of nitrates that reacted with calcium carbonate and promoted the unbinding of pigment grains, (b) the formation of black crusts in the vault of the presbytery and (c) the thermodecomposition of pigments due to a fire.     

Non-destructive mapping of dampness and salts in degraded wall paintings in hypogeous buildings: the case of St. Clement at mass fresco in St. Clement Basilica, Rome

As is well known, the deterioration of wall paintings due to the capillary rise of water through the walls is a very widespread problem. In this paper, a study of microclimate monitoring, unilateral nuclear magnetic resonance (NMR), and evanescent-field dielectrometry (EFD) was applied to map non-destructively, in situ, and in a quantitative way the distribution of the moisture in an ancient deteriorated wall painting of the eleventh century. Both unilateral NMR and EFD are quite new, fully portable, and non-destructive techniques, and their combination is absolutely new. The approach reported here is proposed as a new analytical protocol to afford the problem of mapping, non-destructively, the moisture in a deteriorated wall painting in a hypogeous building such as that of the second level of St. Clement Basilica, Rome (Italy), where the use of IR thermography is impaired due to the environmental conditions, and the gravimetric tests are forbidden due to the preciousness of the artifact. The moisture distribution was mapped at different depths, from the very first layers of the painted film to a depth of 2 cm. It has also been shown how the map obtained in the first layers of the artwork is affected by the environmental conditions typical of a hypogeous building, whereas the maps obtained at higher depths are representative of the moisture due to the capillary rise of water from the ground. The quantitative analysis of the moisture was performed by calibrating NMR and EFD signals with purposely prepared specimens. This study may be applied before and after performing any intervention aimed at restoring and improving the state of conservation of this type of artwork and reducing the dampness or extracting salts (driven by the variation of moisture content) and monitoring the effectiveness of the performed interventions during the time. This protocol is applicable to any type of porous material.     

Aragonite in Roman wall paintings of the VIII(a) Regio, Aemilia, and X(a) Regio, Venetia et Histria

In the Roman wall paintings different white colours were used, named Paraetonium, Melinum, Anularia, Eretria, Argentaria, etc. FTIR, Raman spectroscopy and X-Ray diffraction were applied to study different white pigments, such as calcite, aragonite, dolomite and huntite, white carbonates present in archaeological findings from Roman walls in the Mediterranean region. This study showed that it is possible to distinguish and identify these components in white colours. About 450 samples of Roman wall paintings were analysed and it was observed that often aragonite is associated to precious coloured pigments. On the basis of the obtained results some considerations about the period in which the different kinds of white pigments were used are proposed.     

Polar and non-polar organic binder characterization in Pompeian wall paintings: comparison to a simulated painting mimicking an "a secco" technique

The use of Fourier transform infrared spectromicroscopy and mass spectrometry (MS) allowed us to characterize the composition of polar and non-polar binders present in sporadic wall paint fragments taken from Pompeii’s archaeological excavation. The analyses of the polar and non-polar binder components extracted from paint powder layer showed the presence of amino acids, sugars, and fatty acids but the absence of proteinaceous material. These results are consistent with a water tempera painting mixture composed of pigments, flours, gums, and oils and are in agreement with those obtained from a simulated wall paint sample made for mimicking an ancient “a secco” technique. Notably, for the first time, we report the capability to discriminate by tandem MS the presence of free amino acids in the paint layer.     

Multidisciplinary physicochemical analysis of oligothiophenes end-capped by nitriles: electrochemistry, UV-vis-near-IR, IR, and Raman spectroscopies and quantum chemistry

In this article, we investigate a series of alpha,omega-dicyano end-capped oligothiophenes NC(C(4)H(2)S)(n)()CN ranging in length from the dimer to the hexamer (n = 2-6), in the neutral state as pure solids, by means of Fourier transform IR and Fourier transform Raman (FT-Raman) spectroscopies. The cyclic voltammetry analysis of the compounds in dichloromethane reveals that most of them show two oxidation and two reduction waves (i.e., a dual or amphoteric electrochemical behavior), associated with the injection of either positive or negative charges into the pi-conjugated system. The doped species are characterized by in situ vis-near-IR and FT-Raman spectrochemistries. Density functional theory calculations have been also performed, at the B3LYP/6-31G level, to assess information about the molecular geometries and vibrational features of the neutral and doped species and about the topologies of the molecular orbitals involved in the main electronic transitions that appear for the neutral forms in the visible spectral region and for the doped species in the near-IR region.     

Combining magnetic resonance spectroscopies, mass spectrometry, and molecular dynamics: investigation of chiral recognition by 2,6-di-O-methyl-beta-cyclodextrin

EPR spectroscopy has been employed to investigate the formation of complexes between heptakis-(2,6-O-dimethyl)-beta-cyclodextrin (DM-beta-CD) and different enantiomeric pairs of chiral nitroxides of general structure PhCH2NO.CH(R)R'. Accurate equilibrium measurements of the concentrations of free and included radicals afforded the binding constant values for these nitroxides. The relationship between the stereochemistry of the DM-beta-CD complexes and the thermodynamics of complexation was elucidated by correlating EPR data with 1H-1H NOE measurements carried out on the complexes between DM-beta-CD and the structurally related amine precursors of nitroxides. NOE data suggested that inclusion of the stereogenic center in the DM-beta-CD cavity occurs only when the R substituent linked to the chiral carbon contains an aromatic ring. For these types of complexes, molecular dynamics simulation indicated that the depth of penetration of the stereogenic center into the cyclodextrin cavity is determined by the nature of the second substituent (R') at the asymmetric carbon and is responsible for the observed chiral selectivity. Analysis of mass spectra showed that, for the presently investigated amines, electrostatic external adducts of CDs with protonated amines are detected by ESI-MS.     

Lithium adsorption on TiO2: studies with electron spectroscopies (MIES and UPS)

The adsorption of lithium atoms on rutile TiO₂(110) single crystals was studied with metastable‐induced electron spectroscopy (MIES) and ultraviolet photoelectron spectroscopy (UPS(HeI)) between 130 K and room temperature. Some auxiliary measurements on W(110) required for data interpretation are also reported. At 130 K ionic adsorption at titania prevails up to 0.3 monolayer equivalents (MLE) as judged from the weak Li(2s) emission in MIES for these exposures. The reduction of the Ti⁴⁺ cation is manifested by the growth of an occupied bandgap state in UPS: the alkali s‐electron is transferred to a near‐surface cation, thereby reducing it to Ti³⁺ 3d. The transfer of the s‐electron is responsible for the observed work function decrease up to ～0.5 MLE coverage. From the analysis of the UPS Ti³⁺ 3d signal, as well as from the Li(2s) emission, it is concluded that the degree of ionicity of the adsorbed Li decreases from 100% at 0.3 MLE to 40% at 0.7 MLE. Above 0.5 MLE the MIES spectra are dominated by an Li(2s)‐induced peak indicating the presence of Li with an at least partially filled 2s orbital. At temperatures above 160 K this peak is almost absent. Excluding Li desorption at these temperatures, we suggest that Li moves into or below the rutile TiO₂(110) surface above 160 K. Lithium insertion into the surface and intercalation are discussed. Copyright © 2004 John Wiley & Sons, Ltd.     

A second-order perturbation theory route to vibrational averages and transition properties of molecules: general formulation and application to infrared and vibrational circular dichroism spectroscopies

A general formulation to compute anharmonic vibrational averages and transition properties at the second-order of perturbation theory is derived from the Rayleigh-Schro?dinger development. This approach is intended to be applicable to any property expanded as a Taylor series up to the third order with respect to normal coordinates or their associated momenta. The equations are straightforward to implement and can be easily adapted to various properties, as illustrated for the case of electric and magnetic dipole moments. From those, infrared and vibrational circular dichroism spectra can be readily obtained. This fully automatic procedure has been applied to several chiral molecules of small-to-medium sizes and compared to the standard double harmonic approximation and to experimental data.     

Surface modified wall coated open tubular columns: Development and application in pesticide analysis

Filamentary crystal growth on the inner surface of a glass analytical capillary column using a modified ammonium hydrogen difiuoride procedure, produced highly efficient wall coated open tubular columns. Baseline separation of the acetate derivatives of 2,3,4,6- and 2,3,5,6-tetrachlorophenol was achieved and was instrumental in determining pentachlorophenol loadings along a watershed. The application of capillary columns, related to the analyses of organochlorine pesticide residues is also demonstrated. Parent and degradation products of twenty-five commonly monitored residues were effectively resolved on a 20 MOV-101 column.     

Nature and origin of black spots found on Miró paintings: a non-invasive study

The degradation mechanism of cadmium pigments in an oil painting by Joan Miró is determined and reproduced. All possible chemical reactions leading to the observed alteration are checked in laboratory conditions. The behaviour of the different materials (support, pigments and binding medium) are determined. The study of the reaction and products is made using optical microscopy, scanning electron microscopy (SEM) with an energy dispersive X-ray detector, Fourier transform infrared spectroscopy and X-ray diffraction.     

Characterization of the adsorption of Ru-bpy dyes on mesoporous TiO2 films with UV-Vis, Raman, and FTIR spectroscopies

In the present work the adsorption of a new dye, [Ru(dcbpyH(2))(2)(bpy-TPA(2))](PF(6))(2), and the well-known (Bu(4)N)(2)[Ru(dcbpyH)(2)(NCS)(2)] complex on mesoporous anatase films were investigated to clarify the role of the carboxylate groups in the anchoring process of the dyes on the semiconductor surface. For this purpose UV-vis, Raman, resonance Raman, and ATR-FTIR spectroscopies have been used. The results of the Raman experiments at different excitation wavelengths demonstrate that photoinduced charge-transfer processes take place efficiently between the adsorbate and the substrate. Moreover, this is the first time that the Raman spectrum of a Ru-bpy dye (in this case, the dye N719) adsorbed on TiO(2) has been obtained without the resonance condition, only by means of SERS enhancement. The coordination of both complexes on the TiO(2) paste films is proposed to occur via bidentate or bridging linkage.