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Unilateral NMR, 13C CPMAS NMR spectroscopy and micro-analytical techniques for studying the materials and state of conservation of an ancient Egyptian wooden sarcophagus
Authors:Proietti Noemi  Presciutti Federica  Di Tullio Valeria  Doherty Brenda  Marinelli Anna Maria  Provinciali Barbara  Macchioni Nicola  Capitani Donatella  Miliani Costanza
Affiliation:(1) Laboratorio di Risonanza Magnetica “Annalaura Segre” Istituto di Metodologie Chimiche CNR, Area della Ricerca di Roma, Via Salaria Km 29.300, 00015 Monterotondo, RM, Italy;(2) INSTM c/o Dipartimento di Chimica, Universit? di Perugia, Via Elce di Sotto 8, 06123 Perugia, Italy;(3) Centro di Eccellenza SMAART, Dipartimento di Chimica, Universit? di Perugia, Via Elce di Sotto 8, 06123 Perugia, Italy;(4) CNR-ISTM, Via Elce di Sotto 8, 06123 Perugia, Italy;(5) ISCR - Mibac, Via di San Michele 22, 00153 Rome, Italy;(6) Istituto per la Valorizzazione del Legno e delle Specie Arboree, Area della Ricerca di Firenze, Via Madonna del Piano, 10, 50019 Sesto Fiorentino, Florence, Italy;(7) Centro di Ricerca per le Scienze Applicate alla Protezione dell’ Ambiente e dei Beni Culturali c/o Dipartimento di Chimica, Sapienza Universit? di Roma, Piazzale Aldo Moro 5, Rome, 00185, Italy;
Abstract:
A multi-technique approach was employed to study a decorated Egyptian wooden sarcophagus (XXV–XXVI dynasty, Third Intermediate Period), belonging to the Museo del Vicino Oriente of the Sapienza University of Rome. Portable non-invasive unilateral NMR was applied to evaluate the conservation state of the sarcophagus. Moreover, using unilateral NMR, a non-invasive analytical protocol was established to detect the presence of organic substances on the surface and/or embedded in the wooden matrix. This protocol allowed for an educated sampling campaign aimed at further investigating the state of degradation of the wood and the presence of organic substances by 13C cross polarization magic angle spinning (CPMAS) NMR spectroscopy. The composition of the painted layer was analysed by optical microscopy (OM), scanning electron microscopy–energy dispersive spectroscopy (SEM–EDS), Raman and surface enhanced (resonance) Raman spectroscopy (SERS/SERRS), infrared and GC–MS techniques, evidencing original components such as clay minerals, Egyptian green, indigo, natural gums, and also highlighting restoration pigments and alteration compounds. The identification of the wood, of great value for the reconstruction of the history of the artwork, was achieved by means of optical microscopy.
Keywords:
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