Pitch discrimination abilities in classical Arab-music listeners |
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Authors: | Eitan Globerson Taiseer Elias Nadia Kittany Noam Amir |
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Affiliation: | 1. Gonda Multidisciplinary Brain Research Center, Bar-Ilan University, Israel;2. Jerusalem Academy of Music and Dance, Israel;3. Jerusalem Academy of Music and Dance, Givaat Ram Campus, Jerusalem, Israel;4. Department of Music, Haifa University, Israel;5. Department of Communication Disorders, Sackler Faculty of Medicine, Tel-Aviv University, Israel |
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Abstract: | The current experiment examined pitch discrimination thresholds in listeners of classical Arab music, and listeners of Western popular music. Classical Arab music is characterized by modes (“Maqamat”, plural of “Maqam” in Arabic language) of which the smallest interval is a quarter tone. In contrast, the smallest interval in Western music is a semitone. We hypothesized that daily exposure to a musical style involving minuscule pitch differences may have a positive effect on pitch discrimination abilities. Results demonstrate superior pitch discrimination abilities in the classical Arab music listeners. These results indicate that musical cultures may differ in their influence on perceptual abilities, depending on their basic acoustic characteristics. |
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Keywords: | Psychoacoustics Pitch discrimination Arab music Quarter tones Maqam |
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