New Light on the Alchemical Writings of Michael Sendivogius (1566–1636)

The Polish alchemist Michael Sendivogius is best known for the influential Novum lumen chymicum, a work composed of three separate texts. Sendivogius's authorship was questioned in the mid-seventeenth century, and these reservations are still held by some modern historians. On the other hand, other early modern and modern readers not only accepted his authorship of all three texts, but also ascribed as many as eleven texts to him. This paper discusses the key works published under the anagrammatised name of Sendivogius with the aim of resolving the authorship question. Newly discovered evidence makes it possible to trace the circumstances leading to the publication of these works in much greater detail than previously, and to present new arguments affirming Sendivogius's authorship. In the Tractatus de sulphure, Sendivogius promised to write another two treatises, which readers sought to identify and (in some cases) to write themselves. This paper sets out, and rejects, the arguments for including them in the corpus of genuine Sendivogian writings.     

Establishing the Canon: George Ripley and his Alchemical Sources

Abstract

George Ripley, Canon of Bridlington (ca. 1415 to ca. 1490) was one of England's most famous alchemists, whose alchemical opera attracted study and commentary throughout the sixteenth and seventeenth centuries, and were printed and translated both in England and abroad. Yet Ripley's frequently baffling texts have proved resistant to scholarly interpretation. This paper attempts to unravel some of Ripley's alchemical theories and practice, firstly by identifying his major sources, and secondly by gauging his response to these texts. For instance, although Ripley's interest in the corpus of alchemical texts pseudonymously attributed to Ramon Lull is well documented, it transpires that his best known work, the Compound of Alchemy, or Twelve Gates, is actually based not on a Lullian work, but on a Latin treatise that Ripley attributed to the little-known alchemist, Guido de Montanor. Further clues to Ripley's alchemical thought can be obtained by considering his handling of a potential conflict between his two authorities, Lull and Guido. The resulting insights into Ripley's alchemy provide an instrument for assessing which of Ripley's pseudoepigraphic works can be truly called "canonical".     

Stoicism and Alchemy in Late Antiquity: Zosimus and the Concept of Pneuma

At the beginning of the twentieth century, historians associated the alchemy of the third-century alchemist Zosimus of Panopolis with Platonism and Aristotelianism, explicating his theory of alchemical transmutation under the intellectual umbrella of these philosophical traditions. More recently, scholars of alchemy such as Christina Viano and William Newman have suggested a connection between Zosimean alchemy and Stoicism. Through a close reading of texts in Zosimus’s corpus, this paper posits a Stoic interpretation of several aspects of Zosimean alchemy, focusing on the concepts of pneuma and tension. For Zosimus, I argue, pneuma played a vital role in colouring metals, while tension conferred stability and cohesion upon metallic compounds. This interpretation suggests that Zosimus applied Stoic concepts to describe the alchemical process of tincturing metals.     

Interpretation and the Hieroglyphic Monad: John Dee's Reading of Pantheus's Voarchadumia

Abstract

John Dee's marginalia in his copy of Johannes Pantheus's Voarchadumia (now in the British Library) are an interesting source of information about the development of Dee's scientific ideas in the period between the Propaedeumata Aphoristica (1558) and the Monas Hieroglyphica (1564). In reading the book, Dee has systematically compared the text with Pantheus's earlier work, the Ars Metallicae, and noted any differences between the two largely identical works. Therefore, most of Dee's comments are not indications of his own interests, as has previously been assumed. Only the marginalia that are not concerned with comparing the two texts can be taken to express Dee's own views. These marginalia, probably written in 1559, provide evidence that Dee had already at this time a strong interest in cabbalistic methods as a means of gaining knowledge about natural substances. Cabbalistic speculation was to be central to Dee's thought in the Monas Hieroglyphica, and has previously been taken to indicate a dramatic change in Dee's scientific outlook, towards a spiritual quest. In his marginalia in the Voarchadumia, however, Dee appears to be using cabbalistic methods to gain information on wholly material, non-spiritual matters. The abundant use of the symbol of the hieroglyphic monad in the marginalia provides a further source of insight into the alchemical import of the symbol, five years before the publication of the Monas Hieroglyphica.     

Reviews

Abstract

Recent scholarship on Boyle's Sceptical Chymist has emphasised the alchemical context of Boyle's work. In this paper we will draw attention to its specifically sceptical context. Based on Cicero's works on Academic scepticism, the Academica and De Natura Deorum, we give some grounds for Boyle's choice of the literary style of the work and, in particular, for his choice of Carneades as its main character. Based on Sextus Empiricus's Outlines of Pyrrhonism, we show the sceptical nature of the arguments presented by Carneades against the alchemists. Finally, we set Boyle's Sceptical Chymist in the context of Seventeenth-Century skepticism (Gassendi, Mersenne, Descartes, and Glanvill) in order to shed light on the relation exhibited by Boyle's work between scepticism and the new science, in particular the corpuscular theory.     

R. B. Woodward's Letters: Revealing,Elegant and Commanding

A collection of excerpts from letters written by R. B. Woodward to his friends, colleagues, young students and others is presented. These excerpts are representative of Woodward 's lengthy correspondence and illustrate many aspects of his personality and philosophies of life.     

Descartes,Cardiac Heat,and Alchemy

René Descartes (1596–1650) insisted on a heat and light theory to explain cardiac movement, and used concepts such as distillation of the vital spirits, fermentation in the digestive process, and fermentation in the circulation of the blood. I argue that his theory of the body as a heat-exchange system was based on alchemical and natural philosophical notions of fire and light expounded by precursors and contemporaries who included Jean D'Espagnet, Jean Fernel, Jan Baptist van Helmont, and Andreas Libavius. Descartes endeavoured to mechanise their approaches, creating a theory in which fire and heat, a legacy from thermal explanations of physiology, were transformed into alchemical fire, and then into mechanistic or physicalist heat.     

Enantioselective Organocatalytic Four‐Atom Ring Expansion of Cyclobutanones: Synthesis of Benzazocinones

An enantioselective Michael addition– four‐atom ring expansion cascade reaction involving cyclobutanones activated by a N‐aryl secondary amide group and ortho‐amino nitrostyrenes has been developed for the preparation of functionalized eight‐membered benzolactams using bifunctional aminocatalysts. Taking advantage of the secondary amide activating group, the eight‐membered cyclic products could be further rearranged into their six‐membered isomers having a glutarimide core under base catalysis conditions without erosion of optical purity, featuring an overall ring expansion– ring contraction strategy.     

Distilling Reliable Remedies: Hieronymus Brunschwig's Liber de arte distillandi (1500) Between Alchemical Learning and Craft Practice

Abstract

Hieronymus Brunschwig's Liber de arte distillandi, written in German and first published in Strasbourg in 1500, was the first printed manual on the distillation of medicinal waters. Although influential among early modern audiences and well known to modern scholars, its intriguing blend of intellectual and practical traditions has thus far received little attention. This paper identifies these strands in Brunschwig's technical instructions and shows how they intertwine in the production of reliable remedies. Exploring the intellectual dimension of Brunschwig's work, I argue that his concept of distillation is shaped by an alchemical understanding of matter, especially by the writings on ‘quintessence’ of the fourteenth-century alchemist John of Rupescissa. To realise this concept in the workshop, Brunschwig emphasises the central importance of the body and its senses to ensure true craftsmanship. Brunschwig's printed manual was as much a product of skilled artisanal practices as the distilled waters it describes, and I argue that it was shaped by the same concerns about technical precision and reliability.     

Textual Alchemy: The Transformation of Pseudo-Albertus Magnus's Semita Recta into the Mirror of Lights

Abstract

This article explores the strategies of and the reasons behind the reworking of pseudo-Albertus Magnus's Semita recta into the Mirror of Lights. I argue that the redactor sought to provide a more comprehensive defence of the legitimacy of alchemy than found in the Semita recta. In the process of doing so, he reshaped the original text so as to present three units that addressed different parts of the alchemical opus: first, theory and justification of alchemy; second, basic information on substances and procedures; and, third, practice. The redactor employed sophisticated textual tools identical to those seen in scholastic texts. These strategies, I argue, constitute part of the redactor's attempt to bring authority and credibility to his project and to alchemy in general. Certainly, much more attention needs to be paid to these experiments of textual alchemy in order to understand the practice of alchemy in the late medieval period.     

Syntheses and reactions of porphyrin and metalloporphyrin polymers

Various porphyrin functions such as protoporphyrin IX and chlorin a as well as metalloporphyrin functions such as Mg(II)– and Cu(II)–chlorophyllin a and Fe(III)– and Co(II)–protoporphyrin IX were incorporated into vinyl polymers by preparation and polymerization of their p-vinylbenzyl esters. The porphyrin function was also incorporated by reaction of poly-p-chloromethylstyrene with porphyrins or metalloporphyrins or by the reaction of p-aminostyrene polymers with chlorophyll b through Schiff-base formation. Mg(II)–porphyrin polymers were found to be remarkably effective as catalysts in photoredox systems; porphyrin polymers without central metal atoms were also effective to a lesser extent.