《建筑厅堂音质设计》简介

建筑声学的理论和实践已有１００多年的历史．虽然对于要求高质量音乐演出的厅堂,仍然存在着需要进一步探讨的原理和处理技术,但总的来说,对于不同功能的厅堂,在声学要求上已有一系列音质设计的准则和方法．对于从事建筑设计的工程技术人员,却有时难以全面掌握音质设计的基础要求． 王季卿教授新著《建筑厅堂音质设计》一书（２００１年 １月由天津科技出版社出版）,全面论述了音质设计的原理和技术：既阐述了系统的基础理论,又介绍了最新的研究进展;既讲清了音质设计中的声学原理,又对各种功能的厅堂介绍了典型的设计实例,使设计…     

调制转移函数和在室内声学中的应用

自从1973年在室内声学中引入调制转移函数(MTF)概念以来,实验研究表明MTF能够用来评价厅堂内语言传输的质量。发展了基于MTF概念的计算方法和专用测量仪器。MTF可使建筑师和声学工作者不论在设计阶段还是建成以后用来判断厅堂或扩声系统的语言可懂度。     

从建筑声学到环境声学

本文简述环境声学的发展过程以及在厅堂音质、环境噪声和噪声控制方面的新世纪展望。     

全国厅堂音质研讨会在宁波召开

由中国声学学会环境声学分会和中国建筑学会建筑物理委员会、北京声学学会联合召开的全国厅堂音质研讨会于1989年11月1日至3日在浙江宁波举行。来自全国有关厅堂音质的研究和设计部门共23名代表,在会上宣讲了15篇厅堂音质的研究成果和设计经验文章,并重点研讨了以下四方面的问题: 1.国内外影剧场音质研究、设计的经验教训和音质指标; 2.新技术(方法)在厅堂音质研究、设计中的应用;     

厅堂声学缩尺模型五十二年

厅堂声学缩尺模型自1934年F.Spondok首先提出后,经过五十年代的初步应用时期和六、七十年代的极盛时期,在客观指标测量方面已基本达到了实用化,并在厅堂音质设计和研究中起到了巨大作用。本文对声学缩尺模型五十二年来的发展作了简要回顾。 本文参考了120多篇有关文献。     

英国声学学会会议消息

一、声学中仪器和计算的发展1987年5月26日,伦敦组织者:化学工业学会二、声的重放1987年11月5—8日主要题目:室内和厅堂声学;电视、无线电和录音室声学;娱乐场所噪声控制;语言加强;仪器和测量;扬声器的发展;电子音乐;数字技术.     

国内声学文献索引

(声学分类:0.总类;1.物理声学;2.水声学;3.机械振动学;4.噪声控制学;5.超声学; 6.语言声学;7.生理声学; 8.建筑声学;9.电声学;10.声学测试;11.大气声学; 12.生物声学; 14.音乐声学;15.宇宙声学.) 0.总类超声功率的进展,林仲茂,声学进展,3(1984),No.4.1日本的厅堂音质研究近况,王炳麟,声学进展,3(1984),No.4,13。聚焦冲击波粉碎肾结石的实验研究,张德俊等,声学进展,3(1984),No.4,22。厅堂音质评价研究的进展,柳孝图,声学进展,3(1984),No.4,32。应用声学面临挑战,应崇福,应用声学,4(1985),No.1,1。数学音频唱片,杨克冰,电声技术,(1983),No.5,35。     

厅堂声学计算机模型的应用(英)

此处所介绍的厅堂声学计算机模型计算了房间和多功能厅的声学响应。这个模型是以房厅的三维表示为基础的。每个墙面都赋予一个吸声系数,并且分成更小的单元。首先计算了单元间影响系数所组成的矩阵。对于给定的声源,可以计算每个单元收到的能量,并由此定出房厅内任一点的声级,这样又能够算出（ａ）随距离变化的衰减,（ｂ）在任一平面上的声照度,和（ｃ）任一点所收到声能的接收指向性．可以算出房厅内任一被选定点的回波图,作为接收器所在地接收指向性随时间的演变;这么一个特点使得有可能核对目视图象和声图象之间的可能不符。这个软件能够设法任意修改房间的形状,以最优化房间的声学特征．本文列举了一个厅堂声学的研究例,是关于沙特拉伯首都Ｒｉｙａｄｈ的 Ａｈｕｒａ主厅的。     

我国建筑声学的20年回顾与展望

我国建筑学声在近20年间，无论在科研、设计、声学材料（结构）的研制、生产和应用方面均有较大的发展。在厅堂音质设计的个别领域还取得了突破性的进展。本文就上述几方面作概要的介绍。     

耦合空间的声学研究进展

近年来由于混响室在演艺厅堂工程上的应用,唤发了对耦合空间声场研究的广泛兴趣。本文简短地回顾了马大猷先生对室内声学简正模态理论的贡献,对近代特别是最近15年来室内声学研究在耦合空间方面的发展,做了综述性讨论,包括简正模态分析和模态分解法、统计声学方法、几何声学方法、扩散方程、以及高分辨率实验技术和贝叶斯概率分析在耦合空间研究的应用。值马大猷先生诞辰一百周年之际,以此文缅怀德高望重的声学前辈。     

Review of objective room acoustics measures and future needs

ISO 3382-1 describes a number of objective room acoustics parameters that are generally accepted as useful for rating some specific aspects of concert hall sound fields. They include measures of decay times, energy ratios, measures of sound strength and several quantities related to the spatial aspects of sound fields. In most cases there are details of the measures, or their application, that raise questions. In general, there has not been a lot of practical research to explore how best to develop and use these objective measures to evaluate conditions in concert halls. For some well established measures such as Early Decay Time (EDT), we are not really sure how best to calculate their values. For other measures such as energy ratios, modifications are often proposed but without the support of subjective evaluations of the proposed changes. In other cases, such as measures of spatial impression, two approaches have been suggested, but their relative merits are not well understood. It is easy to propose ever more complex measures, but it is much more difficult to demonstrate their general utility. On the other hand, some commonly described characteristics do not have accepted related objective measures. Many more important and more general problems relate to the need, for design criteria in terms of each quantity, and for an improved understanding of just noticeable differences for each measure. This paper discusses each measure illustrating particular problems with measurements in various halls.     

Overall evaluation for concert hall acoustics

I.IntroductionTherearetwowaysofcvaluatingconcertha1lacoustics.Oneistoevaluatetheacousticalqualityofaconcertha11ateachlistener'spositionrespectively,andtheotheristoevaluatetheacousticalqua1ityofaha1lasawho1e.Bothwaysarebasica1lysimilar.Howcvcr,sincesomcob-icchveparametersmayhavedifTerentvalucsatdifferentpositions,onemustdcfinesuitab1ein-dicestodescribetheseparameters(e.g.meanva1ucsorothers),sothatacomparisonbetweenha1lsbecomcspossib1e,Thispaperdea1swiththelattereva1uationbyusingfuzZysettheory…     

音乐厅音质设计进展述评

本文对近年来音乐厅音质设计中若干问题的进展作一述评。（1）在已建立的众多独立音质参量基础上，如何作出大厅综合评价，就需要考虑到它们的互动性和贡献权，方法学将成为关键。（2）空间感已确认由声源视在展宽度ASW和听者环绕感LEV组成，对于影响两者的诸多复杂因素有了较深入研究，这声场中的细节又将如何与大厅设计相联系亦备受关注。（3）听众及座椅吸声这个老问题有了新的研究成果，对于空、满场的声学关系已积累了更多资料，使大厅音质的估算更为精确可靠。（4）常说扩散对大厅音质很重要，但其主观效应仍然处于玄虚状态，一些新的主观试听实验结果还不足以说明问题。     

An explicit time-domain finite element method for room acoustics simulations: Comparison of the performance with implicit methods

This paper presents the applicability of an explicit time-domain finite element method (TD-FEM) using a dispersion reduction technique called modified integration rules (MIR) on room acoustics simulations with a frequency-independent finite impedance boundary. First, a dispersion error analysis and a stability analysis are performed to derive the dispersion relation and the stability condition of the present explicit TD-FEM for three-dimensional room acoustics simulations with an infinite impedance boundary. Secondly, the accuracy and efficiency of the explicit TD-FEM are presented by comparing with implicit TD-FEM using MIR through room acoustics simulations in a rectangular room with infinite impedance boundaries. Thirdly, the stability condition of the explicit TD-FEM is investigated numerically in the case with finite impedance boundaries. Finally, the performance of the explicit TD-FEM in room acoustics simulations with finite impedance boundaries is demonstrated in a comparison with the implicit TD-FEM. Although the stability of the present explicit TD-FEM is dependent on the impedance values given at boundaries, the explicit TD-FEM is computationally more efficient than the implicit method from the perspective of computational time for acoustics simulations of a room with larger impedance values at boundaries.     

Nonexponential sound decay in concert halls

The paper presents acoustic measurement results for two concert halls in which nonexponential sound decay is observed. Quantitative estimates are given for how the obtained decay laws differ from exponential. Problems are discussed that arise when using reverberation time to assess the quality of room acoustics with nonexponential sound decay.     

人居声环境科学——亚热带建筑科学国家重点实验室近年研究进展

本文介绍华南理工大学亚热带建筑科学国家重点实验室建筑声学子实验室近年来在人居声环境科学领域所开展的研究工作及取得的研究进展。人居声环境科学涵盖建筑声学、环境声学及声景学三个分支学科,分别对应于人居环境科学的三个主干一级学科,即建筑学、城乡规划学及风景园林学。其研究目的在于体现对人们的听觉关怀,创造一个良好的人居声环境。     

时域有限差分法在建筑声学中的应用及前景

介绍了声波方程的基本差分格式及稳定条件、数值色散、吸收边界条件等数值计算理论，例举了前人用时域有限差分法对噪声传播过程的模拟和室内声学中座椅吸声低谷效应模拟的模拟结果。本文指出，由于时域有限差分法的特点使其具有在模拟脉冲响应方而的特别优势，因而，应用这一技术研究厅堂的声学特性，尤其是低频特性，将有重要意义。     

Definition eines raumeindrucksmasses R zur bestimmung des raumeindrucks bei musikdarbietungen auf der grundlage subjektiver untersuchungen

The subjective impression of a room is an essential characteristic of the judgement of the acoustics of a concert hall. In parallel, the investigation ‘Synthetic Sound Fields’ will define a room impression index $\text{R}$ which can be derived from the impulse response of the room.The correlation between the calculated room impression index $\text{R}$ and the subjective judgement of room impression for 125 test sound fields was highly significant. A significant correlation is also obtained between the subjective impression in concert halls and the measured values of room impression index $\text{R}$.     

量子声学及其应用

量子声学是声学的一个前沿和刚刚活跃起来的分支,是继电子学、光子学之后发展迅速的一门新学科,本文就量子声学的诞生,定义和所涉及的内容进行了讨论,较为系统地介绍了与量子声学有关的理论、材料、器件和应用进展。