Objective Indices of Perceived Vocal Strain

BackgroundA limited number of experiments have investigated the perception of strain compared to the voice qualities of breathiness and roughness despite its widespread occurrence in patients who have hyperfunctional voice disorders, adductor spasmodic dysphonia, and vocal fold paralysis among others.ObjectiveThe purpose of this study is to determine the perceptual basis of strain through identification and exploration of acoustic and psychoacoustic measures.MethodsTwelve listeners evaluated the degree of strain for 28 dysphonic phonation samples on a five-point rating scale task. Computational estimates based on cepstrum, sharpness, and spectral moments (linear and transformed with auditory processing front-end) were correlated to the perceptual ratings.ResultsPerceived strain was strongly correlated with cepstral peak prominence, sharpness, and a subset of the spectral metrics. Spectral energy distribution measures from the output of an auditory processing front-end (ie, excitation pattern and specific loudness pattern) accounted for 77–79% of the model variance for strained voices in combination with the cepstral measure.ConclusionsModeling the perception of strain using an auditory front-end prior to acoustic analysis provides better characterization of the perceptual ratings of strain, similar to our prior work on breathiness and roughness. Results also provide evidence that the sharpness model of Fastl and Zwicker (2007) is one of the strong predictors of strain perception.     

Vocal Projection in Actors: The Long-Term Average Spectral Features That Distinguish Comfortable Acting Voice From Voicing With Maximal Projection in Male Actors

This study explored whether acoustic and perceptual features could distinguish comfortable from maximally projected acting voice. Thirteen professional male actors performed a passage from William Shakespeare's Julius Caesar twice. The first delivery used their comfortably projected voices, whereas the second used maximal projection. Acoustic measures, expert ratings, and self-ratings of projection and voice quality were investigated. Long-term average spectra (LTAS) and sound pressure level (SPL) analyses were conducted. Perceptual variables included projection, breathiness, roughness, and strain. When comparing the intensity difference between the higher (2-4 kHz) and lower (0-2 kHz) regions of the spectrum in voice samples from the maximal projected condition, LTAS analyses demonstrated increased acoustic energy in the higher part of the spectrum. This LTAS pattern was not as evident in the comfortable projected condition. These findings offered some preliminary support for the existence of an actor's formant (prominent peak in the upper part of the spectrum) during maximal projection.     

Multidimensional Scaling of Breathy Voice Quality: Individual Differences in Perception

Experiments on disordered voice quality with multidimensional scaling (MDS) have resulted in solutions with low R-square and have failed to show consistent dimensions across different listeners. These findings have been suggested to indicate large individual differences in the perception of voice quality. However, these inconsistencies may originate from several factors, including random stimulus selection, instructions that encourage listeners to respond to global difference in pairs of voices, and noisy perceptual data. This experiment used MDS techniques to study individual differences in perception of breathiness. The voices in the experiment were selected to have a relatively wide variation in breathiness but only minimal variation in roughness, strain, and fundamental frequency. Additionally, listeners were instructed specifically to rate similarities in breathiness rather than judging global differences in voices, and several judgments from each listener were averaged to minimize noise in the data. It was hypothesized that these modifications would result in an MDS solution that accounted for greater variance in perceptual data than previously shown. Results show that averaging multiple responses from each listener increased the R-square from 45% to approximately 75%. The poor R-square and large individual differences in voice quality perception observed in past research may have partly resulted from the experimental procedures in previous studies. These findings suggest that individual differences in the perception of voice quality are not as large as previously thought, and a model of voice quality perception for an "average" listener may be a good representation for the general population.     

The Effect of Perceptual Training on Inexperienced Listeners'' Judgments of Dysphonic Voice

OBJECTIVES/HYPOTHESIS: The purpose of this study was (1) to determine whether changes in intra- and interrater reliability occur for inexperienced listeners' judgments of overall severity, roughness, and breathiness in dysphonic and normal speakers after 2 hours of listener training; and (2) to determine the acoustic bases of inexperienced listeners' judgments before and after training. STUDY DESIGN: Prospective, single group, pre- and postdesign. METHODS: Thirty adult dysphonic and six normal speaker samples were selected from a database. Samples included 21 test stimuli and 15 training stimuli of both sustained vowels and connected speech. Sixteen inexperienced listeners judged all samples for overall severity, roughness, and breathiness using visual analog scales. Each listener provided pretraining ratings at baseline. Listeners were then trained using 15 anchor voice samples and 15 training stimuli. During training, listeners were provided with definitions of rating dimensions, accuracy feedback, and anchor samples. Listeners then judged test stimuli in a posttraining session. Speaker samples also were analyzed acoustically. RESULTS: Intrarater reliability was least variable for judgments of overall severity, but improved further with training. Listener judgments of roughness and breathiness in vowels were least reliable at baseline, but they significantly improved between listeners after training. Finally, measures of cepstral peak prominence significantly predicted all voice quality judgments except roughness in vowels, which was predicted by shimmer. The acoustic bases of group perceptual judgments did not seem to change with training. CONCLUSIONS: These findings have implications for developing training programs in perceptual evaluation and mapping relationships between acoustic and perceptual characteristics of voice disorders.     

Perceptual sensitivity to first harmonic amplitude in the voice source

Little is known about the perceptual importance of changes in the shape of the source spectrum, although many measures have been proposed and correlations with different vocal qualities (breathiness, roughness, nasality, strain...) have frequently been reported. This study investigated just-noticeable differences in the relative amplitudes of the first two harmonics (H1-H2) for speakers of Mandarin and English. Listeners heard pairs of vowels that differed only in the amplitude of the first harmonic and judged whether or not the voice tokens were identical in voice quality. Across voices and listeners, just-noticeable-differences averaged 3.18 dB. This value is small relative to the range of values across voices, indicating that H1-H2 is a perceptually valid acoustic measure of vocal quality. For both groups of listeners, differences in the amplitude of the first harmonic were easier to detect when the source spectral slope was steeply falling so that F0 dominated the spectrum. Mandarin speakers were significantly more sensitive (by about 1 dB) to differences in first harmonic amplitudes than were English speakers. Two explanations for these results are possible: Mandarin speakers may have learned to hear changes in harmonic amplitudes due to changes in voice quality that are correlated with the tones of Mandarin; or Mandarin speakers' experience with tonal contrasts may increase their sensitivity to small differences in the amplitude of F0 (which is also the first harmonic).     

Outcome of Resonant Voice Therapy for Female Teachers With Voice Disorders: Perceptual, Physiological, Acoustic, Aerodynamic, and Functional Measurements

Teachers have a high percentage of voice problems. For voice disordered teachers, resonant voice therapy is hypothesized to reduce voice problems. No research has been done on the physiological, acoustic, and aerodynamic effects of resonant voice therapy for school teachers. The purpose of this study is to investigate resonant voice therapy outcome from perceptual, physiological, acoustic, aerodynamic, and functional aspects for female teachers with voice disorders. A prospective study was designed for this research. The research subjects were 24 female teachers in Taipei. All subjects received resonant voice therapy in groups of 4 subjects, 90 minutes per session, and 1 session per week for 8 weeks. The outcome of resonant voice therapy was assessed from auditory perceptual judgment, videostroboscopic examination, acoustic measurements, aerodynamic measurements, and functional measurements before and after therapy. After therapy the severity of roughness, strain, monotone, resonance, hard attack, and glottal fry in auditory perceptual judgments, the severity of vocal fold pathology, mucosal wave, amplitude, and vocal fold closure in videostroboscopic examinations, phonation threshold pressure, and the score of physical scale in the Voice Handicap Index were significantly reduced. The speaking Fo, maximum range of speaking Fo, and maximum range of speaking intensity were significantly increased after therapy. No significant change was found in perturbation and breathiness measurements after therapy. Resonant voice therapy is effective for school teachers and is suggested as one of the therapy approaches in clinics for this population.     

A model for the prediction of breathiness in vowels

The perception of breathiness in vowels is cued by multiple acoustic cues, including changes in aspiration noise (AH) and the open quotient (OQ) [Klatt and Klatt, J. Acoust. Soc. Am. 87(2), 820-857 (1990)]. A loudness model can be used to determine the extent to which AH masks the harmonic components in voice. The resulting "partial loudness" (PL) and loudness of AH ["noise loudness" (NL)] have been shown to be good predictors of perceived breathiness [Shrivastav and Sapienza, J. Acoust. Soc. Am. 114(1), 2217-2224 (2003)]. The levels of AH and OQ were systematically manipulated for ten synthetic vowels. Perceptual judgments of breathiness were obtained and regression functions to predict breathiness from the ratio of NL to PL (η) were derived. Results show that breathiness can be modeled as a power function of η. The power parameter of this function appears to be affected by the fundamental frequency of the vowel. A second experiment was conducted to determine if the resulting power function could estimate breathiness in a different set of voices. The breathiness of these stimuli, both natural and synthetic, was determined in a listening test. The model estimates of breathiness were highly correlated with perceptual data but the absolute predicted values showed some discrepancies.