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1.
Modifying the vocal tract alters a speaker's previously learned acoustic-articulatory relationship. This study investigated the contribution of auditory feedback to the process of adapting to vocal-tract modifications. Subjects said the word /tas/ while wearing a dental prosthesis that extended the length of their maxillary incisor teeth. The prosthesis affected /s/ productions and the subjects were asked to learn to produce "normal" /s/'s. They alternately received normal auditory feedback and noise that masked their natural feedback during productions. Acoustic analysis of the speakers' /s/ productions showed that the distribution of energy across the spectra moved toward that of normal, unperturbed production with increased experience with the prosthesis. However, the acoustic analysis did not show any significant differences in learning dependent on auditory feedback. By contrast, when naive listeners were asked to rate the quality of the speakers' utterances, productions made when auditory feedback was available were evaluated to be closer to the subjects' normal productions than when feedback was masked. The perceptual analysis showed that speakers were able to use auditory information to partially compensate for the vocal-tract modification. Furthermore, utterances produced during the masked conditions also improved over a session, demonstrating that the compensatory articulations were learned and available after auditory feedback was removed.  相似文献   

2.
An accurate control of fundamental frequency (F0) is required from singers. This control relies on auditory and kinesthetic feedback. However, a loud accompaniment may mask the auditory feedback, leaving the singers to rely on kinesthetic feedback. The object of the present study was to estimate the significance of auditory and kinesthetic feedback to pitch control in 28 students beginning a professional solo singing education. The singers sang an ascending and descending triad pattern covering their entire pitch range with and without masking noise in legato and staccato and in a slow and a fast tempo. F0 was measured by means of a computer program. The interval sizes between adjacent tones were determined and their departures from equally tempered tuning were calculated. The deviations from this tuning were used as a measure of the accuracy of intonation. Statistical analysis showed a significant effect of masking that amounted to a mean impairment of pitch accuracy by 14 cent across all subjects. Furthermore, significant effects were found of tempo as well as of the staccato/legato conditions. The results indicate that auditory feedback contributes significantly to singers' control of pitch.  相似文献   

3.
The role of auditory feedback in speech motor control was explored in three related experiments. Experiment 1 investigated auditory sensorimotor adaptation: the process by which speakers alter their speech production to compensate for perturbations of auditory feedback. When the first formant frequency (F1) was shifted in the feedback heard by subjects as they produced vowels in consonant-vowel-consonant (CVC) words, the subjects' vowels demonstrated compensatory formant shifts that were maintained when auditory feedback was subsequently masked by noise-evidence of adaptation. Experiment 2 investigated auditory discrimination of synthetic vowel stimuli differing in F1 frequency, using the same subjects. Those with more acute F1 discrimination had compensated more to F1 perturbation. Experiment 3 consisted of simulations with the directions into velocities of articulators model of speech motor planning, which showed that the model can account for key aspects of compensation. In the model, movement goals for vowels are regions in auditory space; perturbation of auditory feedback invokes auditory feedback control mechanisms that correct for the perturbation, which in turn causes updating of feedforward commands to incorporate these corrections. The relation between speaker acuity and amount of compensation to auditory perturbation is mediated by the size of speakers' auditory goal regions, with more acute speakers having smaller goal regions.  相似文献   

4.
Twenty-eight audiometrically normal adult listeners were given a variety of auditory tests, ranging from quiet and masked thresholds through the discrimination of simple and moderately complex temporal patterns. Test-retest reliability was good. Individual differences persisted on a variety of psychoacoustic tasks following a period of training using adaptive threshold-tracking methods, and with trial-by-trial feedback. Large individual differences in performance on temporal-sequence-discrimination tasks suggest that this form of temporal processing may be of clinical significance. In addition, high correlations were obtained within given classes of tests (as, between all tests of frequency discrimination) and between certain classes of tests (as, between tests of frequency discrimination and those of sequence discrimination). Patterns of individual differences were found which support the conclusion that individual differences in auditory performance are, in part, a function of patterns of independent abilities.  相似文献   

5.
This study investigated the role of sensory feedback during the production of front vowels. A temporary aftereffect induced by tongue loading was employed to modify the somatosensory-based perception of tongue height. Following the removal of tongue loading, tongue height during vowel production was estimated by measuring the frequency of the first formant (F1) from the acoustic signal. In experiment 1, the production of front vowels following tongue loading was investigated either in the presence or absence of auditory feedback. With auditory feedback available, the tongue height of front vowels was not modified by the aftereffect of tongue loading. By contrast, speakers did not compensate for the aftereffect of tongue loading when they produced vowels in the absence of auditory feedback. In experiment 2, the characteristics of the masking noise were manipulated such that it masked energy either in the F1 region or in the region of the second and higher formants. The results showed that the adjustment of tongue height during the production of front vowels depended on information about F1 in the auditory feedback. These findings support the idea that speech goals include both auditory and somatosensory targets and that speakers are able to make use of information from both sensory modalities to maximize the accuracy of speech production.  相似文献   

6.
Projecting a bicolor sinusoidal fringe pattern consisting of two interlaced RGB format base color fringe patterns with π phase difference onto an object thought digital light projector, we can capture a deformed color pattern by color digital camera, then decode two individual sinusoidal fringe patterns with π phase difference by color-separating technique. Accessing these two fringe patterns, not only are zero-order spectra eliminated, but mask function is also built to mark valid unwrapping area in FTP, automatically.Moreover, because the wrapped phase just inside the valid areas is needed unwrapping, we can mark these areas with mask function, which avoids the error transferring resulting from unwrapping the invalid areas and shortens the unwrapping time. Furthermore, in Fourier transform processing, the full-field deformed fringe pattern generally needed to guarantee measurement precision can be formed by expanding non-full-field fringe pattern captured using the mask function.  相似文献   

7.
Conventional phase diffraction gratings can be used to localize the incoming optical radiation in the near‐field region. A new design of the binary phase diffraction grating is proposed with embedded pupil opaque mask inside each stripe. By means of numerical simulations, it is shown that with this masked phase grating the spatial resolution of the near‐field localization can be substantially improved and brought even beyond the solid immersion limit (λ/2n). Moreover, due to anomalous apodization effect, the subdiffraction field localization is accompanied by intensity enhancement as compared to the non‐masked design. The pupil mask rearranges the optical fluxes within the stripes and promotes the Fano resonances excitation in the periodic step lattice. This can be important for advancing the phase grating‐based super‐resolution technologies, including subdiffraction imaging, interferometry, and surface fabrication.  相似文献   

8.
在低背景噪声的野外环境中,采用小闭集汉语(声母)清晰度测试方法,试验比较了四种防毒面具的清晰度水平。测试结果证实:与不佩戴面具相比,佩戴面具后语言清晰度得分严重降低,并随通话距离的增加而进一步恶化;以75%清晰度得分作为通话性能的可接受限度,那么,不佩戴面具及佩戴四种面具的有效通话距离分别为63.6、15.7、18.6、25.0和26.9m。此外,结合对四种面具传声特性测定结果,本文还分析了清晰度测试方法及其结果的合理性。  相似文献   

9.
This study investigated the contributions of suppression and excitation to simultaneous masking for a range of masker frequencies both below and above three different signal frequencies (750, 2000, and 4850 Hz). A two-stage experiment was employed. In stage I, the level of each off-frequency simultaneous masker necessary to mask a signal at 10 or 30 dB sensation level was determined. In stage II, three different forward-masking conditions were tested: (1) an on-frequency condition, in which the signals in stage I were used to mask probes of the same frequency; (2) an off-frequency condition, in which the off-frequency maskers (at the levels determined in stage I) were used to mask the probes; and (3) a combined condition, in which the on- and off-frequency maskers were combined to mask the probes. If the off-frequency maskers simultaneously masked the signal via spread of excitation in stage I, then the off-frequency and combined maskers should produce considerable forward masking in stage II. If, on the other hand, they masked via suppression, they should produce little or no forward masking. The contribution of suppression was found to increase with increasing signal frequency; it was absent at 750 Hz, but dominant at 4850 Hz. These results have implications for excitation pattern analyses and are consistent with stronger nonlinear processing at high rather than at low frequencies.  相似文献   

10.
At a physiological level, the act of singing involves control and coordination of several systems involved in the production of sound, including respiration, phonation, resonance, and afferent systems used to monitor production. The ability to produce a melodious singing voice (eg, in tune with accurate pitch) is dependent on control over these motor and sensory systems. To test this position, trained singers and untrained subjects with and without expressed singing talent were asked to match pitches of target pure tones. The ability to match pitch reflected the ability to accurately integrate sensory perception with motor planning and execution. Pitch-matching accuracy was measured at the onset of phonation (prephonatory set) before external feedback could be utilized to adjust the voiced source, during phonation when external auditory feedback could be utilized, and during phonation when external auditory feedback was masked. Results revealed trained singers and untrained subjects with singing talent were no different in their pitch-matching abilities when measured before or after external feedback could be utilized. The untrained subjects with singing talent were also significantly more accurate than the trained singers when external auditory feedback was masked. Both groups were significantly more accurate than the untrained subjects without singing talent.  相似文献   

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