Optimization and design of pigments for heat-insulating coatings

This paper reports that heat insulating property of infrared reflective coatings is obtained through the use of pigments which diffuse near-infrared thermal radiation.Suitable structure and size distribution of pigments would attain maximum diffuse infrared radiation and reduce the pigment volume concentration required.The optimum structure and size range of pigments for reflective infrared coatings are studied by using Kubelka-Munk theory,Mie model and independent scattering approximation.Taking titania particle as the pigment embedded in an inorganic coating,the computational results show that core-shell particles present excellent scattering ability,more so than solid and hollow spherical particles.The optimum radius range of core-shell particles is around 0.3 ～ 1.6 μm.Furthermore,the influence of shell thickness on optical parameters of the coating is also obvious and the optimal thickness of shell is 100-300 nm.     

Technical investigation of 15th and 19th century Chinese paper currencies: Fiber use and pigment identification

Herzberg staining, a quick and convenient tool for distinguishing non‐wood fibers from wood pulp, and Raman spectroscopy were employed to investigate three paper currencies issued under the reign of the Chinese Ming and Qing Emperors between 15^th and 19^th centuries ‐ da ming bao chao (AMS C‐14 Date: 1410‐1435 AD, ±1σ) from the Early Ming Dynasty (1405–1433 AD) and da qing bao chao (1859 AD) and hu bu guan piao (1854–1858 AD) from the Late Qing Dynasty (1840–1911 AD). Fiber staining and microscopic examination revealed a predominance of bast fiber from probably mulberry trees and very few cotton fibers (supposed to be environment contamination) in da ming bao chao; fibers in da qing bao chao and hu bu guan piao turned out to be quite pure, which are also bast fibers but very likely came from ramie and paper mulberry trees, respectively. Raman analysis of red, blue, and black pigments on the investigated paper currencies showed that: (1) The reddish seal on da ming bao chao is not a vermilion (HgS) paste, as it is traditionally assumed, but instead a red lead (or minium, Pb₃O₄) one. The red pigments on both da qing bao chao and hu bu guan piao are vermilion (HgS). (2) Prussian blue (Fe₇(CN)₁₈⋅14‐16H₂O), a Western pigment, was identified as blue on both da qing bao chao and hu bu guan piao. (3) The black pigment on all these three paper currencies is amorphous carbon from soot. (4) Raman analysis of evenly distributed white pigment particles among the fibers in da qing bao chao confirmed the use of calcium carbonate (CaCO₃) as coating pigment or fillers. Both microscopic examination of stained fibers and Raman analysis allowed, for the first time, the understanding of fiber and pigment use in producing ancient Chinese paper currencies. Copyright © 2013 John Wiley & Sons, Ltd.     

A study on red lead degradation in a medieval manuscript Lorvão Apocalypse (1189)

The mechanisms of red lead degradation were studied in a medieval Portuguese codex, Lorvão Apocalypse (1189), by Raman microscopy (µ‐Raman) and micro‐X‐ray diffraction (µ‐XRD). The range of pigments found for the illuminations is mainly limited to vermilion, orpiment and red lead. Micro‐Fourier transform infrared spectroscopy (µ‐FTIR) determined that the pigments were applied in a proteinaceous binding medium. In the red and orange colours, arsenic (As) was determined, by micro‐energy dispersive X‐ray fluorescence (µ‐EDXRF), to be ranging 1–4% (wt %). For those colours, lead white and calcium carbonate were found as fillers whereas orpiment was applied as a pure pigment. Raman microscopy identified, unequivocally, the degradation product of red lead as galena [lead (II) sulphide, PbS]. To determine the main factors affecting red lead degradation, a set of accelerating ageing experiments was designed to assess the influence of extenders and of the two other pigments, vermilion and orpiment. The experiments were followed by µ‐Raman, µ‐EDXRF and XRD. Raman microscopy results for the simulation of degradation of red lead, in the presence of orpiment, are in agreement to what was found in the Lorvão Apocalypse, galena being the main degradation product; also in common is a Raman band at ca. 810 cm⁻¹, which was attributed to a lead arsenate compound. It was concluded that in Lorvão Apocalypse, the degradation of red lead was a result of its reaction with orpiment. Copyright © 2009 John Wiley & Sons, Ltd.     

The first in situ Raman spectroscopic study of San rock art in South Africa: procedures and preliminary results

Southern Africa has a rich heritage of hunter‐gatherer, herder and farmer rock art traditions made by using both painted and engraved techniques. Until now, there have been only a handful of studies on the chemical analysis of the paint, as all previous types of analysis required the removal of pigment samples from the sites a practice which has been avoided. Raman spectroscopy is an ideal techniques to analyse the paint non‐destructively and also offers the possibility of in situ work with portable instruments. This article describes the procedures and reports the preliminary results of the first in situ Raman spectroscopic study of rock art in South Africa (also a first worldwide), where we, first, evaluate the capability of a Raman portable instrument in very difficult conditions, second, analyse the paints in order to contribute to a better knowledge of the technology used and, third, evaluate the possible contribution of in situ analyses in conservation studies. The paintings from two different rock art sites were studied. The instrument proved to be highly suitable for in situ analyses in physically very challenging conditions. Most of the pigments and alteration products previously detected under laboratory conditions were identified, thereby giving information on both the pigments and conservation state of the paintings. A layered structure of alteration products and pigment was identified in situ for the first time by controlling the laser power, thereby obtaining the same results as in mapping experiments of cross sections of paint. Copyright © 2010 John Wiley & Sons, Ltd.     

Pigment analysis of Portuguese portrait miniatures of 17th and 18th centuries by Raman Microscopy and SEM‐EDS

Seventeen Portuguese miniature portraits on copper support from the Évora Museum collection (Portugal) were analyzed in situ and nondestructively by Raman microscopy (RM), SEM‐EDS, and stereomicroscopy. This work constitutes a great breakthrough in the study of miniature paintings from the 17^th and 18^th centuries, since the chemical information known about this unique kind of paintings are still scarce, and in particular, this exclusive collection was never been subjected to any physicochemical study. In this work, each portrait was examined in detail in order to characterize the pigments palette used by the miniaturists. The μ‐Raman analysis, in particular, guaranteed an exceptional visualization and good individual identification of small grains of pigments and other constituents of the pictorial layer. Using this technique, 19 compounds were identified, including bluish black covellite, a pigment rarely found in oil paintings. SEM‐EDS was used as an important complementary technique to confirm the chemical nature of some pigments and to identify shell gold (gold dust) in some portraits. Overall, the pigments identified in this large set of old paintings are broadly consistent with those mentioned in the painting treatises of that time or reported in other more modern bibliographic sources. Copyright © 2014 John Wiley & Sons, Ltd.     

FT‐Raman spectroscopy of pigments on a Hindu statue,Kali Walking on Siva

FT‐Raman spectroscopic analysis of eight pigmented specimens from an important Hindu statue group, Kali Walking on Siva, acquired in 1895 but of indeterminate age and now in the Horniman Museum, London, has revealed some interesting and unusual combinations of coloured pigments including cinnabar, minium, lapis lazuli and red ochre. Several specimens showed evidence of organic additives, which have been attributed to shellac resins commonly believed to have been used on this type of statuary. The Raman spectroscopic results confirm that the predominant black pigment on the Kali figure is lamp black or soot, in contrast to the SEM‐EDX data that suggests the origin of this pigment as from bone black or ivory black from the presence of phosphorus. An eclectic range of white pigments have been identified in this group including lead white, barytes, calcite and anhydrite; rutile and anatase found on one specimen on the jackal in this group have been ascribed to recent unrecorded restoration. Copyright © 2006 John Wiley & Sons, Ltd.     

Analysis of mural paintings using in situ non‐invasive XRF,FTIR spectroscopy and optical microscopy

An analytical protocol consisting of X‐ray fluorescence spectroscopy, optical microscopy and Fourier transform infrared spectroscopy was used to study the origin and the nature of the materials (pigments, binders and coating preparation) of the Fundenii Doamnei church mural paint from Bucharest. The main interest of the present study consisted in the original votive paint from narthex, painted in 1757 in a secco technique. During analysis, an unexpected pigment in the votive paint could be detected by the combined analytical techniques: ultramarine blue. Along with this pigment, the presence of gypsum binder based on egg and flax seed oil could also be evidenced. These results demonstrated a secco execution technique of the votive paint and also the presence of a restoration treatment. Moreover, during the present study, the components of the preparation layer and the constitutive pigments from both 1699 and 1757 years mural paints have been analyzed. Hence, the following pigments could be identified: vermilion, azurite, cinnabar, lead white, ochre, natural umber and gold, by using the combination of the analytical techniques. The novelty of our results consists in detecting the composition of the materials used in this church painting (fresco and a secco) during these 254 years since its first restoration. The results of these investigations pointed to the suitability of the non‐destructive and semi‐destructive analytical techniques in the complex characterization of the paints realized in different techniques, at different periods. Copyright © 2013 John Wiley & Sons, Ltd.     

Modeling red coral (Corallium rubrum) and African snail (Helixia aspersa) shell pigments: Raman spectroscopy versus DFT studies

Pigments from red coral (Corallium rubrum) and African snail (Helixia aspersa) shell were studied non‐invasively using Raman spectroscopy with 1064‐nm laser beam. The two observed bands because of organic pigments confined in biomineralized CaCO₃ matrix at about 1500 and 1100 cm⁻¹ were assigned to ν(CC) and ν(C―C), respectively. Both signals originate from polyene(s) of largely unknown structure, containing several conjugated CC bonds. The small peak at 1016 cm⁻¹ in the Raman spectrum of coral pigment was assigned to in‐plane ―CH₃ rocking or structural deformation of polyene chain because of spatial confinement in the mineral matrix. The organic pigments in red coral and snail shell were present in inorganic matrix containing aragonite (shell) and calcite (coral). In addition, using Raman spectroscopy, it was observed that aragonite was replaced by calcite as result of healing damaged parts of snail shell. This is an important finding which indicates a great potential of nondestructive Raman spectroscopy instead of X‐ray technique, as a diagnostic tool in environmental studies. To support analysis of the observed Raman spectra detailed calculations using density functional theory (DFT with B3LYP and BLYP density functionals) on structure and vibrations of model all‐trans polyenes were undertaken. DFT calculated CC and C―C stretching frequencies for all‐trans polyenes containing from 2 to 14 CC units were compared with the observed ν(CC) and ν(C―C) band positions of the studied coral and shell. Individual correction factors were used to better match theoretical wavenumbers with observed band positions in red coral and African snail. It was concluded that all‐trans polyene pigments of red coral and dark parts of African snail shell contain 11–12 and 14 CC double bond units, respectively. However, Raman spectroscopy cannot produce any clear information on the presence and nature of the end‐chain substituents in the studied pigments. Copyright © 2016 John Wiley & Sons, Ltd.     

Testing of Raman spectroscopy as a non‐invasive tool for the investigation of glass‐protected pastels

Five French pastels and a sanguine drawing dating from the 17th to the 20th century were studied by Raman spectroscopy. Different operative conditions were used: the pastels were investigated through their protective glass, and the results obtained were compared with those obtained after removing the glass and after sampling a micrometric particle of pigment. Different parameters (wavelengths, powers of excitation and objectives) were tested in order to assess the optimal procedure of analysis for this fragile work of art. The results obtained for black (carbons), yellow (chrome/cobalt yellow), red (lead oxide, vermillion, orpiment), brown (red lead and chrome yellow), blue (Prussian blue, lapis lazuli/ultramarine), green (mixture of above blue and yellow pigments) and white (calcite, lead white, anatase) pigments are presented and the consistency of the pigments' period of use with the dating proposed for each pastel is evaluated. In one of the pastels, the blackening of the carnation colour made of an unstable mixture of lead white, red lead and vermilion was studied. Copyright © 2010 John Wiley & Sons, Ltd.     

基于可见光谱的古代壁画颜料无损鉴别方法

矿物颜料是古代壁画显色的物质基础,其可见光谱反映自身物质和物理属性。不同颜料对可见光吸收特性的差异导致光谱曲线形状不同,同一种颜料因粒径等级差异引起光谱曲线幅值的规律性变化。依据矿物颜料上述特性,提出一种基于可见光谱的古代壁画颜料无损鉴别方法,通过光谱归一化方法实现不同粒径等级的同一颜料光谱曲线叠合,去除颜料粒径等级对光谱曲线幅值变化的影响,然后提取表征光谱曲线在各波段增减性和凹凸性的一阶与二阶导数特征,与光谱曲线组合得到颜料物质属性鉴别的光谱组合特征空间,以光谱角和欧式距离为基础构建评价指标,计算待鉴别颜料与数据库参考样本在光谱特征空间中的匹配误差(ME),实现颜料物质属性的鉴别。通过构建矿物颜料平均粒径大小和光谱反射率均值之间关系函数,实现颜料平均粒径大小的鉴别。基于构建的古代壁画常用颜料光谱数据库,以莫高窟壁画为对象,通过非接触式原位无损测量方法测量获得壁画颜料的可见光谱数据,对本文方法进行了验证,并以石绿和青金石颜料的鉴别结果为例,对古代壁画颜料使用技法、不同朝代颜料使用的差异性及原因进行了探讨。该方法将为更加全面深入研究和保护古代壁画提供有效的理论与方法支撑。     

Della Robbia blue glaze: micro‐Raman temperature study and X‐ray fluorescence spectroscopy characterization

Micro‐Raman temperature study and X‐ray fluorescence (XRF) spectroscopy were used for characterization of the blue glaze on Saint John the Baptist—majolica terracotta relief attributed to Andrea Della Robbia and Saint John the Baptist with Cross—majolica terracotta statue attributed to Giovanni Della Robbia. Both objects are on permanent exhibition in the John and Mable Ringling Museum of Art in Sarasota, FL. This study proves that the detection of the 548 cm⁻¹ Raman band alone cannot serve as evidence for presence of lazurite crystallites in the pigment in the glaze. It was established that the famous Della Robbia blue is due to the combined effect of Co Ni Cu Zn atoms and S₃⁻ ions embedded in a lead silicate matrix. It is proposed that the Della Robbia family used Co‐containing sulfide ores as a source for manufacturing their blue pigments. Copyright © 2009 John Wiley & Sons, Ltd.     

Determination by Raman scattering of the nature of pigments in cultured freshwater pearls from the mollusk Hyriopsis cumingi

The nature of pigments in naturally colored pearls is still under discussion. For this study, Raman scattering measurements were obtained for 30 untreated freshwater cultured pearls from the mollusk Hyriopsis cumingi covering their typical range of colors. The originality of this work is that seven different excitation wavelengths (1064 nm, 676.44 nm, 647.14 nm, 514.53 nm, 487.98 nm, 457.94 nm, 363.80 nm) are used for the same samples at the highest possible resolution. All colored pearls show the two major Raman features of polyenic compounds assigned to double carbon–carbon (CC) – at about 1500 cm⁻¹ – and single carbon–carbon (C C) – at about 1130 cm⁻¹ – bond stretching mode, regardless of their specific hue. These peaks are not detected in the corresponding white pearls, and therefore seem directly related to the major cause of body color. Additionally, the exact position of CC stretching vibration shows that these compounds are not members of the carotenoid family. Moreover, some changes are observed in intensities, shape and positions of the two main characteristic polyenic peaks from one sample to the next. Similar changes are observed also using several excitation wavelengths for the same point of the same pearl. The exact position of C C stretching vibration of polyenic molecules depends strongly on the number of double bonds (N) contained in their polyenic chain. Hence, using a constrained decomposition of this band for different excitation wavelengths, up to nine different pigments may be detected in the same pearl. Their general chemical formula is R‐( CHCH )_N‐R′ with N = 6–14. All our colored samples contained at least four pigments (N = 8–11). Different colors are explained by different mixtures, not by a simple change of pigment. The chemical nature of the chain ends is still unknown, because it cannot be detected with Raman scattering. However, it is possible that these polyenes are complexed with carbonate molecules of the nacre. Similar coloration mechanisms are found in products from other living organisms (e.g. parrots feathers). Moreover, it seems that a similar series of pigments is found in other pearls also, as well as in some marine animals living in similar environments (e.g. corals). Copyright © 2006 John Wiley & Sons, Ltd.     

受干扰光谱信息中矿物颜料粒径信息的获取

矿物颜料的准确配色是实现文物壁画高品质修复,颜色高保真还原的关键技术。矿物颜料颗粒的粒径大小是影响矿物颜料颜色信息和光谱反射率信息的一个重要因素。准确获取壁画表面的矿物颜料光谱反射率信息,是实现颜料颗粒粒径信息识别的有效途径。但是,由于壁画表面矿物颜料部分采样点的光谱信息受到了干扰,无法与不同粒径的矿物颜料的光谱数据库准确匹配,因此也无法从采集的光谱信息中获取有效的粒径信息。针对受干扰的颜料光谱信息,提出利用比值导数法对其进行处理。把光谱信息从光谱反射率空间转换到比值导数光谱空间进行匹配,降低光谱中的干扰信息,增强矿物颜料颗粒本身的光谱特征信息。以壁画中常用的不同粒径的石青和石绿矿物颜料为实验对象,制成色块样本,以基底和白色颜料为主要影响因素,对文中提出的方法进行测试。光谱角度量的结果和光谱曲线图的匹配结果显示,在比值导数光谱空间,获得了满意的光谱匹配精度。验证了文中提出的分析方法可以解决实验中受干扰颜料光谱匹配不准确而无法获得粒径信息的问题,能够为壁画修复过程中矿物颜料的配色提供准确的粒径信息参考。     

Discrimination of carotenoid and flavonoid content in petals of pansy cultivars (Viola x wittrockiana) by FT‐Raman spectroscopy

Fourier Transform Raman spectroscopy (FT‐Raman) has been applied for the non‐destructive in‐situ analysis of pigments on differently colored flower petals of pansy cultivars (Viola x wittrockiana). The main target of the present study was to investigate how far the Raman mapping technique through FT‐Raman spectroscopy and cluster analysis of the Raman spectra is a potential method for the direct, in‐situ discrimination of flavonoids (flavonols against anthocyanins) and of carotenoids occurring in flowers, using intact and differently colored flower petal of Viola x wittrockiana for this case study. In order to get more information about the reliability of the direct in‐situ flavonoid detection by the Raman method, pigments extracts of the petals were separated by thin‐layer chromatography (TLC) and investigated by Raman spectroscopy. Hierarchical cluster analysis (HCA) of the Raman spectra from reference pigments (carotenoids, anthocyanins and flavonols), from areas of the flower petals, and from the TLC extracts allowed discriminating the various pigments, in particular flavonoids (flavonols against anthocyanins) and carotenoids. With a two‐dimensional Raman mapping technique, which provides a chemical image of the sample under investigation, we determined by cluster analysis the distribution of carotenoids, anthocyanins and flavonols from the outer layer of the petals, and by integrating through suitable spectral regions selected as characteristic markers for particular pigments their relative concentration could approximately be determined. We found a satisfactory correlation between the patterns seen on the visible images and the patterns on the chemical images obtained by Raman mapping. Copyright © 2011 John Wiley & Sons, Ltd.     

Synthesis and fading of eighteenth‐century Prussian blue pigments: a combined study by spectroscopic and diffractive techniques using laboratory and synchrotron radiation sources

Prussian blue, a hydrated iron(III) hexacyanoferrate(II) complex, is a synthetic pigment discovered in Berlin in 1704. Because of both its highly intense color and its low cost, Prussian blue was widely used as a pigment in paintings until the 1970s. The early preparative methods were rapidly recognized as a contributory factor in the fading of the pigment, a fading already known by the mid‐eighteenth century. Herein two typical eighteenth‐century empirical recipes have been reproduced and the resulting pigment analyzed to better understand the reasons for this fading. X‐ray absorption and Mössbauer spectroscopy indicated that the early syntheses lead to Prussian blue together with variable amounts of an undesirable iron(III) product. Pair distribution functional analysis confirmed the presence of nanocrystalline ferrihydrite, Fe₁₀O₁₄(OH)₂, and also identified the presence of alumina hydrate, Al₁₀O₁₄(OH)₂, with a particle size of ～15 Å. Paint layers prepared from these pigments subjected to accelerated light exposure showed a tendency to turn green, a tendency that was often reported in eighteenth‐ and nineteenth‐century books. The presence of particles of hydrous iron(III) oxides was also observed in a genuine eighteenth‐century Prussian blue sample obtained from a polychrome sculpture.     

Raman Spectrum of Vanadium-Zirconia Yellow Pigment

Monoclinic vanadium-zirconia yellow pigments were prepared by gelling mixtures of zirconium n-propoxide and vanadyl acetylacetone. The nature of interactions between the host ion and the foreign cation in the vanadium-zirconia pigment was investigated in order to contribute to a better understanding of the origin of this pigmenting system using Raman scattering measurements. The Raman spectra of powdered samples of the vanadium-zirconia pigment recorded between 100 and 1400 cm^?1 show the peaks at 991, 701, and 403 cm^?1 assigned to the asymmetric and symmetric stretching and bending vibrations of the V⁴⁺ = O bonds, respectively. The assignment of these peaks was discussed by comparison with Raman spectra of vanadium oxides and on the basis of V-O bond distances deduced from the Hardcastle and Wachs equation and from the valence state of the vanadium cation calculated by Brown in the valence sum rule. This suggests that the V⁴⁺ cations replace Zr⁴⁺ in sevenfold coordinated site in the monoclinic zirconia structure. The V⁴⁺ cation allowing the d-d electronic transition is related to the origin of the lemon yellow coloration.     

Three fabricated pigments (Han purple,indigo and emerald green) in ancient Chinese artifacts studied by Raman microscopy,energy‐dispersive X‐ray spectrometry and polarized light microscopy

In this study, we analyzed three fabricated pigments from ancient artifacts in China. The purple pigment was obtained from a painted pottery figurine unearthed from the Chu Tombs group of the Western Han dynasty in Xuzhou, Jiangsu Province. The dark blue dye was from silk textiles in the Palace Museum. The green pigment was from decorative paintings on ancient architectures in the Palace Museum. These pigments were analyzed with Raman microscopy (RM), energy‐dispersive X‐ray (EDX) analytic spectroscopy and polarized light microscopy (PLM). By comparing their Raman spectra with standard samples, the primary ingredients of the purple pigment and the dark blue dye were found to be Han purple and indigo, respectively. However, the green pigment could not be identified by RM because of strong fluorescence. It was then confirmed to be emerald green by using EDX analytic microscopy and PLM. We also describe the traditional manufacturing methods of these pigments and their applications on artifacts in Chinese history. Copyright © 2007 John Wiley & Sons, Ltd.     

表面修饰的钛酸钡的拉曼光谱

采用水热法制得表面包裹有十二烷基苯磺酸(DBS)和硬脂酸(St)的BaTiO₃纳米粒子，平均粒径均为60nm左右.拉曼光谱检测结果表明，样品的确为表面包裹有表面活性剂(DBS或St)的BaTiO₃纳米粒子集合体.与未包裹的相比，各光学声子模对应的拉曼振动模式峰均发生了蓝移.还发现不同的包裹体，所导致的蓝移值也不同.从纳米粒子的表面结构及包裹层的压力出发对此现象进行了定性解释和讨论. 关键词： 拉曼光谱 3纳米粒子')" href="#">DBS/ BaTiO₃纳米粒子 蓝移     

Evaluation of Raman and SERS analytical protocols in the analysis of Cape Jasmine dye (Gardenia augusta L.)

The identification of organic colorants in works of art (such as dyes on textiles or organic pigments) by Raman spectroscopy is generally limited by the presence of a strong fluorescence background. In this paper, the effectiveness of minimizing fluorescence in the analysis of Cape Jasmine (Gardenia augusta L.) by dispersive Raman spectroscopy at three different excitation wavelengths (633, 785 and 1064 nm) and by surface‐enhanced Raman spectroscopy (SERS) with and without acid hydrolysis is evaluated and compared. It is shown that these vibrational techniques offer an alternative analytical approach, when, as is particularly the case of Cape Jasmine, sample preparation procedures that are routinely applied for natural organic dyes and pigments cause alterations that lead to low sensitivity in the more classical high‐performance liquid chromatography‐photodiode array (HPLC‐PDA) analytical protocols. Samples of the yellow dye G. augusta L. in the following forms were analyzed: dyed on alum mordanted wool, dyed on nonmordanted and alum mordanted silk, pigment precipitated on hydrated aluminum oxide, extract mixed with a protein binder and painted on glass, and as a water‐based glaze applied on a mock‐up of a typical Chinese wall‐painting. Raman bands at 1537, 1209 and 1165 cm⁻¹ are identified as discriminating markers for the carotenoid colorant components crocetin and crocin. Copyright © 2009 John Wiley & Sons, Ltd.     

Detection of explosives on human nail using confocal Raman microscopy

Trace amounts of explosives were detected on human nail using confocal Raman microscopy. Contamination of the nail can result from the manual handling, packaging or transportation of explosive substances. Raman spectra were obtained from pentaerythritol tetranitrate (PETN), trinitrotoluene (TNT), ammonium nitrate and hexamethylenetetramine (HMTA) particles on the surface of the nail with dimensions in the range 5–10 µm. An added difficulty in an analytical procedure is the presence of a nail varnish coating that has been applied, which traps the particulate matter between the coating and nail. Using confocal Raman microscopy, interference‐free spectra could be acquired from particles of explosives visually masked by the nail varnish. Spectra of the explosives could be readily obtained in situ within 90 s without alteration of the evidential material. Acquisition of a Raman point map of a PETN particle under the nail varnish coating is also reported. Copyright © 2008 John Wiley & Sons, Ltd.