Application of ATR-far-infrared spectroscopy to the analysis of natural resins

This study proposes FTIR spectroscopy in the far-infrared region (FarIR) as an alternative method for the characterisation of natural resins. To this purpose, standards of natural resins belonging to four different categories (sesquiterpenic, i.e. elemi, shellac; diterpenic, i.e. colophony, Venice turpentine; diterpenic with polymerised components, i.e. copal, sandarac; triterpenic, i.e. mastic and dammar) used as paint varnishes have been analysed by FarIR spectroscopy in ATR mode. Discrimination between spectral data and repeatability of measurements have been magnified and verified using principal component analysis, in order to verify the effectiveness of the method in distinguishing the four resin categories. The same samples were analysed in the MidIR range, but the spectral differences between the different categories were not evident. Moreover, the method has been tested on historical samples from the painting “La Battaglia di Cialdiran” (sixteenth century) and from a gilded leather (seventeenth century). In the first case, FarIR spectroscopy allowed confirmation of the results obtained by analytical pyrolysis. In the latter, FarIR spectroscopy proved successfully, effective in the identification of the superficial resin layer that could not be detected with the bulk chromatographic analyses.     

Direct-temperature mass spectrometric detection of volatile terpenoids and natural terpenoid polymersin fresh and artificially aged resins

Electron impact (EI) ionization and ammonia chemical ionization (NH(3)/CI) direct-temperature mass spectrometry (DTMS) was used to characterize five natural terpenoid resins: dammar, mastic, colophony, Manila copal and sandarac. Compositional differences were highlighted by the identification of low molecular mass compounds, ranging from di- to triterpenoids, and polymeric components, based on polycadinene and polycommunic acid. Photo-ageing processes occurring under accelerated indoor and outdoor exposure conditions were also investigated. NH(3)/CI and tetramethylammonium hydroxide EI were applied to increase the sensitivity towards highly oxidized molecules. Oxidation and cross-linking reactions were found to affect mostly triterpenoid resins and diterpenoid abietane and pimarane molecules. Oxidation proceeds through a radical mechanism, generally starting from conjugated double bonds. Oxygen atoms are incorporated in the terpenoid structures in the form of alcohols, ketones and carboxylic acids. Oxidized cadinene oligomers released by pyrolytic degradation of the polycadinene fraction of dammar were detected even in unaged samples. Evidence is given indicating the occurrence of cleavages in the cross-linked polycommunic structure of aged sandarac and Manila copal. Bond scissions produce oligomeric fragments based on the communic acid structure and sufficiently volatile to be desorbed at low temperature in DTMS measurements.     

Analytical characterization of diterpenoid resins present in pictorial varnishes using pyrolysis-gas chromatography-mass spectrometry with on line trimethylsilylation

A procedure based on the technique of the pyrolysis-gas chromatography-mass spectrometry (Py-GC-MS) has been applied, in this work, in order to determine the composition of diterpenoid resin employed in art works. The method is based on the on line derivatization of these resins using hexamethyldisilazane (HMDS). Results obtained were compared with those previously reported in literature from Venice turpentine, Strasbourg turpentine, colophony, sandarac and Manila copal using this same method and with those others from in situ thermally assisted hydrolysis and methylation with tetramethylammonium hydroxide (TMAH). Canada balsam, copper resinate and Copaiba balsam have been also analyzed extending the scope of this method in the field of the analysis of artwork materials. Several non-reported trimethylsilylated derivatives of compounds present in the diterpenoid resins have been identified. An improvement in sensitivity has been obtained by using HMDS as derivatizing reagent, together with a better resolution of the most representative peaks. Additionally, this method reduces the number of pyrolytic fragmentation, recombination, dehydration and isomerization products formed during the pyrolysis process and, in consequence, more simplified chromatograms are obtained. Finally, the reported procedure has been successfully used for characterizing two diterpenoid resin-based varnishes present in the canvas painting "The Betrothal of the Virgin" (Anonymous, 17th century) which is included in the pictorial collection of Saint Joseph Church in Taormina (Italy) and the Magdalena Tryptich (Master of Alzira, 16th century, Valencia, Spain).     

Pyrolysis gas chromatography-mass spectrometry of natural resins used for artistic objects

Summary Eight resins used as protective layers for paintings, small sculptures, jewelries and artistic furniture, namely, Manila copal, colophony, Venice turpentine, elemi, shellac, dammar, sandarac and mastic were subjected to pyrolysis gas chromatography-mass spectrometry (PY-GC-MS). Significant mass spectral ions were monitored in each pyrogram. A table for identification of such resins based on the most significant ions in the mass spectra of the pyrolysis fragments is proposed. The results of PY-GC-MS analysis of a sample from the earth globe Giovanni Enriques, attributed to the Venetian geographer Vincenzo Coronelli (1650–1718) (Museo della Specola, Department of Astronomy, University of Bologna), are reported as an example of practical application of the method to a real artistic sample.     

GC-MS characterisation and identification of natural terpenic resins employed in works of art

Natural resins were frequently employed in the past as adhesives or as components of oleo-resinous media in paintings. The identification of vegetable resins is still an open problem. The aim of this paper is to analyse by GC-MS some vegetable resins frequently employed in paintings, such as Venice turpentine, dammar, copal, elemi, in order to identify their main components in samples both raw and aged. Some molecules are proposed as chemical markers to identify these natural resins. Two samples scraped off from XV and XVII century paintings were used to test the reliability of proposed method.     

Hyphenation of Curie-point-pyrolysis high-resolution gas chromatography with several spectroscopic methods for the analysis of cured epoxy resins

The coupling of Curie-point pyrolysis (Py) with gas chromatography (GC) and mass spectrometry (MS) or Fourier transform infrared spectroscopy (FTIR) has been widely reported. The approach reported in this paper combines chromatographic separation with eluent monitoring by use of three different spectroscopic detectors (MS, FTIR and Atomic Emission Detector [AED]). The features of these detectors, with different selectivities, are shown for the analysis of cured epoxy resins. Besides characterisation of major resin constituents by identification of the pyrolysis products, the usefulness of the AED is also revealed by the detection of minor compounds (such as coupling agents) in cured epoxy resins.     

Characterization of acrylic resins used for restoration of artworks by pyrolysis-silylation-gas chromatography/mass spectrometry with hexamethyldisilazane

A procedure based on the technique of the pyrolysis-GC/MS has been applied, in this work, in order to determine the composition of synthetic acrylic resins employed in artworks. The method is based on the on line derivatization of these resins using hexamethyldisilazane (HMDS). Results obtained have been compared with those others from direct pyrolysis and in situ thermally assisted hydrolysis and methylation with tetramethylammonium hydroxide (TMAH). Sensitivity using HMDS as derivatising reagent is found similar to that from direct pyrolysis and methylation with TMAH. Better resolution of the most representative peaks has been also obtained. Additionally, this method reduces the formation of free acrylic acid molecules during the pyrolysis process and, in consequence, more simplified and well-resolved chromatograms are obtained. Finally, the reported procedure has been successfully used for characterizing several acrylic-based varnishes and binding media currently used in Fine Arts and real pictorial samples from graffiti performed on a Middle Ages bridge.     

Characterisation of Siccative Oils, Resins and Pigments in Art Works by Thermochemolysis Coupled to Thermal Desorption and Pyrolysis GC and GC-MS

Thermal desorption in the presence of tetramethylammonium hydroxide (TMAH) has been applied to materials belonging to the artistic field to verify the effectiveness of the derivatisation reaction. Thermal desorption of siccative oils and abietane resins give consistent results with traditional pyrolysis in methylation conditions, while as regard antraquinonic dyes the milder thermal treatment leads to the formation of more diagnostic compounds than pyrolysis.     

Study of Burseraceae resins used in binding media and varnishes from artworks by gas chromatography-mass spectrometry and pyrolysis-gas chromatography-mass spectrometry

In the present work, a study attempting to characterize the Manila elemi and Mexican copal resins from the Burseraceae family, which are used as components of varnishes and binding media of artworks, has been carried out. A new GC-MS method involving the use of methyl chloroformate as derivatisation reagent has been proposed. A second method which uses pyrolysis-GC-MS and hexamethyldisilazane as derivatization reagent has also been applied. Characterization of the main components of the mono-, sesqui- and triterpenoid fractions occurring in the raw materials has been achieved. Both alpha- and beta-amyrin have been established as the major triterpenoid compounds occurring in these resins together with hop-22(29)-en-3beta-ol, found only in the Mexican copal. Artificially aged samples of Manila elemi and Mexican copal have also been analysed in order to study the stability of the triterpenoid components of the resins and their possible use as marker molecules. The results obtained indicate that these molecules, in particular, alpha- and beta-amyrin undergo oxidation processes during both artificial and natural ageing. Nevertheless, hop-22(29)-en-3beta-ol could be selected as marker compound for Mexican copal. The proposed methods of analysis have been applied to real paint samples extracted from paintings in which Mexican copal was present as the main component of an "oleoresin" binding medium to assess their ability for identifying this product when used in artworks. Satisfactory identification of this resin is obtained by means of GC-MS whereas Py-GC-MS provides, in general, weaker signals for the components of the resin. Additionally, the influence of the pigments present in real samples on the resin ageing process has been considered.     

Pyrolysis-gas chromatography-mass spectrometry of cured phenolic resins

A previously described pyrolysis device with a movable reaction zone was used in the present work for thermal degradation of cured novolac and resol resins. After the pyrolysis the usual major components were identified, as well as relatively low-volatile aromatic compounds which were revealed after their separation in a capillary chromatographic column. Among the latter components, for both types of cured resins, xanthene and its methyl derivatives were found. The isomers of bis(hydroxyphenyl)methane were found in considerable quantities only in the case of partially cured novolac resins which contained any linear sequences in their structure.     

Behaviour of phospholipids in analytical reactive pyrolysis

Checking for the presence of egg in a painting layer allows to decide whether or not it is a tempera. Several already assessed analytical techniques may be used to perform the chemical analysis for the detection of egg in paintings. As an advantageous and alternative methodology for the determination of egg, a new application of analytical pyrolysis, hyphenated with gas chromatography–mass spectrometry (GC–MS) system, in presence of hexamethyldisilazane (HMDS) and tetramethylammonium-hydroxide (TMAH), is reported here. The innovation lays mainly in the choice of new markers for the presence of egg. It is here demonstrated that in art diagnostic tris-TMS-ester and methyl ester of phosphoric acid, generated by the pyrolysis of standard phospholipids and synthetic painting layers containing egg as binding medium, may be used as new markers for identification of egg in tempera layers. The adoption of these new markers in analytical pyrolysis allows to obtain higher analytical performance with respect to classical markers (fatty acids), especially in terms of yield and, as a consequence, in terms of limit of detection.     

Characterisation of fresh and aged terpenic resins by micro-FTIR and GC-MS analyses of varnishes in XVI-XVII centuries paintings

Resinous materials, generally added to drying oils, were often employed as final protective films in paintings, both in tempera and oil techniques. Most of the resins used in fine arts come from exudates of plants. Natural resins are mainly composed by terpenoids. Among these resins, dammar, rosin, mastic, elemi gum, Venice turpentine were frequently employed in easel paintings. The aim of this work is the identification of natural resins in samples collected from works of art. In this paper we propose to use micro-FTIR spectrometry as a preliminary and non destructive technique to detect the presence of resinous materials in microsamples collected from paintings, followed by GC-MS analyses to obtain a precise identification of the resin. To reach this aim commercial resins, employed as standard, were analysed previously by micro-FTIR spectrometry and then analysed by GC-MS chromatography, searching characteristic chemical compounds used as "markers" of resins. The results obtained on standards allowed us to successfully analyse samples collected from two works of art: the "Portrait of a Young Gentleman", by Lorenzo Lotto (XVI century), and the "Madonna with the Infant Jesus and Saints": by Carlo Maratta (XVII secolo).     

Mass spectrometric methodology for the analysis of highly oxidized diterpenoid acids in Old Master paintings

Diterpenoid resins from larch and pine trees and the corresponding fractions in a >100-year-old wax-resin adhesive and varnish and a 200-year-old resin/oil paint sample were analysed with by gas chromatography/mass spectrometry (GC/MS) using several off-line and on-line derivatization methods. The main resin compounds were highly oxidized abietic acids. Important products found are hydroxydehydroabietic acids (OH-DHAs), 7-oxoDHA, di-OH-DHAs and 15-OH-7-oxoDHA. The last two compounds have not been reported to occur in artworks before. Larixyl acetate, an important marker from larch resins, was found to be still present in high amounts in the adhesive. A large number of mass spectra of the different oxidation products and larixol and larixyl acetate are presented and their fragmentation behaviour under electron impact conditions is discussed. An index for the degree of oxidation (IDOX) of the abietic acids is presented as an indicator of the degree of oxidation of the matrix in which the resin is present. The IDOX was 0.10, 0.67, 0.81 and 0.76 for the fresh resins, the dark-aged adhesive, the aged varnish and the resin/oil paint, respectively (measured with pyrolysis (Py)-tetramethylammonium hydroxide (TMAH)-GC/MS). Py-TMAH-GC/MS and direct temperature-resolved mass spectrometry are reliable, valuable and fast techniques for the assessment of the presence and degree of oxidation of diterpenoid resins. Copyright 2000 John Wiley & Sons, Ltd.     

Natural resins and balsams from an eighteenth-century pharmaceutical collection analysed by gas chromatography/mass spectrometry

Historical nomenclature has not always been unequivocally associated with the botanical origin of natural resins. The availability of natural resins has changed throughout the centuries and so have their trade names. Furthermore, adulterations and lack of knowledge have led to variations in the composition of the products traded under the same name. This investigation aims at a new understanding of the interrelation between the historical and modern terms for natural resins. Different Pinaceae and Pistacia resins, mastic, sandarac, copaiba balm and burgundy pitch from Vigani’s Cabinet, a 300-year-old pharmaceutical collection owned by Queens’ College, Cambridge (UK) were investigated. Related reference materials from modern collections were analysed together with natural resins derived from reliable botanical sources. The analytical method was gas chromatography/mass spectrometry (GC-MS) with and without derivatisation with trimethylsulfonium hydroxide. This technique provided detailed molecular compositions of the studied materials, which in turn led to particular data profiles of the materials. Marker molecules of Copaifera, Pinaceae, Cupressaceae and Pistacia resins were identified. By comparing the GC-MS data profiles to the reference samples, a clearer picture of the connection between nomenclature and botanical origin was obtained. With the aid of the marker molecules and data profiles, it was then possible to clarify the nomenclature of the aged resins sampled from Vigani’s Cabinet.     

Determination of volatile elements in biological materials by isotopic dilution ETV-ICP-MS after dissolution with tetramethylammonium hydroxide or acid digestion

Isotopic dilution for the determination of Ag, Cd, Hg, Pb and Tl in biological materials by ETV-ICP-MS is proposed. The sample was simply dissolved with tetramethylammonium hydroxide (TMAH) or acid digested in a microwave furnace, with an on line matrix separation. When the dissolution was employed, Ir was used as a chemical modifier for Hg and Pb and Pd was used for Cd and Tl. No modifier was used for Ag. The pyrolysis temperatures were taken from pyrolysis temperature curves. The on line preconcentration was performed in a flow injection system with solenoid valves and was based on the analyte complexation with ammonium diethyldithiophosphate and sorption of the complexes on C(18) bonded to silica gel in a minicolumn. For the digested sample submitted to the analyte preconcentration procedure, a modifier, Ir, was only used for Hg. For the other analytes, since a low pyrolysis temperature, 300 degrees C, was employed, no modifier was added. The isotopic dilution calibration was applied to two certified materials, bovine liver and dog fish muscle, dissolved with TMAH or acid digested, and to another two certified materials, corn bran and rice flour, acid digested and submitted to analyte preconcentration. The obtained concentration values agree with the certified ones, showing that this calibration procedure leads to accurate results in the determination of low concentrations of volatile elements. Due to simplicity, the dissolution with TMAH is very attractive.     

Elastomers: sulphur or peroxide cross‐linked? An analytical approach

The analytical methods presented in this study lead to a characterisation of the vulcanisation system of unknown elastomers. The chemical determination of sulphur gives a first impression of the system. However, it cannot be proved with any degree of certainty weather a product is sulphur cross‐linked or not. Other wet chemical methods (colour reactions) are more suitable for quality control of already known systems. Most spectrometric methods (infrared spectrometry, Raman spectrometry, nuclear resonance spectrometry) are only of use for special applications and for research. A more precise characterisation is obtained by means of chromatographic methods , i.e. by identifying the products, which originated from thermal degradation of the cross‐linking reagents (sulphur, sulphur donators, peroxides). Evolved‐Gas‐Analysis (EGA) and pyrolysis gas chromatography with adequate detectors proved to be very successful as chemical‐analytical methods for such investigations. In order to make a reliable statement about the vulcanisation system of unknown elastomeric material, the results of several analytical methods have to be collected and evaluated.     

Improved quality assessment of proprietary Chinese medicines based on multi‐chemical class fingerprinting

Our present study constitutes the first successful attempt to employ eight distinctive chemical groups of compounds for the quality evaluation of a complex traditional Chinese herbal medicine (TCHM) material: BaZhen YiMu (BZYM). Due to the complexity of its matrix, which is composed of nine different herbal ingredients, five representative chemical groups encompassing representative bioactive markers were initially chosen as targets for the quality assessment of this preparation. Furthermore, with the aid of LC‐ESI‐MS, three additional chemical groups were characterized. In summary, a total of nineteen markers belonging to eight different chemical groups were selectively displayed in the chromatographic fingerprint of BZYM preparation. With this fingerprint, the overall quality of any BZYM preparation can be comprehensively authenticated. The chromatographic separation was performed on an HP C₁₈ AQ column with a gradient elution of ACN and aqueous solution containing 0.1% phosphoric acid at the optimal detection wavelength of 230 nm. The established method was rigorously validated with respect to the ICH guidelines and represents the most extensive and facile HPLC quality control technique for this formulation. Compared with the conventional method of using a single or only a few markers of the same chemical group, this technique provides a new dimension for TCHM quality control.     

Devolatilisation characteristics of coal and biomass blends

The characterisation of the initial devolatilisation products could provide important information for understanding synergistic effects and subsequently the formation routes leading to toxic organic compounds and soot during co-combustion. Initial devolatilisation characteristics of the fuels have been characterised following co-pyrolysis experiments. This paper investigates the devolatilisation behaviour during co-pyrolysis of pinewood together with one of three coals of different rank, lignite or high-volatile bituminous of different origin. A range of pyrolysis experiments has been performed over a temperature range from 400 to 900 °C using pyrolysis–GC–MS (py–GC–MS) and thermogravimetric analysis (TGA). Larger scale batch pyrolysis experiments of the hv bituminous coal–pine mixture have been performed enabling collection of the evolved tars. These tars have then been characterised by GC–MS and size exclusion chromatography (SEC). For these batch pyrolysis tests, synergy (non-additive behaviour) was observed and the blend pyrolysis oil contained a decrease in aromatics and an increase in phenols than would be expected for additive behaviour. The molecular weight distributions of the evolved tars also show non-additive behaviour. For the TGA experiments, additive behaviour was seen for all the coal–pine blends studied. Similarly, no obvious synergy was observed by py–GC–MS for the bituminous coal–pine blends, or for model compound–coal and coal–biomass component blends. Non-additive combustion behaviour is not easily explained by studying devolatilisation because of the difficulty in replicating the conditions of temperature profile and residence time experienced by the volatiles. Thus, conflicting behaviour is exhibited depending upon pyrolysis technique.     

Pyrolysis–gas chromatographic analysis of poly(vinyl chloride). II. In situ absorption of HCl during pyrolysis and combustion of PVC

A pyrolysis–gas chromatographic technique for measuring the amount of hydrogen chloride released during the high temperature pyrolysis of poly(vinyl chloride) resins, plastisols, copolymers and compounds containing inert fillers has been developed. The technique, which is also applicable to the analysis of chlorinated polyethylene and chlorinated poly(vinyl chloride), is based on the use of a standard precursor of HCl, poly(vinyl chloride) homopolymer. The analysis has been successfully used to measure the degree of in situ absorption of HCl during pyrolysis by certain basic fillers [K₂CO₃, CaCO₃, CaO, MgO, Al(OH)₃, Na₂CO₃, Al₂O₃ and LiOH] dispersed in a poly(vinyl chloride)–o-dioctyl phthalate matrix. Combustion of a number of combustion residues (chloride determination) revealed that the amount of HCl absorbed by the basic filler was independent of the method of degradation (pyrolysis or combustion). Flammability measurements of those matrices having the same composition indicate that in situ absorption of HCl during combustion has little effect on the overall flammability of these materials.     

Characterisation of historical organic dyestuffs by liquid chromatography–mass spectrometry

This review discusses the characterisation of natural organic dyestuffs of historical interest by liquid chromatography–mass spectrometry. The structures of the most important natural organic dyestuffs traditionally used are presented and discussed from the perspective of their analytical chemical determination. The practical aspects of the determination of this inhomogeneous range of compounds with different structures, such as anthraquinones, flavonoids, indigoids or tannins, are discussed with their implications for sample preparation, liquid chromatographic separation and mass spectrometric detection. The particular focus of this review is the discussion of the mass spectral fragmentation patterns of the different classes of natural organic dyestuffs, which in the ideal case allow the identification of the dyestuff actually used, and thereby provide a key to the better characterisation and understanding of historical objects dyed with natural organic dyestuffs. Figure LC-MS allows characterisation of natural dyestuff constituents: the MS spectrum of alizarin is superimposed over a photo of a textile coloured using this red dye